ALEXANDER PAYNE’S NEBRASKA AND THE RETURN OF THE GRAND NARRATIVES

Autores/as

  • Jesús Bolaño Quintero Universidad de Cádiz

DOI:

https://doi.org/10.12795/ricl.v0i22.8357

Palabras clave:

Alexander Payne, post-postmodern, cinema, New Sincerity, transcendentalism

Resumen

This article analyses Alexander Payne’s film Nebraska from the perspective of the paradigm shift produced after the much-debated passing of postmodernism, announced by theorists such as Ihab Hassanor Linda Hutcheon. We shall examine how the lack of grand narratives makes it almost impossible to give structured meanings to the concept of reality. Payne’s project can beviewed as both an allegorical and a physical journey that takes the character to no specific
destination in his search to make amends with the harsh reality that, ultimately, spells the end of the American Dream.

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Citas

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Publicado

2019-08-12

Cómo citar

Bolaño Quintero, J. (2019). ALEXANDER PAYNE’S NEBRASKA AND THE RETURN OF THE GRAND NARRATIVES. Revista Internacional De Culturas Y Literaturas, (22). https://doi.org/10.12795/ricl.v0i22.8357

Número

Sección

Artículos inglés
Recibido 2019-02-28
Aceptado 2019-07-16
Publicado 2019-08-12