Vol. 1 No. 12 (2014)

Articles

Samia Benaissa Pedriza
1-20
The new effects of narrative structures on the comprehension and retention of TV information
https://doi.org/10.12795/comunicacion.2014.v01.i12.01
PDF (Español (España))
Marcos Díaz Martín
21-37
Ideological content and militarism in M.A.S.H.
https://doi.org/10.12795/comunicacion.2014.v01.i12.02
PDF (Español (España))
Silvia Guillamón Carrasco
38-51
Between the law and desire: the problematic dichotomy of gender roles in Vicente Aranda’s Lovers
https://doi.org/10.12795/comunicacion.2014.v01.i12.03
PDF (Español (España))
Raquel Marques Carriço Ferreira
52-64
Para encantar a audiência: ações publicitárias nas telenovelas
https://doi.org/10.12795/comunicacion.2014.v01.i12.04
PDF (Español (España))
José Justo Megías Quirós
65-81
The principle of authenticity in commercial communication
https://doi.org/10.12795/comunicacion.2014.v01.i12.05
PDF (Español (España))
Daniel Torras i Segura
82-93
The essence of cinematographic silence. Bergman’s The Silence as an example
https://doi.org/10.12795/comunicacion.2014.v01.i12.06
PDF (Español (España))
Gregorio Torres Nebrera
94-113
The cinematographic fate of Sangre y arena, a novel by Blasco Ibáñez
https://doi.org/10.12795/comunicacion.2014.v01.i12.07
PDF (Español (España))
Aitor Zuberogoitia Espilla, Goio Arana Arrieta , Txem Egaña Osa
114-130
Innovation and creativity and the Spanish White Paper on Communication Degrees: adapting universities to a changing media landscape
https://doi.org/10.12795/comunicacion.2014.v01.i12.08
PDF (Español (España))