Vol. 1 No. 1 (2002)

Manuel Ángel Vázquez Medel

9-10

Presentation: Image, Culture and Communication. Homage to Diego Coronado e Hijón

https://doi.org/10.12795/comunicacion.2002.V01i01.01

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Manuel Ángel Vázquez Medel

11-20

Artistic avant-garde and cinematographic avant-gardes

https://doi.org/10.12795/comunicacion.2002.V01.i01.02

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Juan Rey

21-35

The mirages of tourist intercommunication

https://doi.org/10.12795/comunicacion.2002.V01.i01.03

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Adrián Huici

37-62

Cinema and tragedy: from Oedipus Rex to Lawrence of Arabia

https://doi.org/10.12795/comunicacion.2002.V01.i01.04

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Virginia Guarinos

63-73

Movement in the configuration of radio narrative space

https://doi.org/10.12795/comunicacion.2002.v01.i01.05

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Antonio Checa Godoy

75-87

Changes in communication in Eastern Europe. The case of Bulgaria.

https://doi.org/10.12795/comunicacion.2002.V01.i01.06

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Manuel Carlos Fernández Sánchez

89-98

Towards a complementary theory of framing

https://doi.org/10.12795/comunicacion.2002.V01.i01.07

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María Teresa Otero Alvarado

99-115

Public Relations & Research

https://doi.org/10.12795/comunicacion.2002.V01.i01.08

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Juan Carlos Rodríguez Centeno

117-129

Communication in wartime. Theoretical approach to messages and media: ideology and symbolism/propaganda and advertising.

https://doi.org/10.12795/comunicacion.2002.V01.i01.09

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Manuel Garrido Lora

131-147

The fascination with television violence

https://doi.org/10.12795/comunicacion.2002.V01.i01.10

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Jesús Jiménez Varea

149-160

The ephemeral subject: Photography as the culmination of the place of death in the popular image.

https://doi.org/10.12795/comunicacion.2002.V01.i01.11

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Jorge David Fernández Gómez

161-177

Conceptual approach to music in audiovisual advertising

https://doi.org/10.12795/comunicacion.2002.V01.i01.12

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Carmen Lasso de la Vega González

179-187

The communicative image

https://doi.org/10.12795/comunicacion.2002.V01.i01.13

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Carlos Peinado Elliot

189-201

The banal image and the unique word: around a poem by José Ángel Valente

https://doi.org/10.12795/comunicacion.2002.V01.i01.14

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Francisco Javier Gómez Pérez

203-216

Typography on the film poster: creative writing as a mode of expression

https://doi.org/10.12795/comunicacion.2002.V01.i01.15

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Antonio Pineda Cachero

217-246

Propaganda and Literature: El padre Juan, by Rosario de Acuña

https://doi.org/10.12795/comunicacion.2002.V01.i01.16

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Juan Carlos Fernández Serrato

247-264

Frederic Jameson and the Political Unconscious of Postmodernity

https://doi.org/10.12795/comunicacion.2002.V01.i01.17

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Begoña Soto Vázquez

265-276

Remember. Weddings, travel, photogaphies and memory

https://doi.org/10.12795/comunicacion.2002.v01.i01.18

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Rodrigo Browne S.

277-290

(Neo)totemic laws and discourse societies. Background for iconography

https://doi.org/10.12795/comunicacion.2002.v01.i01.19

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Víctor Silva Echeto

291-298

Image, technique and communication

https://doi.org/10.12795/comunicacion.2002.v01.i01.20

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Francisco José Cuadrado Méndez

299-311

Cinematic sound: an acousmatic perception

https://doi.org/10.12795/comunicacion.2002.v01.i01.21

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María Jesús Godoy Domínguez

313-331

Gold in the work of Gustav Klimt: Medieval reminiscences of a colour

https://doi.org/10.12795/comunicacion.2002.v01.i01.22

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Domingo Gómez Abeja

333-340

Humorous advertising: a serious commitment to funny spots

https://doi.org/10.12795/comunicacion.2002.v01.i01.23

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Articles