George Egerton: Feminism and the Avant-garde in English End of the Century Narrative
DOI:
https://doi.org/10.12795/ricl.v0i22.9038Keywords:
George Egerton, nueva mujer, heroína, feminismoAbstract
George Egerton was a controversial but very popular English-language writer in the turn of the century. It belonged to the phenomenon called "New Woman", formed by artists who placed women at the center of their works. Egerton created a new type of heroine, modern and unconventional, and a new type of narrative anticipating feminism and modernism in literature.Downloads
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REFERENCIAS BIBLIOGRÁFICAS
Ardis, Ann. New Women, New Novels. Feminism and Early Modernism. New Brunswick: Rutgers University Press, 1990.
Egerton, George. Keynotes and Discords. 1894. Ed. Martha Vicinus. London: Virago Modern Classics, 1983.
_____ Fantasias. 1898. Charleston: BiblioLife, 2009.
_____ The Wheel of God. 1898. Charleston: BiblioLife, 2010.
Ledger, Sally. The New Woman: Fiction and Feminism at the Fin de Siècle. Manchester: Manchester University Press, 1997.
_____ , & Scott McCracken. Cultural Politics at the Fin de Siècle. Cambridge: Cambridge University Press, 1995.
Showalter, Elaine. A Literature of their Own, from Charlotte Brontë to Doris Lessing. New Jersey: Princeton University Press, 1977.
_____ Ed. Daughters of Decadence. Women Writers of the Fin de Siècle. London: Virago Press, 1993.
Stetz, Margaret Diane. “George Egerton: Woman and Writer in the Eighteen Nineties.” Diss. Harvard University, 1982. Ann Arbor: University Microfilms International, 1982.
Venegas, Maria Luisa. Tónicas y Disonancias. Madrid: Cátedra. Letras Universales, 2013.
Vicinus, Marta. Ed. Keynotes & Discords. By George Egerton. London: Virago Modern Classics, 1983.
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Accepted 2019-07-15
Published 2019-08-12
- Abstract 214
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