FROM THE CANVAS TO THE SCENE. DRAMATURGICAL ANALYSIS OF SHERAZADE GOES WEST BY PATRIZIA MONACO
DOI:
https://doi.org/10.12795/RICL.2014.i15.23Keywords:
Sherazade va in Oriente, Patrizia Monaco, letteratura, pinturaAbstract
Staged in 2002, these five unique acts investigate with fine humor the cultural clichés that are hidden, in the dream of man, behind the representation of the odalisques locked up in the menageries of the sultans. From the pieces emerges the author's ability to interpret the works of the great masters of European painting (Delacroix, Ingres, Bompard and Debat-Ponsan), who described the Arab woman in their paintings. These tests also offer portraits of today's women, aware of their sensuality and their right to love.Downloads
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References
Battiflora, P., Maghreb, il fascino del mondo dai mille segreti, su “Il secolo XIX”, 7 marzo 2002.
Piastra, R., Il teatro di Patrizia Monaco, inedita tesi di laurea ,a.a. 2006-2007.
Trovato, R., La scrittura come vita e come gioco. Il teatro di Patrizia Monaco in Las voces de las Diosas, Sevilla, Arcibel, 2012, pp. 1321-1345.
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Published
2014-04-09
How to Cite
Trovato, R. (2014). FROM THE CANVAS TO THE SCENE. DRAMATURGICAL ANALYSIS OF SHERAZADE GOES WEST BY PATRIZIA MONACO. International Journal of Cultures and Literatures, (15), 293–302. https://doi.org/10.12795/RICL.2014.i15.23
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Section
Artículos italiano
Received 2019-01-10
Accepted 2019-01-10
Published 2014-04-09
Accepted 2019-01-10
Published 2014-04-09
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