FROM THE CANVAS TO THE SCENE. DRAMATURGICAL ANALYSIS OF SHERAZADE GOES WEST BY PATRIZIA MONACO

Authors

  • Roberto Trovato Universidad de Génova

DOI:

https://doi.org/10.12795/RICL.2014.i15.23

Keywords:

Sherazade va in Oriente, Patrizia Monaco, letteratura, pintura

Abstract

Staged in 2002, these five unique acts investigate with fine humor the cultural clichés that are hidden, in the dream of man, behind the representation of the odalisques locked up in the menageries of the sultans. From the pieces emerges the author's ability to interpret the works of the great masters of European painting (Delacroix, Ingres, Bompard and Debat-Ponsan), who described the Arab woman in their paintings. These tests also offer portraits of today's women, aware of their sensuality and their right to love.

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References

Battiflora, P., Maghreb, il fascino del mondo dai mille segreti, su “Il secolo XIX”, 7 marzo 2002.

Piastra, R., Il teatro di Patrizia Monaco, inedita tesi di laurea ,a.a. 2006-2007.

Trovato, R., La scrittura come vita e come gioco. Il teatro di Patrizia Monaco in Las voces de las Diosas, Sevilla, Arcibel, 2012, pp. 1321-1345.

Published

2014-04-09

How to Cite

Trovato, R. (2014). FROM THE CANVAS TO THE SCENE. DRAMATURGICAL ANALYSIS OF SHERAZADE GOES WEST BY PATRIZIA MONACO. International Journal of Cultures and Literatures, (15), 293–302. https://doi.org/10.12795/RICL.2014.i15.23

Issue

Section

Artículos italiano
Received 2019-01-10
Accepted 2019-01-10
Published 2014-04-09
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