Tribute to Prof. María Isabel Osuna Lucena

Most read articles by the same author(s)

• A. Justo-Estebaranz, THE BAROQUE SCULPTURE FROM QUITO AND ITS ENGRAVED SOURCES , LABORATORIO DE ARTE: Vol. 1 No. 25 (2013): LABORATORIO DE ARTE
• Ángel Justo-Estebaranz, MANUEL SAMANIEGO AFTER THE TRIAL FOR ADULTERY: THE RECOVERY OF HIS ACTIVITY IN THE REAL AUDIENCIA DE QUITO (1798-1811) , LABORATORIO DE ARTE: No. 31 (2019): LABORATORIO DE ARTE
• Ángel Justo-Estebaranz, Rafael Muñoz-Torrero Santos , FERNANDO PALATÍN IN THE SEVILLIAN AND FRENCH CULTURAL ENVIRONMENT: ARTISTIC TESTIMONIES OF HIS RECOGNITION AS A MUSICIAN , LABORATORIO DE ARTE: No. 33 (2021): LABORATORIO DE ARTE
• Ángel Justo-Estebaranz, Alfonso Ojeda-Barrera, ÓRGANOS, ORGANEROS Y ORGANISTAS EN LA IGLESIA DE SANTA MARÍA DE CARMONA (1507-1743) , LABORATORIO DE ARTE: No. 29 (2017): LABORATORIO DE ARTE
• Ángel Justo-Estebaranz, FOR THE HONOR AND GLORY OF THE ORDER: THE PAINTINGS OF THE GENEALOGIES OF RELIGIOUS ORDERS IN THE QUITO CONVENTS DURING THE BAROQUE , LABORATORIO DE ARTE: No. 28 (2016): LABORATORIO DE ARTE
• Ángel Justo-Estebaranz, TWO ORGANS FROM 16TH AND 17TH CENTURIES NOWADAY DISAPPEARED: HOLY GHOST OF TRIANA AND SAINT MICHEL , LABORATORIO DE ARTE: No. 19 (2006): LABORATORIO DE ARTE
• Pedro Luengo, BETWEEN PIPE ORGANS AND VIOLINS: GUILLERMO D’ENOYER AND THE 6TH CONDE DE LUQUE (1739-1796) , LABORATORIO DE ARTE: No. 33 (2021): LABORATORIO DE ARTE
• Ángel Justo-Estebaranz, “HONOURED SCULPTOR, PERFECT GENTLEMAN AND LOVING FATHER...” AND POOR: ON THE FIRST CENTENARY OF THE DEATH OF THE SCULPTOR JOSÉ GONZÁLEZ Y GIMÉNEZ , LABORATORIO DE ARTE: No. 30 (2018): LABORATORIO DE ARTE
• Ángel Justo-Estebaranz, FRANCISCO PÉREZ DE VALLADOLID AND THE ORGAN OF THE CHURCH OF SANTA ANNA OF TRIANA (SEVILLE) , LABORATORIO DE ARTE: No. 23 (2011): LABORATORIO DE ARTE
• Ángel Justo-Estebaranz, VALENTÍN VERDALONGA Y SUS ÓRGANOS EN SEVILLA Y CÁDIZ A COMIENZOS DEL SIGLO XIX , LABORATORIO DE ARTE: No. 18 (2005): LABORATORIO DE ARTE