(Dossiê Colin Rowe) Notas para uma biografia intelectual de Colin Rowe (1938-78)
DOI:
https://doi.org/10.12795/astragalo.2024.i35.11Palavras-chave:
Colin Rowe, abordagem meta-histórica, classicismo neoclássico, modernismo utópico, design urbanoResumo
Este artigo se baseia na experiência de Colin Rowe como paraquedista durante a guerra como uma metáfora de sua capacidade de lidar com circunstâncias diversas e complexas. Destacam-se diferentes períodos de sua vida, desde sua trajetória peripatética (1938-78) até sua passagem por várias instituições e a culminação de seus 40 anos de carreira. Rowe sobreviveu às mudanças profissionais graças a três códigos estabilizadores: um classicismo neoclássico influenciado por Wittkower, um modernismo com ideais utópicos influenciado por Le Corbusier, e um terceiro espaço imaginário que permitia novas interpretações culturais. Esses códigos se refletiram em seus projetos urbanos no Texas, Cornell e Cambridge. Ao longo de sua carreira, Rowe adotou e adaptou esses códigos, refletindo sua rejeição inicial à cidade georgiana, seu compromisso com a utopia moderna e seu eventual redescobrimento da cidade neoclássica. A obra de Rowe, incluindo sua metacidade Roma Interrotta, ilustra sua capacidade de integrar o moderno e o clássico em um contexto urbano, utilizando uma abordagem metahistórica que antecipa a transformação das cidades em espaços de informação e memória recombinantes. A exposição de Roma Interrotta no Mercado de Trajano em 1978 e sua recriação no Museu MAXXI em 2014 sublinham sua visão da cidade como um museu e um espaço de memória. Essa perspectiva se traduz em uma arquitetura que não só responde às necessidades contemporâneas, mas também dialoga com a história, mostrando a habilidade de Rowe para criar espaços urbanos ricos em significado e potencialidade, um híbrido atemporal que conecta o pessoal e o coletivo.
Downloads
##plugins.generic.paperbuzz.metrics##
Referências
Arnheim, Rudolf. 1954. Art and Visual Perception: A Psychology of the Creative Eye. Univ of California Press, Berkeley.
Banham, Mary, and Bevis Hillier. 1951. A Tonic to the Nation: The Festival of Britain: 1951. London: Thames and Hudson.
Benelli, Francesco. 2010. “Rudolf Wittkower e Colin Rowe: Continuità e Frattura In: Marzo, M Ed.” L’architettura Come Testo e La Figura Di Colin Rowe, 72-95, 97–111.
Centanni, Monica. 2010. “Per Una Iconologia Dell’intervallo. Tradizione Dell’antico e Visione Retrospettiva in Aby Warburg e Colin Rowe.” In L’architettura Come Testo e La Figura Di Colin Rowe, 59–72. Marsilio Editori.
Braghieri, Gianni. 1991. Aldo Rossi: Works and Projects. Barcelona: Gustavo Gili.
Braghieri, Gianni 1976. The Analogue City Map.https://www.researchgate.net/publication/280530086_The_Analogous_City_The_Map]. Consultado el 12/9/2018.
Bunschoten, Raoul. 1985. “Collage City: A Masquerade of Fragment Utopias.” Daidalos, no. 16: 31–42.
Caragonne, Alexander. 1995. The Texas Rangers: Notes from an Architectural Underground. Cambridge, Mass: MIT Press.
Cassirer, Ernst. n.d. The Platonic Renaissance in England. London: Thomas Nelson and Sons.
Cerruti, M. 1978. Roma Interrotta. Rome: officina edizioni.
Crinson, Mark. 2012. Stirling and Gowan: Architecture from Austerity to Affluence. New Haven: Yale University Press.
Eisenman, Peter. 2015. “Bifurcating Rowe.” In Petit, E. (Ed.) Reckoning with Colin RoweReckoning with Colin Rowe, 56–61. Routledge.
Eisenman, Peter. 2010. “The Rowe Synthesis.” In Marzo, M. (Ed.) L’architettura Come Testo e La Figura Di Colin Row-eL’architettura Come Testo e La Figura Di Colin Rowe, edited by M Marzo, 48–57. Iuav. Documenti. IUAV.
Gordon, D L A. 1997. Battery Park City: Politics and Planning on the New York Waterfront. Amsterdam: Gordon and Breach.
Gottmann, Jean, and Twentieth Century Fund. 1961. Megalopolis: The Urbanized Northeastern Seaboard of the United States. New York: Twentieth Century Fund.
Gibberd, Frederick. 1953. Town Design, Londres: Architectural Press,
Harvey, D. 2005. A Brief History of Neoliberalism. Oxford-New York: OUP Oxford.
Hejduk, J, and K Shkapich. 1985. Mask of Medusa: Works, 1947-1983. New York: Rizzoli. 37-38, 283
Hitchcock, H R. 1947. Painting Toward Architecture. Miller Company Collection of Abstract Art. New Haven – London: Duell, Sloan and Pearce.
Koolhaas, Rem. n.d. “But Most of All, Ungers: Berlin Stories.” In The City in the City: Berlin; A Green Archipelago, (Hertweck, Flori-an; Marot, Sebastien, Eds.), 44–45. Zürich: Lars Müller Publishers.
Koolhaas, Rem. 2015. “Being OMU’s Ghostwriter.” In Reckoning with Colin Rowe, 87–98. Routledge.
Koolhaas, Rem (in conversation with Florian Hertweck and Sébastien Marot). 2013. “Ghostwriting.” In The City in the City: Berlin: A Green Archipelago, 131–43. Zurich: Lars Müller. https://doi.org/LK - https://worldcat.org/title/861576321.
Krier, Rob. 1975. Stadtraum in Theorie Und Praxis. Stuttgart: Kramer.
Marot, Sébastien. 2013. "The Generation of a Hopeful Monster", en Ungers, Oswald Mathias; Koolhaas, Rem, (con) Riemann, Peter; Kollhoff, Hans; Ovaska, Arthur, The City in the City. Berlín: A green archipelago, (Hertweck, Florian; Marot, Sebastien, eds.), Lars Muller Publishers, Zúrich, (1977): 153-61.
Maxwell, Robert. 2010. “Rowe’s Urbanism in Collage City: A Triumph for Common Sense.” In Marzo, M. (Ed.) L’architettura Come Testo et La Figura Di Colin Rowe. Venice: Marsilio Editori, 155–70. Venice: IUAV.
Mazzucco, Katia. 2010. “L’incontro Di Colin Rowe Con Rudolf Wittkower e Un’immagine Del Cosiddetto ‘metodo Warburghiano.” In Marzo, M. (Ed.) L’architettura Come Testo e La Figura Di Colin Rowe, 73–95. Venice: IUAV.
McLeod, Mary. 2013. “T. Dié: A ‘Modern Space Conception’ for Post-War Reconstruction.” In Cohen, Jean Louis (Ed.) Le Corbu-sier: An Atlas of Modern Landscapes, 193–97. New Yok: MoMA.
Mumford, Eric. 2009. Defining Urban Design: CIAM Architects and the Formation of a Discipline. New Haven – London: Yale Uni-versity Press.
Naegele, Daniel (ed.). 2016. The Letters of Colin Rowe: Five Decades of Correspondence. London: Artifice.
Ockman, Joan. 1998. “Form without Utopia: Contextualizing Colin Rowe.” Journal of the Society of Architectural Historians 57 (4): 448–56.
Oechslin, Werner. 1985. “Working with Fragments: The Limitations of Collage.” Daidalos, no. 16: 16–30.
Oswald, Franz. 1969. "Buffalo Waterfront", Diagramas: 88. [https://issuu.com/cornellaap/docs/cja002-opt/59]; Rowe, Colin; Seligmann, Werner; Wells, Jerry, "Buffalo Waterfront Project", Catálogo de la exposición, Galería de Arte Albright-Knox, Búfalo (NY).
Peterson Steven; Littenberg, Barbara. 1979. Les Halles Competition Paris, [http://petersonlittenberg.com/Architecture-UrbanDesign/Aims_Means_part_1.html, consultado el 9/12/2018].
Petit, Emmanuel (ed.). 2015. Reckoning with Colin Rowe. Ten Architects Take Position, Nueva York – Abingdon: Routledge, 65-72.
Ponte, Alessandra. 2010. “Woefully Inadequate: Colin Rowe’s Composition and Character.” In Marzo, M. (Ed.) L’architettura Come Testo e La Figura Di Colin Rowe, 30–47. Padua: Marsilio Editori.
Reps, John William. 2021. The Making of Urban America: A History of City Planning in the United States. Princeton: Princeton University Press.
Rowe, Colin. 1947. “The Mathematics of the Ideal Villa: Palladio and Le Corbusier Compared.” The Architectural Review CI, no. 603: 101–104.
Rowe, Colin. 1961. “Dominican Monastery of La Tourette, Eveux-Sur-Arbresle, Lyons.” The Architectural Review 772: 400–410.
Rowe, Colin; Jencks, Charles. 1975. “Colin Rowe - In Conversation with Charles Jencks - YouTube.” AA School of Architecture. 1975. https://www.youtube.com/watch?v=Ln_8ymrqgdE.
Rowe, Colin, and Fred Koetter. 1978. Collage City. Cambridge, Mass; London: MIT press.
Rowe, Colin, and Alexander Caragonne (ed.). 1996. Vols 1,2,3. As I Was Saying Series. Cambridge, Mass: MIT Press.
Rowe, Colin. 1961. “The Blenheim of the Welfare State.” Cambridge Review.
Rowe, Colin, and Robert Slutzky. 1971. “Transparency: Literal and Phenomenal. Part II”. Perspecta, no. 13–14: 287–301.
Saint, Andrew. 2006. “A History of the Architecture Department.” 2006. https://www.arct.cam.ac.uk/aboutthedepartment/aboutthedepthome.
Saxl, Fritz, and Rudolf Wittkower. 1948. British Art and the Mediterranean. (No Title). London: Oxford University Press.
Schrijver, Lara. 2011. “Utopia and/or Spectacle? Rethinking Urban Interventions through the Legacy of Modernism and the Situa-tionist City.” Architectural Theory Review 16 (3): 245–58.
Schumacher, Thomas. 1971. “Contextualism. Urban Ideals and Deformation.” Casabella, no. 359–360: 78–86.
Secchi, Bernardo. 2010. “Collage City.” In L’architettura Come Testo e La Figura Di Colin Rowe Marzo, M. C. (Ed.), 1:146–53. Mila-no: Marsilio Editori.
Semerani, Luciano.2010. "Introduzione a Colin Rowe e all'architettura come testo", en Marzo: 58-71, 12-29
Shane, David Grahame. 1972. Urban Patterns in London. Cornell University.
Shane, David Grahame. 1972. “Contextualism 1; Covent Garden.” Architectural Design 4 (42): 229.
Shane, David Grahame.1976. "Contextualism", Architectural Design, 46 (11), (nov): 676-679.
Shane, Grahame. 1992. “Theory vs Practice”, (Review of Krier’s Book).” Architectural Design II (46): 680–84.
Shane, David Grahame. 2005. Recombinant Urbanism: Conceptual Modelling in Architecture, Urban Design, and City Theory. Chichester, England; Hoboken, NJ: Wiley.
Sitte, C. 1947. City Planning According to Artistic Principles. Columbia University Studies in Art History and Archaeology. New York: Random House.
Soja, E W. 1989. Postmodern Geographies: The Reassertion of Space in Critical Social Theory. Haymarket Series. London: Verso.
Suh, Yehre. 2009. “Rowe X Ungers Exhibition. Untold Collaborations on the City.” Office of / Urban Terrains / Lab Cornell Univer-sity, College of Architecture, Art and Planning, Hartell Gallery, Ithaca, USA Program: Research and Exhibition. 2009. http://urbanterrains.com/project/rowe-x-ungers-exhibition/.
Sunwoo, Irene. 2016. In Progress: The IID Summer Sessions. London: Architectural Association Press.
Vidler, Anthony. 2015. “Reckoning with Art History: Colin Rowe’s Critical Vision.” In Petit, E. (Ed.) Reckoning with Colin Rowe, 40–55. Routledge.
Whinney, Margaret D. 1942. “John Webb’s Drawings for Whitehall Palace.” The Volume of the Walpole Society 31: 45–107.
Wittkower, Rudolf. 1947. “Camillo Sitte’s" Art of Building Cities" in an American Translation.” The Town Planning Review 19 (3/4): 164–69.
Zuccaro Marchi, Leonardo.2017. The Heart of the City: Legacy and Complexity of a Modern Design Idea, London: Routledge. [https://www.academia.edu/34645260/_The_Heart_of_the_City._Legacy_and_Complexity_of_a_Modern_Design_Idea._Foreword_by_Tom_Avermaete_Paola_Viganò._Afterword_by_Vittorio_Gregotti, consultado el 9/12/2018].
Downloads
Publicado
Como Citar
Edição
Seção
Licença
Copyright (c) 2024 David Grahame Shane
Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
##plugins.generic.dates.accepted## 2024-05-22
##plugins.generic.dates.published## 2024-09-29
- Resumo 56
- PDF (Esp/Eng/Por) (English) 27
