No. 28 (2016): LABORATORIO DE ARTE

Papers

• THE FORGIVENESS GATE OF THE MOSQUE-CATHEDRAL OF CÓRDOBA

  Mª Ángeles Jordano-Barbudo

  15-40

  • pdf (Español (España))

• NEW CONTRIBUTIONS TO “LAS PORTADAS GÓTICAS GADITANAS”: THE SPONSORCHIP OF THE CARDINAL DIEGO HURTADO DE MENDOZA IN THE CHURCH OF SANTIAGO DE JEREZ AND THE AUTHORSHIP OF RODRIGO DE ALCALÁ IN THE CHURCH OF SAN JORGE DE ALCALÁ DE LOS GAZULES

  David Caramazana-Malia , Manuel Romero-Bejarano

  41-59

  • pdf (Español (España))

• THE MUDEJAR DOOR OF THE CASA DE PILATOS: CONTENT AND INTERPRETATION OF ITS INSCRIPTIONS

  Verónica Ruiz-Ortega

  67-75

  • pdf (Español (España))

• THE BLESSED SACRAMENT ALTARPICE OF THE PARISH CHURCH OF SANTIAGO OF ÉCIJA

  Gerardo García-León

  77-102

  • pdf (Español (España))

• SEVILLIAN BRICKLAYERS TRADE AND ITS ASSISTANCE CHARACTER: SAINT ANDREW´S BRICKLAYERS HOSPITAL

  David Gutiérrez de los Santos

  103-112

  • pdf (Español (España))

• ALONSO VÁZQUEZ, “THE LAST SUPPER” IN THE CATHEDRAL OF TEXCOCO (MÉXICO) OR THE ANATOMY OF ROUTINE

  Rafael Cómez-Ramos

  113-123

  • pdf (Español (España))

• THE SKIN OF ARCHITECTURE SANLUQUEÑA

  Fernando Cruz-Isidoro

  125-149

  • pdf (Español (España))

• «UN MAL PAÑO MUY VIEJO Y ROTO». FRANCISCO DE HERRERA THE YOUNGER AND THE REFORM OF THE ROYAL CHAPEL OF SEVILLE

  Antonio García-Baeza

  151-169

  • pdf (Español (España))

• BETWEEN DECORUM AND LICENCE: NEW WORKS BY LUISA ROLDÁN IN ZAFRA (BADAJOZ)

  Alfonso Pleguezuelo-Hernández

  171-177

  • pdf (Español (España))

• A SAINT JOSEPH ATTRIBUTED TO THE SCULPTOR FRANCISCO ANTONIO GIJÓN

  José Roda-Peña

  179-190

  • pdf (Español (España))

• A PROBLEM OF NAMESAKE: RECONSIDERING THE SCULPTOR PEDRO ROLDÁN, THE YOUNGER

  Manuel García-Luque

  191-218

  • pdf (Español (España))

• THE BAROQUE ARTIST PETER RELLINS: REVIEW OF HIS LIFE AND HIS WORK

  José Miguel Sánchez-Peña, José Manuel Moreno-Arana

  219-241

  • pdf (Español (España))

• THE ICONOGRAPHY OF SAN MIGUEL IN THE SERIES ANGELIC

  Mario Ávila-Vivar

  243-258

  • pdf (Español (España))

• FOR THE HONOR AND GLORY OF THE ORDER: THE PAINTINGS OF THE GENEALOGIES OF RELIGIOUS ORDERS IN THE QUITO CONVENTS DURING THE BAROQUE

  Ángel Justo-Estebaranz

  259-281

  • pdf (Español (España))

• THE ARTISTIC CONFIGURATION OF THE MONASTERY OF THE INCARNATION IN OSUNA IN THE SECOND HALF OF THE 18TH CENTURY

  Antonio Morón-Carmona

  283-303

  • pdf (Español (España))

• “TREMENDOUS, HORROR AND FRIGHT AESTHETICS”: AN UNPUBLISHED NEW HISPANIC CRUCIFIED CHRIST IN A SANLÚCAR DE BARRAMEDA (CADIZ) PRIVIT COLLECTION

  Álvaro Recio-Mir, Jesús Morejón-Pazos

  305-318

  • pdf (Español (España))

• THE TABERNACLE OF THE URN OF SAN JUAN DE DIOS IN GRANADA, WORK OF SILVERSMITH MIGUEL DE GUZMAN

  Ignacio García-Zapata

  319-333

  • pdf (Español (España))

• FAINT VOICES OF THE CLOISTER. VOCATION LETTERS AT MONASTERY OF SAN CLEMENTE REAL SEVILLE

  Rosario Marchena-Hidalgo

  335-362

  • pdf (Español (España))

• AN UNKNOWN WORK OF SCULPTOR JUAN DE ASTORGA IN THE PARISH CHURCH OF UMBRETE

  Francisco Amores-Martínez

  363-371

  • pdf (Español (España))

• THE PACIFICATION OF THE GUAJIRA BY ENGINEER ANTONIO DE AREVALO. ON DEFENSE PROJECT SABANA DEL VALLE

  Manuel Gámez-Casado

  373-386

  • pdf (Español (España))

• TWO EPHEMERAL ARCHITECTURE DESIGNS OF CAYETANO VÉLEZ FOR THE TOWN HALL OF SEVILLE

  Francisco Ollero-Lobato

  387-400

  • pdf (Español (España))

• ANOTHER EPISODE OF ART TRADE. SCULPTURES FROM ANDALUSIA IN TENERIFE DURING THE EARLY NINETEENTH CENTURY

  Juan Alejandro Lorenzo-Lima

  401-431

  • pdf (Español (España))

• THE SIXTH COUNT OF FERNÁN NÚÑEZ NEOCLASSICAL CEMETERY: A CASE OF SOCIAL DISTINCTION AND APPROPRIATION OF THE FUNERARY SPACE

  José Antonio Vigara-Zafra

  433-454

  • pdf (Español (España))

• AN UNKNOWN COPYST OF MURILLO: CAPUCHIN FR. PEDRO DE MADRID (1880-1936)

  José Javier Azanza-López

  455-479

  • pdf (Español (España))

• THE SOCIEDAD DEFENSA DE SEVILLA ARTÍSTICA AND ITS WORK OF SAFEGUARDING OF SEVILLE’S HISTORICAL HERITAGE AT THE BEGINNING OF THE TWENTIETH CENTURY

  Carmen De Tena-Ramírez

  481-498

  • pdf (Español (España))

• THE PHOTOGRAPHER- PICTORIALISM ANTONIO PORTELA AND THE PAINTER GONZALO BILBAO OF NOVECENTISMO IN MADRID

  Gerardo Pérez-Calero

  499-510

  • pdf (Español (España))

• AN UNPLUBLISHED WORK OF ANDRÉS PARLADÉ, CONDE DE AGUIAR

  Álvaro Cabezas-García

  511-518

  • pdf (Español (España))

• SEVILLE PAINTER JOAQUÍN VALVERDE LASARTE (1896-1982): AN APPROACH TO HIS LIFE AND WORK

  Javier García-Luengo-Manchado

  519-542

  • pdf (Español (España))

• COLORS AND LIGHTS OF THE USA. A VISION OF THE SUCCESSFUL TRAVELLING PAINTER JOSÉ ARPA THROUGH PRESS

  Carmen Rodríguez-Serrano

  543-564

  • pdf (Español (España))

• BEYOND THE VESSEL: BERNARDO HOGAN’S CERAMICS THROUGH HIS EXHIBITIONS (1984-2005)

  Daniel Expósito-Sánchez

  565-578

  • pdf (Español (España))

• ABOUT IDENTITY IN THE NEW FIGURATION. THE PALM TREE AND THE SWIMMING POOL: TWO ICONS FROM THE SPANISH DEMOCRATIC TRANSITION

  Fernando Sáez-Pradas

  579-594

  • pdf (Español (España))

• PARALLEL WAYS IN THE CONTEMPORARY PICTORICAL REALISM. ANTONIO LOPEZ AND EUAN UGLOW

  David Serrano-León

  595-614

  • pdf (Español (España))