(Dossiê Colin Rowe) Notas para uma biografia intelectual de Colin Rowe (1938-78)
DOI:
https://doi.org/10.12795/astragalo.2024.i35.11Palavras-chave:
Colin Rowe, abordagem meta-histórica, classicismo neoclássico, modernismo utópico, design urbanoResumo
Este artigo se baseia na experiência de Colin Rowe como paraquedista durante a guerra como uma metáfora de sua capacidade de lidar com circunstâncias diversas e complexas. Destacam-se diferentes períodos de sua vida, desde sua trajetória peripatética (1938-78) até sua passagem por várias instituições e a culminação de seus 40 anos de carreira. Rowe sobreviveu às mudanças profissionais graças a três códigos estabilizadores: um classicismo neoclássico influenciado por Wittkower, um modernismo com ideais utópicos influenciado por Le Corbusier, e um terceiro espaço imaginário que permitia novas interpretações culturais. Esses códigos se refletiram em seus projetos urbanos no Texas, Cornell e Cambridge. Ao longo de sua carreira, Rowe adotou e adaptou esses códigos, refletindo sua rejeição inicial à cidade georgiana, seu compromisso com a utopia moderna e seu eventual redescobrimento da cidade neoclássica. A obra de Rowe, incluindo sua metacidade Roma Interrotta, ilustra sua capacidade de integrar o moderno e o clássico em um contexto urbano, utilizando uma abordagem metahistórica que antecipa a transformação das cidades em espaços de informação e memória recombinantes. A exposição de Roma Interrotta no Mercado de Trajano em 1978 e sua recriação no Museu MAXXI em 2014 sublinham sua visão da cidade como um museu e um espaço de memória. Essa perspectiva se traduz em uma arquitetura que não só responde às necessidades contemporâneas, mas também dialoga com a história, mostrando a habilidade de Rowe para criar espaços urbanos ricos em significado e potencialidade, um híbrido atemporal que conecta o pessoal e o coletivo.
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