Rupture with the predominant heteronormativy: construction of young characters in television fiction series
DOI:
https://doi.org/10.12795/Ambitos.2021.i52.12Keywords:
television, Netflix, television fiction, youth, genderAbstract
This paper offers a general reflection on the presence of sexual diversity in young characters in television series that have achieved success on a platform of notable penetration such as Netflix. To do this, an analysis of two of its most widely disseminated fiction series has been carried out and, has constituted the corpus of analysis. Both series have been produced in very different cultural contexts: La casa de las flores (Mexican series, three seasons, released in August 2018) and Sex Education (British series, two seasons, released in January 2019). The conclusions of this work warn that, effectively and with heteronormativity being the dominant canon, this visibility of sexual orientations and their manifestation in juvenile characters represents an advance. In fact, not a few of the young characters studied face their personal realities and desires with important but decisive conflicts. However, the conclusions also question whether this presence has effectively led to a greater acceptance of sexual diversity or, on the contrary, if these characters are presented within the framework of established cultural conventions reinforcing heterosexism, traditional values such as family or monogamy, or emphasizing the association between homosexuality and lack of masculinity or femininity.
Downloads
Metrics
References
Berger, J. (1972). Modos de ver. Editorial Gustavo Gili.
Camps, V. (2013). El siglo de las mujeres. Traficantes de Sueños.
Casetti, F. y Di Chio, F. (2007). Cómo analizar un film. Paidós.
Chaparro Escudero, M., Espinar Medina, L., El Mohammadiane Tarbift, A. y Peralta García. L. (2020). Guía de transición ecosocial y principios éticos para nuestros medios. Fragua.
Doane, M.A. (1991). Femmes Fatales: Feminism, Film Theory, Psychoanalysis. Routledge.
Durán, V. (2020). Rompiendo el Código. Personajes y sexualidades latentes en el Hollywood clásico. Readuck.
Global Media Monitoring Project (2015). Who Makes the News? WACC.
Guarinos, V. (ed.) (2013). Hombres en serie: construcción de la masculinidad en los personajes de ficción seriada española de televisión. Fragua.
Kant, I. (1996). Fundamentación de la metafísica de las costumbres. Trad. estudio y notas por Smilg Vidal, N. Santillana.
Mattelart, M. (1981). La mujer y las industrias culturales. UNESCO.
Mead, M. (1994). Sexo y temperamento. Altaya.
Peters, W. (2011). Pink Dollars, White Collars: Queer as Folk, Valuable Viewers, and the Price of Gay TV. Critical Studies in Media Communication, 28, 193-212.
Ramírez Alvarado, M. y Cobo Durán, S. (2013). La ficción gay-friendly en las series de televisión españolas. Comunicación y Sociedad, 19, 213-235.
Rodríguez de Austria, A.M. (2015). El código de producción de Hollywood (1930-1966): censura, marcos (frames) y hegemonía. ZER - Revista de Estudios de Comunicación, 20 (39), 177-193.
Tuchman, G. (1978). The Symbolic Annihilation of Women by the Mass Media. En Tuchman, G.; Kaplan, A. & Benet, J. (eds.), Hearth and Home: Images of Women in the Mass Media. Oxford University Press.
Downloads
Published
How to Cite
Issue
Section
License
Ámbitos. Revista Internacional de Comunicación is an open access journal, which means that all content is freely available at no charge to the user or their institution. Users may read, download, copy, distribute, distribute, print, search or link to the full text of articles, or use them for any other lawful purpose, without seeking prior permission from the publisher or author. This definition of open access is in accordance with the Budapest Open Access Initiative (BOAI).
Unless otherwise noted, all content in the electronic edition is distributed under a "Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License". You can consult the informative version and legal text of the licence here. This should be expressly stated in this way where necessary.
In case of acceptance of the manuscript, the authors cede the rights of the work for its publication to Ámbitos. Revista Internacional de Comunicación under the Attribution-NonCommercial-ShareAlike 4.0 International license contract (CC BY-NC-SA 4.0). The authors retain copyright and third parties are authorised to copy, distribute and make use of the work, provided they comply with the terms and conditions set out in the licence
- Cite the authorship and the original source of publication (journal, publisher and URL of the work).
- Do not use them for commercial purposes.
- If you remix, transform or create from the material, you must release your contributions under the same license as the original.
More information can be found at https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es
- Abstract 428
- pdf (Español (España)) 346
