“SUPPLYING THE DEFAULTS OF NATURE BY THE INDUSTRY OF ART”: NATURA, ARS AND EXERCITATIO IN APHRA BEHN’S THE DUMB VIRGIN; OR, THE FORCE OF IMAGINATION

Autores/as

  • Juan de Dios Torralbo Caballero Universidad de Córdoba

Palabras clave:

The Dumb Virgin, painting, nature, art

Resumen

Se investigan los conceptos de natura y ars que informan The Dumb Virgin de Behn. Se destaca la conciencia artística del poeta, en términos de mímesis y representación, revelando el conocimiento del autor de las teorías poéticas, así como su implementación en la historia a través de un protagonista que, sin poder hablar, es un pintor magistral, complementado además por el la hermana del protagonista, deformada pero elocuente.

Abstract

It investigates the concepts of natura and ars that inform Behn’s The Dumb Virgin. It is highlighted the poet’s artistic conscience, in terms of mimesis and representation, revealing the author’s knowledge of poetical theories, as well as their implementation in the story through a protagonist who, while unable to speak, is a masterful painter, further complemented by the protagonist’s sister, who is deformed but eloquent. 

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Publicado

2016-04-30

Cómo citar

Torralbo Caballero, J. de D. (2016). “SUPPLYING THE DEFAULTS OF NATURE BY THE INDUSTRY OF ART”: NATURA, ARS AND EXERCITATIO IN APHRA BEHN’S THE DUMB VIRGIN; OR, THE FORCE OF IMAGINATION. Revista Internacional De Culturas Y Literaturas, (18), 131–140. Recuperado a partir de https://revistascientificas.us.es/index.php/CulturasyLiteraturas/article/view/7160
Recibido 2018-12-11
Aceptado 2018-12-11
Publicado 2016-04-30