No. 22 (2010): LABORATORIO DE ARTE

View No. 22 (2010): LABORATORIO DE ARTE

Published: 2010-10-04

Tribute

MARIA JOSÉ DEL CASTILLO, PROFESORA E HISTORIADORA DEL ARTE

Teodoro Falcón-Márquez

13-16
- pdf (Español (España))

Papers

THE KNIGHT AND HIS PATHOS THE SAVAGE: APOLLONIAN AND DIONYSIAN SPIRIT IN THE MEDIEVAL ICONOGRAPHY

Carmen Vallejo-Naranjo

19-32
- pdf (Español (España))
A TECHNICAL APPROACH TO MIGUEL PERRIN’S TERRACOTTA SCULPTURES

Concha Cirujano-Gutiérrez, Teresa Laguna-Paúl

33-50
- pdf (Español (España))
FROM ARNAO DE VERGARA TO VICENTE MENARDO: NEW DOCUMENTARY RECORDS OF STAINED GLASS MAKERS IN RENAISSANCE SEVILLE

Juan Antonio Gómez-Sánchez

51-71
- pdf (Español (España))
THE “NAZARENO DE LAS FATIGAS” AND ITS CHAPEL IN THE PARISH OF SANTA MARÍA MAGDALENA OF SEVILLE

José Roda-Peña

73-100
- pdf (Español (España))
ARCHITECTURE PAINTED ON PARCHMENTS

Rosario Marchena-Hidalgo

103-129
- pdf (Español (España))
JUAN PEDRO LIVADOTE AT THE SERVICE OF THE NIEBLA´S COUNTESS (1574-1576): THE GOD´S MOTHER CONVENT OF SANLÚCAR DE BARRAMEDA

Fernando Cruz-Isidoro

131-164
- pdf (Español (España))
ANTÓN MARTÍN CALAFATE, THE FIRST ARCHITECT TO PLAN A GOTHIC DESIGN FOR THE REBUILDING OF A GOTHIC CHURCH IN THE 17TH CENTURY: HIS PROJECT FOR THE REBUILDING OF ST. MARY’S PRIORY CHURCH IN EL PUERTO DE SANTA MARÍA

Esperanza De los Ríos-Martínez

165-184
- pdf (Español (España))
THE SILVERWARE COLLECTION ATTACHED TO OUR LADY OF ANTIGUA’S CHAPEL, IN THE CATHEDRAL OF SEVILLE: ITS TRANSFORMATION THROUGH THE CENTURIES

María Jesús Sanz-Serrano

185-215
- pdf (Español (España))
REFERENCES ABOUT WORKS IN TONDO CHURCH IN 18TH CENTURY

Pedro Luengo-Gutiérrez

217-233
- pdf (Español (España))
“WITH THE COLOUR OF THE OLIVE LEAF”: THE PAINTING OF THE CARRIAGES IN THE SEVILLE OF THE XVIIITH CENTURY

Álvaro Recio-Mir

235-261
- pdf (Español (España))
DIONISIO DE ALCEDO Y HERRERA, THE BRIDGE OF LA MERCED AND THE PLAN OF QUITO OF 1734

Ángel Justo-Estebaranz

263-275
- pdf (Español (España))
A. R. MENGS’ “ACADEMIC RIGORISM”. ORIGINS OF AN INCORRECT INTERPRETATION OF HIS INNOVATIVE IDEAS IN CARLOS III’S SPAIN

Noemi Cinelli

277-291
- pdf (Español (España))
THE CONMEMORATIVE VESTMENT TO THE SAINT JOAQUIN AND SAINT ANA CONVENT IN VALLADOLID

Jesús Aguilar-Díaz

293-315
- pdf (Español (España))
EPILOGUE: THE LOOKOUT TOWER OF CADIZ DURING THE NINETEENTH CENTURY

Juan Ramón Cirici Narváez

317-338
- pdf (Español (España))
THE LEGACY OF THE PRESBYTER JOSÉ MARÍA GÓMEZ ESPINOSA DE LOS MONTEROS TO THE CATHEDRAL OF SEVILLE IN 1879

Juan Carlos Hernández-Núñez

339-356
- pdf (Español (España))
ADDED VALUE. A REFLECTION ON ARTISTIC IMMANENCE IN ADVERTISEMENT GRAPHICS

Francisco Javier Navarro-Moragas

357-369
- pdf (Español (España))
NATIONAL HERITAGE AND THE TOURIST INDUSTRY: FROM THE OLD “CICERONE” TO THE NEW TOURIST GUIDE (1830-1939)

Luis Méndez-Rodríguez

371-386
- pdf (Español (España))
SAINT IGNACIO’S CONVERSION AND SAINT IGNACIO ENSIGN, TWO IMAGES OF LORENZO COULLAUT VALERA IN THE SANCTUARY OF LOYOLA

Joaquín Manuel Álvarez-Cruz

387-408
- pdf (Español (España))
A NEW CONTRIBUTION TO THE STUDY OF SEVILLE’S PAINTER HELIOS GÓMEZ AND AN APPROACH TO THE MAGAZINE LAS FIESTAS DE SEVILLA, 1912-1938

Teresa Lafita-Gordillo

409-428
- pdf (Español (España))
NEW CONTRIBUTIONS TO THE STUDY OF CASTILLO LASTRUCCI’S RELIGIOUS WORKS

Juan Miguel González-Gómez, Jesús Rojas-Marcos González

429-451
- pdf (Español (España))
ART AND SOCIAL MORES IN 20TH-CENTURY ÉCIJA: THE CRAFTSMEN’S CLUB, LITERARY GATHERINGS AND THE FINE ARTS ACADEMY

Gerardo Pérez-Calero

453-470
- pdf (Español (España))
THE TERM “HISTORICAL” IN FILM ART: A THEORETICAL APPROACH FROM A COMPARATIVE AND INTERNATIONAL PERSPECTIVE

Jürgen Haberleithner

471-478
- pdf (Español (España))
THE ECONOMIC CRISIS, ART COLLECTIONS AND ART SALES IN ANDALUSIA

Fernando Martín-Martín

479-489
- pdf (Español (España))

Varias

THE CRUCIFIX OF FRANCISCO DE OCAMPO IN SANTA INÉS

Rafael Ramos-Sosa

493-499
- pdf (Español (España))
NEW DOCUMENTS ABOUT SEVILLIAN SILVERWORK

Francisco Amores-Martínez

501-512
- pdf (Español (España))
THE REREDOS FOR THE HIGH ALTAR AT ST. EUSTACE’S PARISH CHUCH IN SANLÚCAR LA MAYOR

Juan Antonio Silva Fernández

513-525
- pdf (Español (España))
THE ‘CORONATION OF OUR LADY’ PAINTING AT ST. MICHAEL’S PARISH CHURCH, MARCHENA

Francisco Montes-González

527-538
- pdf (Español (España))
ARCHITECT SANTIAGO DE LA LLOSA’S PROFESIONAL PARTICIPATION IN THE PARISCHES OF TREBUJENA AND EL GASTOR

Fernando Aroca-Vicenti

539-552
- pdf (Español (España))
THEATRE PAINTING IN SEVILLE, 1795-1815: SET DESIGNERS AT THE “TEATRO CÓMICO”

Rocío Plaza-Orellana

553-564
- pdf (Español (España))
ARCHITECT DEMETRIO DE LOS RÍOS’S PROJECT FOR THE REBUILDING OF ST. JOHN’S PARISH CHURCH IN VILLANUEVA DE SAN JUAN, SEVILLE

Antonio Joaquín Santos-Márquez

565-575
- pdf (Español (España))
A STUDY ON PAINTER-RESTORER SEVILLIAN DIEGO MATEO DEL PARQUE

Manuel Antonio Ramos-Suárez

577-587
- pdf (Español (España))
TWO PORTRAITS OF EMBOSSMENT, NEOCLASSIC OF FRANCOISE TRUPHEME

Pedro González-García

589-595
- pdf (Español (España))
A NEW CONTRIBUTION TO THE STUDY OF SEVILLE’S ARTISTIC ROMANTICISM: TWO UNKNOWN WORKS BY PAINTER MANUEL VÉLEZ Y CARMONA

Magdalena Illán-Martín

597-603
- pdf (Español (España))