No. 31 (2019): LABORATORIO DE ARTE

View No. 31 (2019): LABORATORIO DE ARTE

Published: 2019-10-20

Tribute

Tribute to Catedrático Prof. Dr. D. Vicente Lleó Cañal

Fátima Halcón

15-21
- pdf (Español (España))

Papers

THE SEVILLIAN CHURCH OF SAN BERNARDO AND ITS ENVIRONMENT: THE PREVIOUS TEMPLES

Teodoro Falcón-Márquez

27-40
- pdf (Español (España))
A JOURNEY OF SAXONS MASTERS MASONS FROM NAUMBURG TO BURGOS

Rafael Cómez-Ramos

41-60
- pdf (Español (España))
THE TABERNACLE OF THE CATHEDRAL OF ÁVILA: AN ITALIAN TABERNACOLO IN SPAIN

Ismael Mont-Muñoz

61-74
- pdf (Español (España))
VISUAL RHETORIC AND TERRACOTTA SHAPES IN MIGUEL PERRIN’S RELIEFS FOR SEVILLE CATHEDRAL

Teresa Laguna-Paúl

75-96
- pdf (Español (España))
DIEGO DE RIAÑO AND THE MAIN SACRISTY OF THE CATHEDRAL OF SEVILLE: A NEW APPROACH TO ITS AUTHORSHIP

Juan Clemente Rodríguez-Estévez, Antonio Luis Ampliato-Briones

97-112
- pdf (Español (España))
“SUYSOS, CABALLERÍAS DE CABALLOS, MUGERES COMO VAN CAUALGANDO...”: A MURAL PAINTING PROJECT FOR LAS DUEÑAS PALACE IN 1540

Juan Antonio Gómez-Sánchez

113-134
- pdf (Español (España))
LESSONS FROM LUCA PACIOLI FOR JUAN SÁNCHEZ, MASTER BUILDERS OF SEVILLE’S CITY COUNCIL

Alfredo Morales-Martínez

135-142
- pdf (Español (España))
JUAN CHACÓN, AN ALMOST UNKNOWN 16TH CENTURY PAINTER IN SEVILLE: A JOURNEY THROUGH HIS LIFE AND WORK

Elena Escuredo-Barrado

143-160
- pdf (Español (España))
CHURCHES AND ALTARPIECES AT THE HOSPITAL DE LA PURÍSIMA CONCEPCIÓN IN TUNJA (1553-1835)

Abel Fernando Martínez-Martín, Andrés Ricardo Otálora-Cascante

161-184
- pdf (Español (España))
THE DEVOTION TO THE APOSTLE SAINT JAMES THE GREAT IN THE CATHEDRAL OF SANTIAGO DE CHILE: IMAGES AND DOCUMENTS

Ana Pérez-Valera

185-208
- pdf (Español (España))
THE MERCURY POND OF THE ALCÁZAR DE SEVILLA (1572-1577): A BALANCE OF LOSSES

Alfonso Pleguezuelo-Hernández

209-228
- pdf (Español (España))
COURTYARD TENEMENT HOUSING IN 16TH CENTURY SEVILLE

María Núñez-González

229-246
- pdf (Español (España))
TWO PAINTED PORTRAITS OF PABLO DE CÉSPEDES IN SEVILLE

Pedro Manuel Martínez-Lara

247-264
- pdf (Español (España))
BRINGING FOOD TO CHRIST AND BLESSING AT THE TABLE: BETWEEN FRANCISCO PACHECO AND A YOUNG DIEGO VELÁZQUEZ

Fernando Marías

265-184
- pdf (Español (España))
SOME NOTES ABOUT LA RONDA DE PAN Y HUEVO BY LUIS TRISTÁN (1624) AND ITS ANONYMOUS COPY (1660)

Alejandro López-Álvarez

258-302
- pdf (Español (España))
THE INDIES IN MURILLO’S LIFE AND BUSINESSES

José Manuel Cruz-Valdovinos

303-318
- pdf (Español (España))
UNA NOTA SOBRE LA SINGULARIDAD DE VALDÉS LEAL

Peter Cherry

319-334
- pdf (Español (España))
FRAY ALONSO DE JESÚS Y ORTEGA: TRANSATLANTIC RELATIONSHIPS OF PATRONAGE, ART AND POWER IN THE BAROQUE GRANADA

Adrián Contreras-Guerrero

335-356
- pdf (Español (España))
ABOUT A MAGDALENE OF VALLISOLETANO SCULPTOR PEDRO DE ÁVILA IN SEVILLE

Javier Balandrón-Alonso

357-372
- pdf (Español (España))
A VIRGIN OF BETHLEHEM ATTRIBUTED TO THE PAINTER DOMINGO MARTÍNEZ

José Roda-Peña

373-386
- pdf (Español (España))
THE MISSING “NEW FLOOR PLAN FOR THE ROYAL HOSPITAL OF SAN LÁZARO”, A POSSIBLE PROJECT BY SEBASTIÁN VAN DER BORCHT

Fernando Vilaplana-Villajos

387-402
- pdf (Español (España))
NEW DATA ON THE AUTHORSHIP OF SAINT PETER THE APOSTLE CHURCH IN PEÑAFLOR (SEVILLE)

José Manuel Higuera-Meléndez

403-420
- pdf (Español (España))
CONTROVERSIES AND DISPUTES ABOUT THE USE OF STONE IN JEREZ DE LA FRONTERA

Fernando Aroca-Vicenti

421-440
- pdf (Español (España))
NEW ATTRIBUTIONS OF GENOESE SCULPTURE IN SOUTHERN SPAIN

José Miguel Sánchez-Peña

441-454
- pdf (Español (España))
AN ATTRIBUTION PROPOSAL OF THE MAIN ALTARPIECE AT SEVILLIAN SAINT JOSEPH CHAPEL TO FRANCISCO DE ACOSTA THE ELDER

Álvaro Recio-Mir

455-468
- pdf (Español (España))
PRAEDICATIO, PASSIO AND TRASLATIO: A JACOBEAN CYCLE AT THE MURAL PAINTINGS OF THE CHURCH OF SAINT JAMES THE OLD IN SEVILLE

Javier Gómez-Darriba

469-486
- pdf (Español (España))
MANUEL SAMANIEGO AFTER THE TRIAL FOR ADULTERY: THE RECOVERY OF HIS ACTIVITY IN THE REAL AUDIENCIA DE QUITO (1798-1811)

Ángel Justo-Estebaranz

487-500
- pdf (Español (España))
THE MASTER BUILDERS OF FORTIFICATIONS CORPS AND THE ACCESS OF FRANCISCO CANSINO Y PATIÑO: A MILITARY HOSPITAL PROJECT FOR THE CITY OF SEVILLE

Ignacio J. López-Fernández

501-516
- pdf (Español (España))
DIEGO DE ÁGREDA DOMINÉ: ARTISTIC ACTIVITY OF A WINE MERCHANT AND LANDLORD OF THE 19TH CENTURY

Myriam Ferreira-Fernández

517-536
- pdf (Español (España))
BOLERO AND FLAMENCO DANCES IN SEVILLIAN COSTUMBRISTA PAINTING

Rocío Plaza-Orellana

537-560
- pdf (Español (España))
A PAINTING AND THREE UNKNOWN SKETCHES BY EDUARDO CANO

Álvaro Cabezas-García

561-572
- pdf (Español (España))
THE ORIGINS OF MUSEOLOGY AND MUSEOGRAPHY IN CORDOVA

Fuensanta García de la Torre

573-594
- pdf (Español (España))
THE AESTHETICS OF THE WIND: PIONEERS OF KINETIC ART IN SPAIN

Fernando Martín-Martín

595-610
- pdf (Español (España))

Varias

THE CORRIDOR OF ENTRECOROS: FORM, FUNCTION AND SYMBOL. CONCERNING OF SOME EXEMPLARS IN CHURCHES OF JEREZ DE LA FRONTERA

Pablo Pomar-Rodil

613-622
- pdf (Español (España))
THE SCULPTOR PEDRO DE HEREDIA AND THE BROTHERHOOD OF THE SOLEDAD OF THE VILLA OF SAN JUAN DEL PUERTO

Francisco Manuel Delgado-Aboza

623-630
- pdf (Español (España))
THE SACRARIUM LAMP OF THE HOLY SEPULCHRE CHURCH IN OSUNA: A MASTERPIECE OF THE SEVILLIAN RENAISSANCE

Antonio Joaquín Santos-Márquez

631-640
- pdf (Español (España))
ANOTHER LAMMENTATION BY JACOB JORDAENS AT SAINT DOMINIC CHURCH IN SANLÚCAR DE BARRAMEDA (CÁDIZ)

Matías Díaz-Padrón

641-652
- pdf (Español (España))
AN ILLUMINATED WORK BY THE PAINTER JUAN CARLOS RUIZ GIJÓN

Rosario Marchena-Hidalgo

653-660
- pdf (Español (España))
A SIGNED SCULPTURE BY THE SEVILLIAN SCULPTOR DIEGO ROLDÁN: THE VIRGEN DEL VALLE OF ESTEPA

José Manuel Moreno-Arana

661-670
- pdf (Español (España))
THE REPLACEMENT OF THE MAIN ALTARPIECE OF THE MONASTERY OF SAN LEANDRO OF SEVILLE AND ITS PROMOTER MRS. TERESA DE ANGUIANO Y CÁRDENAS

Salvador Guijo-Pérez

671-682
- pdf (Español (España))
THE PAINTER ANTONIO MARÍA ESQUIVEL AND HIS FAMILY ENVIRONMENT: A PURPOSE OF TWO UNKNOWN PORTRAITS OF HIS WIFE

Gerardo Pérez-Calero

683-692
- pdf (Español (España))
AN UNKNOW WORK BY THE SCULPTOR ANTONIO SUSILLO: THE DREAM OF AN ANGEL (1885)

Alicia Iglesias-Cumplido

693-702
- pdf (Español (España))