No. 30 (2018): LABORATORIO DE ARTE

View No. 30 (2018): LABORATORIO DE ARTE

Published: 2018-10-10

Tribute

TRIBUTE TO THE PROFESSOR DOCTOR Ms. LINA MALO LARA

José Fernández-López

13-19
- pdf (Español (España))

Papers

A 13th CENTURY SCRIPTORIUM IN THE CISTERCIAN MONASTERY OF LA SANTA ESPINA (VALLADOLID)

Rafael Cómez-Ramos

23-40
- pdf (Español (España))
ART, WAR AND FEAST IN THE LOW MIDDLE AGES: APPROXIMATION TO THE RELATIONSHIP BETWEEN POLIORCETICI AND CHIVALRIC PAGEANT

Carmen Vallejo-Naranjo

41-64
- pdf (Español (España))
THE CHILD JESUS FROM THE VIRGIN OF BETHLEHEM’S ALTARPIECE AT THE ANNUNCIATION’S CHURCH IN SEVILLE

Rosario Marchena-Hidalgo

65-84
- pdf (Español (España))
ORDO PRAEDICATORUM: THE MUSEOGRAPHIC COLLECTION OF SANTO DOMINGO’S CHURCH IN OSUNA

Antonio Morón-Carmona

85-104
- pdf (Español (España))
ABOUT AN ICONIC SERIES OF TRASTÁMARAS AND HABSBURGS IN AN UNUSUAL ALTARPIECE PAINTING OF AN ANDALUSIAN ARISTOCRATIC FAMILY

Fernando Cruz-Isidoro

105-122
- pdf (Español (España))
THE RELIQUARIES OF SAINTS EUSEBIO, COLUMBINO, BONIFACIA AND LUCENCIA OF THE HOUSE OF MEDINA SIDONIA

Emilio Ruiz de Arcaute-Martínez

123-142
- pdf (Español (España))
THE VENERABLE PRIESTS HOSPITAL IN SEVILLE: SOME CONSIDERATIONS ABOUT THE BUILDING AND THE ROLE PLAYED BY THE ARCHITECTS JUAN DOMÍNGUEZ AND LEONARDO DE FIGUEROA

Teodoro Falcón-Márquez

143-166
- pdf (Español (España))
TRANSFORMING THE ARCHITECTURE: GASPAR HERMOSO AND AMBROSIO DE FIGUEROA AT THE CHURCH OF LA O IN TRIANA

Pedro Manuel Martínez-Lara

167-188
- pdf (Español (España))
THE DISCOURSE OF THE GESTURE: REFLECTIONS ON THE VELAZQUEZIAN IMPULSE

Francisco Javier Navarro-Moragas

189-208
- pdf (Español (España))
“¿QUÉ INDIAS HAY DONDE NO HAY COCHE?”: CARRIAGES AS WORK OF HISTORICAL AND ARTISTIC ANALYSIS IN SPAIN AND VICEREGAL AMERICA

Álvaro Recio-Mir

209-226
- pdf (Español (España))
NEW CONTRIBUTIONS ON ALTARPIECE AND SCULPTURE IN OSUNA DURING THE FIRST HALF OF THE 18th CENTURY

Antonio Joaquín Santos-Márquez

227-242
- pdf (Español (España))
THE ANGELIC HIERARCHIES ICONOGRAPHY IN 18TH CENTURY WEST ANDALOUSIA

Escardiel González-Estévez

243-260
- pdf (Español (España))
THE RISCO OF CANTILLANA’S DIVINA PASTORA (SEVILLE): SURVIVAL, AESTHETICS AND ALLEGORICAL DOCTRINAL CONTENT OF A SACRED SCENERY FROM BAROQUE ORIGIN

Juan Manuel Daza-Somoano

261-284
- pdf (Español (España))
PARADIGMS AND FOUNDATIONS OF THE CONFLICTIVE RELATIONSHIP BETWEEN THE COMMISSION OF ARCHITECTURE AND THE CITY OF SEVILLE (1786-1808)

Jesús María Ruiz-Carrasco

285-302
- pdf (Español (España))
SCULPTURES BY CRISTÓBAL RAMOS AT SAINT JOSEPH CHAPEL IN SEVILLE

José Roda-Peña

303-318
- pdf (Español (España))
PRODUCTS OF TRADE AND ECCLESIASTICAL PATRONAGE: OTHER SCULPTURES ATTRIBUTED TO BLAS MOLNER IN THE CANARY ISLANDS

Juan Alejandro Lorenzo-Lima

319-340
- pdf (Español (España))
THE NEOCLASSICAL RENOVATION OF THE VERA CRUZ CHAPEL AT THE SAINT FRANCIS CONVENT IN SEVILLE

Francisco Amores-Martínez

314-354
- pdf (Español (España))
ARCHITECT, NOT ENGINEER: REFORMS BY THE ACADEMIC MELCHOR CANO IN THE WALLS OF SEVILLE

Manuel Gámez-Casado

355-366
- pdf (Español (España))
NEW CONTRIBUTIONS ON THE LIFE AND WORK OF THE PAINTER JOSÉ MARÍA ROMERO (1816-1894)

Álvaro Cabezas-García , María Josefa Carro-Valdés-Hevia

367-388
- pdf (Español (España))
“HONOURED SCULPTOR, PERFECT GENTLEMAN AND LOVING FATHER...” AND POOR: ON THE FIRST CENTENARY OF THE DEATH OF THE SCULPTOR JOSÉ GONZÁLEZ Y GIMÉNEZ

Ángel Justo-Estebaranz

389-400
- pdf (Español (España))
“A TRUE PAINTER”: MARÍA LUISA PUIGGENER IN THE SEVILLIAN ARTISTIC SCENE AT THE BEGINNING OF THE 20TH CENTURY

Magdalena Illán-Martín, Custodio Velasco-Mesa

401-418
- pdf (Español (España))
LIONELLO VENTURI AND THE RENEWAL OF THE ART CRITISCISM IN ITALY

Stefano Valeri

419-438
- pdf (Español (España))
JUAN MIGUEL SÁNCHEZ’S MURAL PAINTINGS IN THE CARMEN CHAPEL OF THE SEVILLIAN ELCANO QUARTER

Juan Palomo-Reina

439-456
- pdf (Español (España))
THE SEVILLIAN FANTASTIC REALISM AS EXPLORATION OF A NEW FIGURATION

Fernando Martín-Martín

457-474
- pdf (Español (España))
FROM ALTERNATIVE GEOMETRY TO NEW GEOMETRY OF JOAQUÍN GONZÁLEZ, QUINO

Andrés Luque-Teruel

475-496
- pdf (Español (España))
THE PICTORIAL SPACE IN THE CINEMATOGRAPHIC IMAGE: RELATIONS AND INFLUENCES OF TROMPE L’OEIL IN CINEMA

Carlos Rojas-Redondo, Paco Lara-Barranco

497-516
- pdf (Español (España))

Varias

AN ALLEGORY OF THE DOMINICAN ORDER, BY SEBASTIÁN DE LLANOS VALDÉS

Enrique Valdivieso-González
- pdf (Español (España))
A IMMACULATE CONCEPTION BY IGNACIO DE RÍES

José Fernández-López

525-532
- pdf (Español (España))
A GOOD SHEPHERD AND A DIVINE SHEPHERDESS ATTRIBUTED TO THE CIRCLE OF THE PAINTER JUAN RUIZ SORIANO

Carmen De Tena-Ramírez

533-540
- pdf (Español (España))
JOSÉ JIMÉNEZ ARANDA, MASTER OF “CASACONISMO”: FROM ROME TO PARIS OF THE UNIVERSAL EXHIBITION IN 1889

Gerardo Pérez-Calero

541-550
- pdf (Español (España))
THE FASCINATION FOR THE LANDSCAPE: A VIEW OF THE GRAND CANYON BY THE PAINTER JOSÉ ARPA PEREA

Carmen Rodríguez-Serrano

551-556
- pdf (Español (España))
A NEW CERVANTINE’S RELIEF BY ANTONIO CASTILLO LASTRUCCI

Jesús Rojas-Marcos González

557-563
- pdf (Español (España))