No. 32 (2020): LABORATORIO DE ARTE

View No. 32 (2020): LABORATORIO DE ARTE

Published: 2020-10-22

Tribute

Tribute to Professor Prof. Dr. D. Fernando Martín Martín

Rafael Cómez-Ramos

13-18
- pdf (Español (España))

Papers

SEVILLIAN MINIATURES IN LIBRARIES AND MUSEUM IN THE UNITED STATES OF AMERICA

Rosario Marchena-Hidalgo

21-42
- pdf (Español (España))
THE AMBONS FOR THE SONG OF THE EPISTLE AND THE GOSPEL AT THE PARISH CHURCHES IN JEREZ DE LA FRONTERA (16TH-18TH CENTURIES)

Pablo Pomar-Rodil

43-60
- pdf (Español (España))
THE CHURCH OF SANTA MARÍA IN ARCOS DE LA FRONTERA AND THE SACRISTY OF LOS CÁLICES AT THE CATHEDRAL OF SEVILLE: A JOURNEY OF RETURN TO THE WORK OF DIEGO DE RIAÑO

Antonio Luis Ampliato Briones , Juan Clemente Rodríguez Estévez

61-80
- pdf (Español (España))
PEDRO DE GUZMÁN, 1ST COUNT OF OLIVARES’S PAINTING COLLECTION

José Manuel Ortega Jiménez

81-94
- pdf (Español (España))
THE CHURCH OF SAN BERNARDO IN SEVILLE: A BAROQUE BUILDING

Teodoro Falcón Márquez

95-118
- pdf (Español (España))
AN UNPUBLISHED WORK BY DIEGO LÓPEZ BUENO AND ALONSO VÁZQUEZ: THE ALTARPIECE OF THE CONCEPTION CHAPEL AT THE SAINT FRANCIS CONVENT IN SEVILLE

Francisco Amores-Martínez
- pdf (Español (España))
A NEW MATER DOLOROSA BY PEDRO ROLDÁN

Gerardo García León, José Luis Romero-Torres

135-158
- pdf (Español (España))
THE DUTCH INFLUENCE ON LAS MENINAS BY VEL´ÁZQUEZ

Francisco Javier Navarro Moragas

159-182
- pdf (Español (España))
ANTONIO GARCÍA REINOSO: REFLECTIONS ON A 17TH CENTURY ANDALUSIAN DRAFTSMAN

Fuensanta García de la Torre

183-206
- pdf (Español (España))
TWO NEW WORKS BY THE NOVOHISPANIC PAINTER ANTONIO DE TORRES (1667-1731): THE HOLY ECCE HOMO AT THE PORTAL OF THE CONVENT OF THE INCARNATION IN GRANADA AND THE DORMITION OF THE VIRGIN AT THE SEMINAR OF DIOCESAN OPERATORS PRIESTS IN MEXICO CITY

Lázaro Gila Medina

207-230
- pdf (Español (España))
CONSTRUCTIVE AND ORNAMENTAL PROCESS OF THE CHAPEL OF THE BLESSED SACRAMENT AT THE PARISH CHURCH OF SAN MIGUEL IN CORDOBA (1760-1762)

Miguel Ángel Nieto Márquez

231-250
- pdf (Español (España))
THE MAIN ALTARPIECE AT THE VERA CRUZ CHAPEL IN MARCHENA (SEVILLE)

Manuel Antonio Ramos Suárez

251-270
- pdf (Español (España))
THE CHAPEL AND THE ALTARPIECE OF THE VENERABLE THIRD ORDER AT THE CONVENT OF CAPUCHIN IN SEVILLE

Álvaro Cabezas-García , Álvaro Recio-Mir

271-292
- pdf (Español (España))
THE COLLECTION OF CHILDS JESUS BY THE SCULPTOR CRISTÓBAL RAMOS OF THE MONASTERY OF SAN LEANDRO OF SEVILLE

Salvador Guijo-Pérez

293-312
- pdf (Español (España))
“IN MEMORY OF THE DADIVOUS BISHOP”: A PORTRAIT OF THE ARCHBISHOP DELGADO Y VENEGAS AT THE CATHEDRAL OF LAS PALMAS DE GRAN CANARIA

Juan Alejandro Lorenzo-Lima

313-336
- pdf (Español (España))
MATÍAS MAESTRO, TRADER AND EXPEDITIONARY (1789-1792): THE DRAWINGS OF THE PUCAYACO MINE (PERÚ)

Anthony Holguín-Valdez

337-350
- pdf (Español (España))
ABOUT THE GOLDEN CIBORIUM OF THE VALADIER URN FOR THE MONUMENT OF THE MAUNDY THURSDAY OF THE SEVILLE CATHEDRAL

Antonio Joaquín Santos-Márquez

351-364
- pdf (Español (España))
ALFALFA SQUARE IN SEVILLE IN THE 19th CENTURY: URBAN INTERVENTIONS AND PROJECTS

Alberto Fernández-González

365-388
- pdf (Español (España))
A SCULPTOR IN THE DECIMONIC MÁLAGA: ANTONIO MARÍN SÁNCHEZ. CONTRIBUTIONS TO HIS LIFE AND ARTISTIC CORPUS

Francisco Jesús Flores-Matute

389-412
- pdf (Español (España))
VIRGILIO MATTONI AND THE REAL ALCÁZAR IN SEVILLE: BETWEEN ERUDITION AND PAINTING

Gerardo Pérez-Calero

413-432
- pdf (Español (España))
THE POST-WAR RECONSTRUCTION OF THE LA ASUNCIÓN PARISH CHURCH IN ARACENA

Enrique Infante-Limón

433-454
- pdf (Español (España))
ABOUT ICONOGRAPHY AND AVANT-GARDE: THE PAINTING OF ANTONIO POVEDANO (1918-2008)

Javier García-Luengo-Manchado

455-474
- pdf (Español (España))
JUAN MIGUEL SÁNCHEZ’S MURAL DECORATION AT SAINT THERESA PARISH CHURCH: A SINGULAR CONTRIBUTION TO SEVILLIAN SACRED ART OF THE 20TH CENTURY

Juan Palomo-Reina

475-498
- pdf (Español (España))
ARCHITECTURE IN THE LANDSCAPE. NATURE IN THE ARCHITECTURE

María del Mar Lozano-Bartolozzi

499-520
- pdf (Español (España))
CARLOS MONTAÑO, SCULPTURE AS INTERPRETATION AND USE OF SPACE

Andrés Luque-Teruel

521-544
- pdf (Español (España))
PAINTINGS AND SCULPTURES AS ARGUMENTAL METAPHORS IN THE PEDRO ALMODÓVAR CINEMA

Gloria Camarero-Gómez

545-562
- pdf (Español (España))
A MILESTONE IN CONTEMPORARY INSTITUTIONAL COLLECTING IN ANDALUSIA: THE FORMATION OF THE CAJASOL FOUNDATION ART COLLECTION

Juan María Vélez-Alvez

563-576
- pdf (Español (España))
INDUSTRIAL DESIGN AND RADIO IN “BAKELITES AND OTHER PLASTICS. THE RAFAEL ORTIZ COLLECTION”

Luis F. Martínez-Montiel

577-594
- pdf (Español (España))

Varias

JUAN DE ESPINAL: UNPUBLISHED BIOGRAPHICAL NOTES AND A CONTRIBUTION TO HIS CATALOGUE

José Roda-Peña

597-606
- pdf (Español (España))
THE HOLY CUSTODIAN ANGEL AT THE CHURCH OF SAINT FRANCIS OF ASSISI: A NEW WORK BY THE SCULPTOR JUAN DE ASTORGA IN TARIFA (CÁDIZ)

Rafael Cazalla-Urbano

607-616
- pdf (Español (España))
MARÍA DE LOS ÁNGELES LÓPEZ-ROBERTS IN PARIS: A VANGUARD WOMAN ARTIST IN ART DÉCO ILLUSTRATION

Magdalena Illán-Martín

617-630
- pdf (Español (España))