No. 34 (2022): LABORATORIO DE ARTE

Published: 2022-10-05

Papers

THE GRAFFITI ON THE NORTH PORTAL OF THE CHURCH OF SAN JUAN DE BOHÍ (ALTA RIBAGORZA, LLEIDA)

Vanessa Jimeno-Guerra

13-36
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SEVILLIAN SEDERAS MANUFACTURES: AN APPROACH TO THE BROCKED FABRICS OF THE 17TH AND 18TH CENTURIES

Jesús Pérez Morera

37-66
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REDISCOVERING TOLEDO'S SACRED HERITAGE: NEW DATA ON THE THRONE OF THE VIRGEN DE LA ESPERANZA

Laura Illescas-Díaz

67-86
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JUAN BAUTISTA DEL CASTILLO, ARTIFICER OF AN IMAGE OF THE VIRGIN FOR THE CHAPEL OF THE BROTHERHOOD OF ARÁNZAZU IN LIMA (1644-1645)

Josu M. Zulaika-Hernández

87-110
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THE VISION OF THE SPANISH GARDEN IN THE JOURNEY OF COSME DE MEDICI IN THE YEARS 1668 AND 1669

José Miguel Morales-Folguera

111-134
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VALDÉS LEAL AND THE TERMITES OF THE FINIS GLORIAE MUNDI

Rafael Cómez-Ramos

135-150
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ABOUT MARAGLIANESCHI STYLE: OTHER SCULPTURES FROM GENOA IN ANDALUSIA

Juan Alejandro Lorenzo-Lima, Santiago Rodríguez-López

151-174
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- HTML (Español (España))
EPHEMERAL CONSTRUCTION ERECTED BY THE PROFESSED HOUSE OF JESUITS IN SEVILLE FOR THE PROCLAMATION OF FERDINAND VI. PORTRAITS OF THE SPANISH MONARCHY AND HISTORY OF THE NATION

Francisco Ollero-Lobato

175-196
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- HTML (Español (España))
DOCUMENTARY CONTRIBUTIONS TO THE BIOGRAPHY OF THE PAINTER JUAN DE ESPINAL

Álvaro Cabezas-García

197-214
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THE PICTORICAL HERITAGE OF THE PRIORAL CHURCH OF EL PUERTO DE SANTA MARÍA

Enrique Valdivieso-González

215-234
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UT PICTURA POESIS. ARTISTIC ASPECTS OF TRIBUTE TO GUSTAVO ADOLFO BÉCQUER, 1884-1887

Gerardo Pérez-Calero

235-254
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URBAN PROGRESS VERSUS CONSERVATION OF HERITAGE AT THE END OF THE 19TH CENTURY. THE WALLS OF ZAMORA AS AN EXAMPLE

Mª Almudena Frechilla-Alonso

255-274
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- HTML (Español (España))
CERAMICS FROM SEVILLE AND TALAVERA FOR THE DECORATION OF CERVANTES HOUSE OF THE ROYAL COLLEGE OF SPAIN IN BOLONIA

Ignacio José García-Zapata, Álvaro Pascual-Chenel

275-290
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- HTML (Español (España))
OUTLINE OF BRUTALIST ARCHITECTURE IN PROVINCES. THE ZAMORA NURSING HOME

Rafael Ángel García-Lozano

291-308
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- HTML (Español (España))

Varias

THE PRESTIGE AND INSPIRATIONS OF "SPANISH-STYLE" DRESS IN SICILIA BETWEEN THE 16TH AND 17TH CENTURIES

Giorgia Lo Cicero

311-324
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- HTML (Español (España))

2022	2021
0.1	N/A

2022	2021
0.07	0.08

No. 34 (2022): LABORATORIO DE ARTE

Papers

THE GRAFFITI ON THE NORTH PORTAL OF THE CHURCH OF SAN JUAN DE BOHÍ (ALTA RIBAGORZA, LLEIDA)

SEVILLIAN SEDERAS MANUFACTURES: AN APPROACH TO THE BROCKED FABRICS OF THE 17TH AND 18TH CENTURIES

REDISCOVERING TOLEDO'S SACRED HERITAGE: NEW DATA ON THE THRONE OF THE VIRGEN DE LA ESPERANZA

JUAN BAUTISTA DEL CASTILLO, ARTIFICER OF AN IMAGE OF THE VIRGIN FOR THE CHAPEL OF THE BROTHERHOOD OF ARÁNZAZU IN LIMA (1644-1645)

THE VISION OF THE SPANISH GARDEN IN THE JOURNEY OF COSME DE MEDICI IN THE YEARS 1668 AND 1669

VALDÉS LEAL AND THE TERMITES OF THE FINIS GLORIAE MUNDI

ABOUT MARAGLIANESCHI STYLE: OTHER SCULPTURES FROM GENOA IN ANDALUSIA

EPHEMERAL CONSTRUCTION ERECTED BY THE PROFESSED HOUSE OF JESUITS IN SEVILLE FOR THE PROCLAMATION OF FERDINAND VI. PORTRAITS OF THE SPANISH MONARCHY AND HISTORY OF THE NATION

DOCUMENTARY CONTRIBUTIONS TO THE BIOGRAPHY OF THE PAINTER JUAN DE ESPINAL

THE PICTORICAL HERITAGE OF THE PRIORAL CHURCH OF EL PUERTO DE SANTA MARÍA

UT PICTURA POESIS. ARTISTIC ASPECTS OF TRIBUTE TO GUSTAVO ADOLFO BÉCQUER, 1884-1887

URBAN PROGRESS VERSUS CONSERVATION OF HERITAGE AT THE END OF THE 19TH CENTURY. THE WALLS OF ZAMORA AS AN EXAMPLE

CERAMICS FROM SEVILLE AND TALAVERA FOR THE DECORATION OF CERVANTES HOUSE OF THE ROYAL COLLEGE OF SPAIN IN BOLONIA

OUTLINE OF BRUTALIST ARCHITECTURE IN PROVINCES. THE ZAMORA NURSING HOME

Varias

THE PRESTIGE AND INSPIRATIONS OF "SPANISH-STYLE" DRESS IN SICILIA BETWEEN THE 16TH AND 17TH CENTURIES

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