Monográfico

All Items

• Connections between radio and historical avant-garde in Spain: the contribution of Rosa Arciniega

  Ana Vega Toscano

  10-34

• LUGÁN: Art, Technology and Erotism

  Aitor Merino Martínez

  70-81

• Audio fiction and performing arts. History of an illustrated dialogue in four pieces of Mexican radio (1930-1990)

  Berenice Ponce Capdeville

  74-93

• Between Spain and Argentina: Representacions of Identity in the Quest to be Modern

  Eugenia Cadus

  14-29

• Captivating the audience: theatre, music and publications on the uruguayan dial

  Mónica Maronna

  35-53

• Color and Light in the Theatrical Costume

  Ana Isabel Llena Sánchez-Rodríguez

  12-29

• Costume as a Narrative and Psychological Tool in Pedro Almodóvar's Tacones lejanos: an Analysis of the Protagonists

  José Luis Montero Carrero, Raquel Jiménez Galán

  103-120

• Costume for El Amor Brujo on the Centenary of its Premiere by Antonia Mercé

  Ana Arcas Espejo

  73-102

• Flying Frills: When Flamenco is All About Gestures, Machines, and Nymphs

  Alicia Navarro

  51-73

• In The Shadow Of Petrouchka: Constructions Of Identity In The Work Of Anna Pavlova, La Argentina, And Katherine Dunham

  Lynn Garafola

  30-50

• Introduction

  Miguel Álvarez-Fernández, Isaac Diego García Fernández

  1-14

• Introduction

  Idoia Murga Castro

  1-13

• La Argentina, Where? Fascination and Scopic Filiation in O senseï (2012) and Ôno-Sensation (2019)

  Fernando López Rodríguez

  129-148

• La Ricarda as Architectural and Symbolic Context for the Pioneer Practices of J. M. Mestres Quadreny in the Origins of Sound Art in Catalonia

  Isaac Diego García Fernández, Antoni Pizà Prohens

  31-52

• Learning a new profession at the age of 90: María Lejárraga (María Martínez Sierra) and the radio in her exile in Buenos Aires

  Juan Aguilera Sastre

  54-73

• Listening to the Virtual: Contexts and Dis/contexts by Val del Omar

  Carmen Pardo Salgado

  15-30

• New alliances between creativity and technology in fiction podcasts on spanish sound platforms. Case study

  Paloma López Villafranca

  94-110
• 

  Portadilla e índice «Enclaves» Núm. 2 (2022)

• Presentación. La indumentaria escénica como dispositivo de significación

  María Eulalia Martínez Zamora

  1-11

• Radio, Literature, and Performing Arts in Latin America and Spain

  Lorena Paz López, Ana Sánchez Acevedo

  1-9

• Spanish Dance Modernism Between Ethnography, Personality, and National Identity: Views of La Argentina from Abroad

  Mark Franko

  92-102

• The Dresses Accessories in the Inventory of a Theater Clothing Rental Store (Valladolid, 1616)

  Javier Mora García

  52-72

• The Electric Music and the «Electrocompositor» De Juan García Castillejo (1933-1944)

  José Vicente Gil Noé

  97-112

• The Language of Lines: Latin American Readings of Antonia Mercé

  Michelle Clayton

  74-91

• The Role of Clothing in Street Historical-Theatrical Reenactments

  Rosario Charro García

  30-51