THE BAROQUE SCULPTURE FROM QUITO AND ITS ENGRAVED SOURCES

Abstract

In this work the use of engraved sources in the sculpture produced in the Real Audiencia de Quito during the baroque is studied. In the paper, examples not known up to the date are provided, so much realized by some of the main sculptors of Quito as for anonymous authors. The examples are classified according to the countries of origin of the engravings, being the most outstanding those of Flanders and the Netherlands.