Héctor Rojas Herazo, a timeless journalism

Authors

  • David Lara Ramos University of Cartagena
  • Jair Esquiaqui Buelvas University of Seville

DOI:

https://doi.org/10.12795/Ambitos.2022.i58.01

Keywords:

Héctor Rojas Herazo, cultural journalism, Colombian Caribbean, journalistic chronicle

Abstract

Héctor Rojas Herazo (1921-2002) stands as one of the most representative figures of Colombian letters and arts of the 20th century. His legacy in journalism, as well as his extensive narrative, poetic, and pictorial work, position him in a highlighted place within the references that marked an entire generation of freethinkers among whom it is worth mentioning Gabriel García Márquez and many others. With a unique style, in which existentialist elements were notable, but also ideological, his time in journalism in different Colombian newspapers has been the subject of countless studies and academic works. This article seeks to make an approximation to the idea of ​​journalism present in Rojas Herazo, and the role of culture in that idea, through a detailed collection of primary sources such as interviews granted in life, as well as references from authors and other sources, using the case study as a methodological guide. It is possible to determine, therefore, that the characteristics of his style and his legacy for Ibero-American letters will make him a reference of great value for future generations of cultural journalists.

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Author Biography

Jair Esquiaqui Buelvas, University of Seville

Estudiante Doctorado Universidad de Sevilla
M.A. Relaciones Internacionales - UNIA
Comunicador social, periodista - U de Cartagena

References

Arango, J. (1963). Héctor Rojas Herazo o la angustia cósmica. En Boletín Cultural y Bibliográfico. Biblioteca Virtual del Banco de la República (Colombia).

Arango, G. (1995). Un ramo de nomeolvides. Pontificia Universidad Bolivariana.

Bustos Aguirre, R. (2001). El Caribe purgatorial: Héctor Rojas Herazo o la imaginación del fuego. En Memorias del IV seminario internacional de estudios del Caribe (pp. 39-50). Fondo de Publicaciones, Universidad del Atlántico.

Círculo de Poesía (s.f.) Memorias de la Poesía Colombiana V: Héctor Rojas Herazo. https://bit.ly/3aGakvl

El Universal (mayo 17 de 1998). Suplemento Dominical, N.º 638.

Fonnegra, G. (1984). La prensa en Colombia, cómo informa, de quién es, a quién le sirve. El Áncora Editores.

Gómez-Escalonilla, G. (2021). Métodos y técnicas de investigación utilizados en los estudios sobre comunicación en España. Revista Mediterránea de Comunicación/Mediterranean Journal of Communication, 12(1), 115-127. https://www.doi.org/10.14198/MEDCOM000018

García Usta, J. (2003). Héctor Rojas Herazo. Vigilia de las lámparas. Obra periodística 1940-1970. Fondo Editorial Universidad EAFIT, Tomo I.

García Usta, J. (abril 21 de 2002). Entrevistas de Jorge García Usta, titulada Confesión total de un patiero. En Dominical de El Universal, N.º 839.

García Usta, J. (1995). Cómo aprendió a escribir García Márquez. Ediciones Lealón.

Héctor Rojas Herazo, el maestro. (s.f.). Consultado el 14 de julio de 2022. www.rojasherazo.com

Jiménez-Chaves, V. E. (2012). El estudio de caso y su implementación en la investigación. Revista Internacional de Investigación en Ciencias Sociales, 8(1), 141-150. https://bit.ly/3CoD31w

Lara, D. (2017). El dolor de volver. Collage Editores.

Lara, D. (2011). Entrevista con Fernando Cruz Kronfly. En Pasa la voz queda la palabra. Ediciones Pluma de Mompox. 135-145.

Vallejo, M. (1997). La crónica en Colombia. Medio Siglo de Oro. Presidencia de la República.

Vallejo, M. (2006). A plomo herido. Planeta.

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Published

2022-10-15

How to Cite

Lara Ramos, D. ., & Esquiaqui Buelvas, J. (2022). Héctor Rojas Herazo, a timeless journalism. Ámbitos. Revista Internacional De Comunicación, (58), 11–23. https://doi.org/10.12795/Ambitos.2022.i58.01

Issue

No. 58 (2022): Autumn Edition

Section

MONOGRAPH

License

Copyright (c) 2022 David Lara Ramos, Jair Esquiaqui Buelvas

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