Vol. 1 No. 10 (2012)

Vol. 1 No. 10 (2012)

Published January 12, 2012
https://doi.org/10.12795/Comunicacion.2012.v01.i10

Articles

Patrícia Azambuja, Larissa Leda F. Rocha
3-10
Televisão digital, recepção e conteúdo: o audiovisual para além dos seus padrões analógicos
https://doi.org/10.12795/comunicacion.2012.v01.i10.01
PDF (Español (España))
Teresa Bellón Sánchez de la Blanca
17-31
A new narrative model. TV fiction and transmediation
https://doi.org/10.12795/comunicacion.2012.v01.i10.02
PDF (Español (España))
Gisella G.S. Castro
32-41
Notas sobre a inserçao da telenovela brasileira na cibercultura
https://doi.org/10.12795/comunicacion.2012.v01.i10.03
PDF (Español (España))
Patrica Margarida Farias Coelho
42-51
Novas Estrategias publicitarias: Games e advergames
https://doi.org/10.12795/comunicacion.2012.v01.i10.04
PDF (Español (España))
Rogério Covaleski
52-62
O processo de hibridização da narrativa publicitária
https://doi.org/10.12795/comunicacion.2012.v01.i10.05
PDF (Español (España))
Águeda Delgado Ponce, Francisco Granados García
63-77
Film adaptations of video games: an analysis and characterisation of the audio-visual narrative of both media
https://doi.org/10.12795/comunicacion.2012.v01.i10.06
PDF (Español (España))
Maria Lília Dias de Castro
78-93
A fala autorreferencial na televisao brasileira: estratégias e formatos
https://doi.org/10.12795/comunicacion.2012.v01.i10.07
PDF (Español (España))
Jose Antonio Palao Errando
94-114
Hyper-framing/hyper-accounts: considerations on a narratology of post-classical films
https://doi.org/10.12795/comunicacion.2012.v01.i10.08
PDF (Español (España))
Raquel Gomes de Oliveira, Fábio Costa
115-130
The triple mimesis in the transmedia narrative of the performance ‘Esfuerzo’
https://doi.org/10.12795/comunicacion.2012.v01.i10.10
PDF (Español (España))
Eduardo de la Cruz
708-719
Memory/memories, cinema and society: the perspective of Argentine cinema
https://doi.org/10.12795/comunicacion.2012.v01.i10.09
PDF (Español (España))
Vicente Gosciola
131-139
A Máquina de Narrativa Transmídia: transmidiação e literatura fantástica
https://doi.org/10.12795/comunicacion.2012.v01.i10.11
PDF (Español (España))
Fernando Morales Morante , Paula Hernández
140-149
Web series: similarities and differences in an emerging online narrative forma
https://doi.org/10.12795/comunicacion.2012.v01.i10.12
PDF (Español (España))
Ignacio Lasierra Pinto
150-163
New paths in the narrative strategies of the TV drama series The Wire
https://doi.org/10.12795/comunicacion.2012.v01.i10.13
PDF (Español (España))
Teresa Gema Martín Casado, Carmen Echazarreta Soler, Manel Vinyals i Corney
164-175
Advertising discourse in the twenty-first century. From television to the Internet. New media or new forms of audio-visual consumption?
https://doi.org/10.12795/comunicacion.2012.v01.i10.14
PDF (Español (España))
Mª Ángeles Martínez García
176-186
The 360º strategy as a possible future for content generation. The case of Jelly Jamm
https://doi.org/10.12795/comunicacion.2012.v01.i10.15
PDF (Español (España))
Teresa Ojer, Elena Capapé
187-200
New business models in the distribution of audio-visual content: the case of Netflix
https://doi.org/10.12795/comunicacion.2012.v01.i10.16
PDF (Español (España))
Daniel Peixoto Ferreira, Gilberto dos Santos Prado
201-210
Narrativas Procedurais e Interativas: as Novas Estratégias de Criação e a Expressividade do Digital
https://doi.org/10.12795/comunicacion.2012.v01.i10.17
PDF (Español (España))
Carlos Eduardo Pinheiro, Márcio Monteiro
211-223
Notas sobre a participação do público na programação televisiva brasileira: formatos de programas, tecnologias e modos de interação
https://doi.org/10.12795/comunicacion.2012.v01.i10.18
PDF (Español (España))
Denis Porto Renó, Raquel Longhi, Sandra Ruiz
224-235
Different genres in the transmedia narrative of the documentary 33
https://doi.org/10.12795/comunicacion.2012.v01.i10.19
PDF (Español (España))
Sílvia Regina Saraiva Orrù
236-247
Trocando em Miúdos: A Narrativa Seriada na Campanha Publicitária “Gourmand em Casa”
https://doi.org/10.12795/comunicacion.2012.v01.i10.20
PDF (Español (España))
Eduardo Ramos Rodríguez
248-263
Adapt or perish: new scenarios for the survival of audio-visual production companies in Andalusia
https://doi.org/10.12795/comunicacion.2012.v01.i10.21
PDF (Español (España))
Isabel Martínez Martínez, María Gallego Reguera
264-275
El Novo Cinema Galego, propuesta de definición y clasificación
https://doi.org/10.12795/comunicacion.2012.v01.i10.22
PDF (Español (España))
Constanza Ambiado Cortés1, Rosario Fernández Ossandón
276-288
Concerning Latin American immigrants on Chilean TV: stigmas and frontiers in audio-visual narratives
https://doi.org/10.12795/comunicacion.2012.v01.i10.23
PDF (Español (España))
Ángel Pablo Cano Gómez, Isabel María García González, María del Carmen Robles Andreu
289-304
The miscegenation of the account: narrative and characters in the series Lost
https://doi.org/10.12795/comunicacion.2012.v01.i10.24
PDF (Español (España))
Edson Capoano, Marcelo Dias
305-315
“NósOtros”: um programa de TV glocal na América Latina
https://doi.org/10.12795/comunicacion.2012.v01.i10.25
PDF (Español (España))
Maria Ignês Carlos Magno
316-323
O cinema construindo o imaginário dos deslocamentos sociais pelos territórios e fronteiras.
https://doi.org/10.12795/comunicacion.2012.v01.i10.26
PDF (Español (España))
Teresa Fraile Prieto
324-337
Music for persuasion. Musical appropriations and generic hybridisations in broadcast advertising
https://doi.org/10.12795/comunicacion.2012.v01.i10.27
PDF (Español (España))
Lívia Fusco Rodrigues
338-348
Ecos do Novo Cinema Latino Americano no Cinema Latino Americano Contemporâneo do Brasil e Colômbia
https://doi.org/10.12795/comunicacion.2012.v01.i10.28
PDF (Español (España))
Ma. Eugenia González Alafita, Daniel M. Ramírez Cabrera, José Vicente Rodríguez Chávez
349-362
The dubbing and subtitling of Mexicanisms in cinematographic language. A Mexican perspective
https://doi.org/10.12795/comunicacion.2012.v01.i10.29
PDF (Español (España))
Vicente Gosciola
363-370
A conceituação de Deslocografia para o cinema de migrações
https://doi.org/10.12795/comunicacion.2012.v01.i10.30
PDF (Español (España))
Irene H. Liberia Vayá
371-386
- Joaquim Jordà and the documentary of creation: narrative fragmentation, reality-fiction hybridisation and awareness of representation in the construction of the account
https://doi.org/10.12795/comunicacion.2012.v01.i10.31
PDF (Español (España))
Denise Moraes Cavalcante
387-395
Entre o hotel e a cidade: espaços em trânsito no filme Encontros e desencontros da diretora Sofia Coppola
https://doi.org/10.12795/comunicacion.2012.v01.i10.32
PDF (Español (España))
Irene
396-411
Genre mixing in US TV fiction. The case of Joss Whedon
https://doi.org/10.12795/comunicacion.2012.v01.i10.33
PDF (Español (España))
Ana Carolina Rocha Pessôa Temer, Marcia Perencin Tondato
429-442
Representations of Bolivians in the Brazilian media: the question of work and economic migrations in Latin America
https://doi.org/10.12795/comunicacion.2012.v01.i10.34
PDF (Español (España))
Adalberto Diehl Rodriguez
426-438
Carmen de Mérimée e Bizet: um olhar francês sobre a Espanha
https://doi.org/10.12795/comunicacion.2012.v01.i10.35
PDF (Español (España))
Ana María López
439-452
Migration and displacement: representations of identity conflicts
https://doi.org/10.12795/comunicacion.2012.v01.i10.36
PDF (Español (España))
Alfredo Caminos
453-463
Film your village and cinema will be immortal (the cinema of Cordoba reflects another Argentine cinema)
https://doi.org/10.12795/comunicacion.2012.v01.i10.37
PDF (Español (España))
Georgiana Lucía Dragota
464-478
Ethnic identity constructions in the narrative of Rumanian TV fiction
https://doi.org/10.12795/comunicacion.2012.v01.i10.38
PDF (Español (España))
Cristina Cruces Roldán
479-503
Audio-visual constructs of flamenco. The anthropological perspective and the representation of ritual
https://doi.org/10.12795/comunicacion.2012.v01.i10.39
PDF (Español (España))
Susana Díaz
504-516
Audio-visual adaptation and discursive hybridisation. The series Wallander as a paradigm
https://doi.org/10.12795/comunicacion.2012.v01.i10.40
PDF (Español (España))
Ma. Eugenia González Alafita, Cristina Dávalos, Mariell Gutiérrez
517-530
Modern Family and cultural messages: the perceptions of young Mexican viewers of the US TV series
https://doi.org/10.12795/comunicacion.2012.v01.i10.41
PDF (Español (España))
Paola Lagos Labbé
531-546
Roundtrips between belonging and rootlessness. The narrative construction of the home and identity in the autobiographical documentary video diaries of David Perlov
https://doi.org/10.12795/comunicacion.2012.v01.i10.42
PDF (Español (España))
Claudio Maldonado Rivera
547-557
Mapuche audio-visual narratives on YouTube. Subalternity on the global web
https://doi.org/10.12795/comunicacion.2012.v01.i10.43
PDF (Español (España))
Liliana Navarra
558-571
A subversao social na trilogia de Joao Cesar Monteiro: uma análise sociológica
https://doi.org/10.12795/comunicacion.2012.v01.i10.44
PDF (Español (España))
Inmaculada Sánchez-Labella Martín
572-584
The construction of female characters in children’s stories. A qualitative and quantitative study of cartoon series broadcast on Spanish TV versus those broadcast on Mexican TV: a transatlantic image
https://doi.org/10.12795/comunicacion.2012.v01.i10.45
PDF (Español (España))
María Esther Sánchez Hernández, José David Urchaga Litago, Miguel Ángel Huerta Floriano
585-598
Nationality in comedies broadcast in Spain between 1980 and 2009
https://doi.org/10.12795/comunicacion.2012.v01.i10.46
PDF (Español (España))
Felipe Silva Montellano
599-605
A critical review of Chilean cartoon programmes
https://doi.org/10.12795/comunicacion.2012.v01.i10.47
PDF (Español (España))
Toni Simó Mulet, Jesús Segura Cabañero
606-618
Audio-visual narrative and hybridisation in the context of diasporic and relational art
https://doi.org/10.12795/comunicacion.2012.v01.i10.48
PDF (Español (España))
Fernanda Téllez Vega
619-631
Transnational audio-visual narrative as regards homosexuality
https://doi.org/10.12795/comunicacion.2012.v01.i10.49
PDF (Español (España))
Andréa Antonacci, Dayse Maciel de Araujo
632-642
A memória do governo militar brasileiro na narrativa audiovisual da telenovela e sua ressignificação pelos estudantes do ensino superior
https://doi.org/10.12795/comunicacion.2012.v01.i10.50
PDF (Español (España))
Natalia Christofoletti Barrenha
643-652
The headless woman (Lucrecia Martel, 2008) and the mechanism of oblivion in the past and present
https://doi.org/10.12795/comunicacion.2012.v01.i10.51
PDF (Español (España))
Camila Cárdenas Neira
653-665
How is Chile’s recent past represented in two semiotic ways? The reconstruction of memory in Historia del siglo XX chileno and Los archivos del cardenal
https://doi.org/10.12795/comunicacion.2012.v01.i10.52
PDF (Español (España))
Ana María Castillo Hinojosa, Núria Simelio Solà, María Jesús Ruiz Muñoz
666-681
The reconstruction of the recent past through TV narrative. A comparative study of Chile and Spain
https://doi.org/10.12795/comunicacion.2012.v01.i10.53
PDF (Español (España))
Fábio Costa, Raquel Gomes de Oliveira
682-693
Cavernas e Cinema, Sonho e Narrativa
https://doi.org/10.12795/comunicacion.2012.v01.i10.54
PDF (Español (España))
Glaucia Davino, Fernanda Bellicieri
694-707
Roteiro: nascimento, vida e obra narrativa
https://doi.org/10.12795/comunicacion.2012.v01.i10.55
PDF (Español (España))
Silvia Donoso Hiriart
720-734
The cinematographic mode in the story of Hijo de Ladrón (Manuel Rojas)
https://doi.org/10.12795/comunicacion.2012.v01.i10.56
PDF (Español (España))
Santiago Fillol
734-742
- From Blow Up to La Jetée. Photographs of a past to be revealed in Uncle Boonmee Who Can Recall His Past Lives
https://doi.org/10.12795/comunicacion.2012.v01.i10.57
PDF (Español (España))
Sandra Fischer, Geraldo Carlos do Nascimento
743-754
Vilões, Heróis e Lugares na Telenovela Brasileira Contemporânea: A Favorita e Insensato Coração
https://doi.org/10.12795/comunicacion.2012.v01.i10.58
PDF (Español (España))
Rafael Franco Coelho
01-01-2012
Algumas notas sobre a historia do cinema documentario etnográfico
https://doi.org/10.12795/comunicacion.2012.v01.i10.59
PDF (Español (España))
Pedro Matute
767-774
And after the digital age, what?
https://doi.org/10.12795/comunicacion.2012.v01.i10.60
PDF (Español (España))
Jorge Carrega
775-786
Um período maneirista na obra de John Ford
https://doi.org/10.12795/comunicacion.2012.v01.i10.61
PDF (Español (España))
Antonio Pantoja Chaves
787-799
Remembering the future. The construction of imaginaries of the future in fiction films
https://doi.org/10.12795/comunicacion.2012.v01.i10.62
PDF (Español (España))
Juan Carlos Pérez García
800-816
Saving Private Ryan with 300 (Spartans): History, memory, myth
https://doi.org/10.12795/comunicacion.2012.v01.i10.63
PDF (Español (España))
Estrella Martínez Rodrigo, Lourdes Sánchez Martín , Rosario Segura García
817-827
The Spanish Civil War in current cinema: Encontrarás Dragones
https://doi.org/10.12795/comunicacion.2012.v01.i10.64
PDF (Español (España))
Gabriela Santos Alves
828-838
Memória, história e fotografia: retratos de Monteiro Lobato sobre o Brasil no início do século XX
https://doi.org/10.12795/comunicacion.2012.v01.i10.65
PDF (Español (España))
Jesús Adolfo Soto Curiel, Marcos Ramírez Espinosa, Laura Figueroa Lizárraga
839-847
Audiovisual narrative in documental entnobiographical filmmaking as a tool for the reconstitution of collective memory: the case of the Paipai community in Santa Catarina, Baja California, Mexico
https://doi.org/10.12795/comunicacion.2012.v01.i10.66
PDF (Español (España))
Daniel Vela Valldecabres
848-854
New storylines in Hollywood films: evil as an element of persuasion
https://doi.org/10.12795/comunicacion.2012.v01.i10.67
PDF (Español (España))
Otto Roberto Yela Fernández
854-870
The film El lápiz del carpintero, a narrative analysis on the basis of complexity
https://doi.org/10.12795/comunicacion.2012.v01.i10.68
PDF (Español (España))
María del Rosario Luna, María García García
871-879
The influence of Dogma 95 on narratives in Argentine cinema
https://doi.org/10.12795/comunicacion.2012.v01.i10.69
PDF (Español (España))
Rafael Alberto Barragán Gómez
880-895
Representations of Latin America in Hergé’s The Adventures of Tintin
https://doi.org/10.12795/comunicacion.2012.v01.i10.70
PDF (Español (España))
Javier Calvo Anoro
896-906
The vampiric body: the opening of a dual gender identity in True Blood
https://doi.org/10.12795/comunicacion.2012.v01.i10.71
PDF (Español (España))
Ana María Castillo Hinojosa
907-916
Online film and broadcast fiction on social networking sites: practices for building identity and relationships on Facebook
https://doi.org/10.12795/comunicacion.2012.v01.i10.72
PDF (Español (España))
Mónica Eliana García Gil
917-928
The axiological dimension of cinema: the representation of social and civic values in Colombian cinema in the new century
https://doi.org/10.12795/comunicacion.2012.v01.i10.73
PDF (Español (España))
Beatriz González de Garay, Juan Carlos Alfeo
929-942
Inferiority and superiority complexes: a comparative study of the representation of the immigrant character in Fawlty Towers and Aída, between xenophobia and parody
https://doi.org/10.12795/comunicacion.2012.v01.i10.74
PDF (Español (España))
Sara González Fernández
943-957
The representation of violence in Spanish youth series
https://doi.org/10.12795/comunicacion.2012.v01.i10.75
PDF (Español (España))
Pablo Ferrando García
.958-974
Itineraries of the empty word. Concerning the TV productions of Michael Haneke
https://doi.org/10.12795/comunicacion.2012.v01.i10.76
PDF (Español (España))
Beatriz Herrero Jiménez, Samuel Caraballo Estévez
975-990
Negotiation and breaking up in Tres días con la familia: the new generation of family melodramas
https://doi.org/10.12795/comunicacion.2012.v01.i10.77
PDF (Español (España))
Saúl Lázaro Altamirano
991-1005
The social representation of Guadalupanism in the TV programme La Rosa de Guadalupe
https://doi.org/10.12795/comunicacion.2012.v01.i10.78
PDF (Español (España))
Marta Ortega Lorenzo, Núria Simelio Solà
1006-1016
The representation of working women in prime time series broadcast in Spain (2010)
https://doi.org/10.12795/comunicacion.2012.v01.i10.79
PDF (Español (España))
Amanda Paz Alencar
1017-1031
The intercultural mediatisation of the social space in daily TV newscasts
https://doi.org/10.12795/comunicacion.2012.v01.i10.80
PDF (Español (España))
Marcia Perencin Tondato
1031-1046
Viajando com a telenovela: o turismo ficcional como ampliação de universos simbólicos e materiais
https://doi.org/10.12795/comunicacion.2012.v01.i10.81
PDF (Español (España))
Alicia Álvarez Vaquero
1047-1064
The narrative of TV music programmes: evolution and new structures
https://doi.org/10.12795/comunicacion.2012.v01.i10.82
PDF (Español (España))
Paloma Contreras Pulido, José Ignacio Aguaded Gómez
1065-1075
The voice of prisoners on the radio: from the objects of discourse to its constructors
https://doi.org/10.12795/comunicacion.2012.v01.i10.83
PDF (Español (España))
Jorge Esteban Blein
1076-1090
The risk of humanising villains and its impact on the main storyline of Red Dragon
https://doi.org/10.12795/comunicacion.2012.v01.i10.84
PDF (Español (España))
Marta Galán Zarzuelo
1091-1102
Activist cinema and video-activism: the audio-visual discourses of social movements
https://doi.org/10.12795/comunicacion.2012.v01.i10.85
PDF (Español (España))
Shaila García Catalán
1103-1115
The lost DeLorean: confusing uses of the post-classical flashback (and other time travels)
https://doi.org/10.12795/comunicacion.2012.v01.i10.86
Fábio Gomes Goveia
1116-1127
Triunfo da narrativa-monstro nas manifestações populares da cidade de Vitória (Espírito Santo/Brasil)
https://doi.org/10.12795/comunicacion.2012.v01.i10.87
PDF (Español (España))
Damián García Ponce, Emilia Smolak Lozano
1128-1142
Audio-visual narrative in virtual entertainment settings: the recreation of one’s own world. The BioShock saga
https://doi.org/10.12795/comunicacion.2012.v01.i10.88
PDF (Español (España))
Estefanía Martínez González
1143-1157
Musical subversion on the web: amateur remixes as critical audio-visual narratives
https://doi.org/10.12795/comunicacion.2012.v01.i10.89
PDF (Español (España))
Juan Orellana Gutiérrez de Terán
1157-1171
Narrative mystifications in the cinema of Alejandro González Iñárritu
https://doi.org/10.12795/comunicacion.2012.v01.i10.90
PDF (Español (España))
Natalia Rueda Pinilla
1172-1182
The music documentary and the audio-visualisation of marginal aesthetics
https://doi.org/10.12795/comunicacion.2012.v01.i10.91
PDF (Español (España))
María del Mar Rubio-Hernández , Francisco Javier López-Rodríguez
1183-1198
Homoerotic fan fiction inspired by audio-visual products. An approach from the perspective of narrative
https://doi.org/10.12795/comunicacion.2012.v01.i10.92
PDF (Español (España))
Ana Sedeño Valdellós
1224-1235
The social production of video clips: the crisis of the fandom phenomenon and music videos
https://doi.org/10.12795/comunicacion.2012.v01.i10.93
PDF (Español (España))
Iván Bort Gual
1236-1249
A methodology for filmic microanalysis
https://doi.org/10.12795/comunicacion.2012.v01.i10.94
PDF (Español (España))
Nísia Martins do Rosário, Lisiane Machado Aguiar
1262-1275
Pluralidade metodológica: a cartografia aplicada às pesquisas de audiovisual
https://doi.org/10.12795/comunicacion.2012.v01.i10.95
PDF (Español (España))
Patrícia Azambuja, Márcio Monteiro
1276-1289
Recepção transmidiática: incursões pela Teoria Ator-rede
https://doi.org/10.12795/comunicacion.2012.v01.i10.96
PDF (Español (España))
Maria A Baccega
1290-1308
Ressignificação e atualização das categorias de análise da “ficção impressa” como um dos caminhos de estudo da narrativa teleficcional1
https://doi.org/10.12795/comunicacion.2012.v01.i10.97
PDF (Español (España))
Laura Carvalho Hércules
1309-1322
A cor na análise fílmica: um olhar sobre o moderno cinema francês
https://doi.org/10.12795/comunicacion.2012.v01.i10.98
PDF (Español (España))
Miriam de Souza Rossini
1323-1333
Para um estudo das narrativas entre meios: escrevendo para cinema e televisão
https://doi.org/10.12795/comunicacion.2012.v01.i10.99
PDF (Español (España))
Elpidio del Campo Cañizares
1334-1347
The ‘visual essays’ of Tag Gallagher as a paradigm of new models of cinematographic analysis
https://doi.org/10.12795/comunicacion.2012.v01.i10.100
PDF (Español (España))
Gabriela Fabbro
1348-1360
Where are newscasts heading? An analysis of the coverage of children’s and youth topics in free-to-air morning newscasts in Argentina
https://doi.org/10.12795/comunicacion.2012.v01.i10.101
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Flávia Garcia Guidotti
1361-1369
Algumas notas sobre o cinema, o pensamento e a crueldade
https://doi.org/10.12795/comunicacion.2012.v01.i10.102
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Begoña Gutiérrez San Miguel , Daniel Acle Vicente, Fco. Javier Herrero Gutiérrez
1370-1384
Pragmatics through conceptual methodology. A case study of Ratatouille
https://doi.org/10.12795/comunicacion.2012.v01.i10.103
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Rosario Olivia Izaguirre Fierro, Abel Antonio Grijalva Verdugo
1428-1440
Audio-visual narrative and the experiences of school discipline: violence, discrimination and intolerance
https://doi.org/10.12795/comunicacion.2012.v01.i10.104
PDF (Español (España))
Sergio Cobo Durán
1441-1453
Narrative structures in creative documentaries: an analysis of the work Bright Leaves
https://doi.org/10.12795/comunicacion.2012.v01.i10.105
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Elenice Corrêa, Tania Mara Gali Fonseca, Liliana Passerino
1454-1466
Mãos falam no silêncio – relato de um filme surdo
https://doi.org/10.12795/comunicacion.2012.v01.i10.106
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Mª Carmen Erviti Ilundain, Alicia de Lara González
1467-1482
TV images of climate change. A study of the coverage of the Durban Summit in Spanish newscasts
https://doi.org/10.12795/comunicacion.2012.v01.i10.107
PDF (Español (España))
Cristina del Pino, Elsa Aguado
1483-1494
Communication and future trends on the digital scene: the universe of SISOMO and the case of the platform Netflix
https://doi.org/10.12795/comunicacion.2012.v01.i10.108
PDF (Español (España))
Juan Camilo Díaz Bohórquez
1495-1504
Family and childhood versus TV conten
https://doi.org/10.12795/comunicacion.2012.v01.i10.109
PDF (Español (España))
Ma. Eugenia González Alafita, Ma. Eugenia González Alafita, Mariana Villasuso, Tania Rivera
1505-1520
Disney princesses: what Mexican girls learn from films
https://doi.org/10.12795/comunicacion.2012.v01.i10.110
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Margarita López-Morales
1521-1536
Universal characters: the continuity of the Freudian typology in current cinematographic models
https://doi.org/10.12795/comunicacion.2012.v01.i10.111
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MªJosé Masanet Jordà, Pilar Medina Bravo, Joan Ferrés i Prats
1537-1548
The media representation of sexuality in fiction series aimed at the young. Case studies of Los Protegidos and Física o Química
https://doi.org/10.12795/comunicacion.2012.v01.i10.112
PDF (Español (España))
Francisco Javier López Rodríguez
1549-1564
Narrative modifications in film adaptations of Japanese comics
https://doi.org/10.12795/comunicacion.2012.v01.i10.113
PDF (Español (España))
Maria Luna Rassa
1565-1579
In search of the lost countryside: transnationalisation and rural representation in Colombian audio-visual productions
https://doi.org/10.12795/comunicacion.2012.v01.i10.114
PDF (Español (España))
Cristóbal Ruitiña
1580-1586
The tyranny of the narrator in the audio-visual account of reality. A narratological approach to TV newscast
https://doi.org/10.12795/comunicacion.2012.v01.i10.115
PDF (Español (España))
María Esther Sánchez Hernández
1587-1596
The arithmetic of films: towards a model of graphic representation of cinematographic analysis
https://doi.org/10.12795/comunicacion.2012.v01.i10.116
PDF (Español (España))
Jesús Antonio Segarra Saavedra, Alberto Plaza Nogueira
1597-1609
Del Product Placement al Brandplacement en la ficción audiovisual: el caso de Puleva en El Internado
https://doi.org/10.12795/comunicacion.2012.v01.i10.117
PDF (Español (España))
María Purificación Subires Mancera
1610-1620
The lip dub phenomenon as a collaborative audio-visual experience in the social network age
https://doi.org/10.12795/comunicacion.2012.v01.i10.118
PDF (Español (España))
Maurício Cândido Taveira , Gilberto dos Santos Prado
1621-1632
Arthur 2.0 e a interface que capta desejos
https://doi.org/10.12795/comunicacion.2012.v01.i10.119
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Abel Antonio Grijalva Verdugo, Rosario Olivia Izaguirre Fierro
1633-1643
Freedom, justice and tolerance. A proposal for cinematographic discourse in the training of communicators
https://doi.org/10.12795/comunicacion.2012.v01.i10.120
PDF (Español (España))
Inmaculada Gordillo , Ana Mª Sedeño
1-2
Prologue
https://doi.org/10.12795/comunicacion.2012.v01.i10.121
PDF (Español (España))
Marina Ramos, Javier Lozano, Victor Hernández-Santaolalla
1211-1223
Fanadvertising and tv shows
https://doi.org/10.12795/comunicacion.2012.v01.i10.122
PDF (Español (España))
Víctor Arranz Esteban
1250-1261
Sound as a guarantor of narrative sobriety in contemporary cinematographic plots
https://doi.org/10.12795/comunicacion.2012.v01.i10.123
PDF (Español (España))
Alma Elena Gutiérrez Leyton, Moisés Torres Herrera
1397-1408
The acquisition of research skills through qualitative methods in the analysis of audio-visual narratives
https://doi.org/10.12795/comunicacion.2012.v01.i10.124
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Marta Martín Núñez, José Martínez Sáez
1409-1427
From Amo a Laura to The Wilderness Downtown. A taxonomic proposal for classifying broadcast advertising on the Internet
https://doi.org/10.12795/comunicacion.2012.v01.i10.125
PDF (Español (España))

Reviews

Mónica Barrientos-Bueno
131-134
Review of "El cartel. Dos siglos de publicidad y propaganda"
https://doi.org/10.12795/comunicacion.2012.v01.i10.126
PDF (Español (España))