Bertha Mason: representación del cuerpo femenino descontrolado en Jane Eyre de Charlotte Brontë

Authors

DOI:

https://doi.org/10.12795/RICL2025.i28.10

Keywords:

autonomy, destiny, madness, repression

Abstract

The figure of Bertha Mason serves as a powerful embodiment of the uncontrolled and perceived as threatening female body in Victorian society in Charlotte Brontë's novel Jane Eyre. Through Bertha's characterization, Brontë explores the anxieties of the era regarding female autonomy. Bertha is depicted as the exotic and uncontrollable, reflecting Victorian social concerns. Her apparent madness turns her into a danger that must be confined, symbolized by her imprisonment in the attic of Thornfield Hall. This physical confinement is a metaphor for the social and psychological repression imposed on women. In contrast, the protagonist Jane Eyre represents the Victorian ideal of self-discipline and bodily control. Bertha's tragic fate, culminating in her possible suicide and the destruction of Thornfield, symbolises both ambiguous liberation and the elimination of a threat. Through these characters, Brontë critiques the restrictive social norms of her time and explores the struggle for female emancipation. Therefore, the complexity of the representation of the female body in 'Jane Eyre' and its relevance for understanding the dynamics of power and control in Victorian literature are highlighted.

Downloads

Download data is not yet available.

Author Biography

Inmaculada Caro Rodríguez, Universidad de Sevilla

Inmaculada Caro Rodríguez (Sevilla 1973). Doctora en Filología Inglesa por la Facultad de Filología de la Universidad de Sevilla. Trabaja como profesora de literatura en el Departamento de Literatura Inglesa y Norteamericana. Ha trabajado como profesora de Inglés a nivel presencial y virtual en diversos centros educativos. Es autora de relatos, microrrelatos, nanorrelatos, poemas y aforismos. Ha sido finalista en diversos concursos de poesía y relato y ganó el segundo premio de microrrelatos de Versos Compartidos en Uruguay.

References

BRONFEN, Elizabeth (1992). Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester University Press.

BRONTË, Charlotte (2017). Jane Eyre. Madrid: Alianza Editorial.

FOCCAULT, Michel (2016). Historia de la locura en la época clásica, México: Fondo de cultura económica.

CRAFT-FAIRCHILD, Catherine (1993). Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women. Pennsyvania: Penn State University.

FUCHS, Eduard (1996). Historia ilustrada de la moral sexual. Madrid: Alianza.

GARCÍA-DONCEL, María (1998). El modelo femenino en Jane Eyre. Cádiz: Universidad de Cádiz.

GENTIAN BOWER, Jody (2016). Jane Eyre's Sisters: How Women Live and Write the Heroine's Story. Illinois: Quest Books.

GILBERT, Sandra M., y GUBAR, Susan (1998). La loca del desván: la escritora y la imaginación literaria del siglo XIX. Valencia: Universidad de Valencia.

GORHAM, Deborah (2013). The Victorian Girl and the Feminine Ideal. London: Routledge.

HARMAN, Claire (2016). Charlotte Brontë: A Fiery Heart. New York: KNOPF.

PFORDRESHER, John (2018). La historia secreta de Jane Eyre. Cómo escribió Charlotte Brontë su obra maestra. Barcelona: Editorial Alba.

RHYS, Jean (1997). Wide Sargasso Sea. UK: Penguin.

WALKOWITZ, Judith R. (2018). City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London. Chicago: Chicago University Press.

Published

2025-01-31

How to Cite

Caro Rodríguez, I. (2025). Bertha Mason: representación del cuerpo femenino descontrolado en Jane Eyre de Charlotte Brontë. International Journal of Cultures and Literatures, (28), 119–132. https://doi.org/10.12795/RICL2025.i28.10