AI and Bodily Representation: Imagining New Corporalities through Critical Design

Main Article Content

Carla Moreno García
https://orcid.org/0009-0007-5139-8513
Dionisio Sánchez
https://orcid.org/0000-0001-9913-1286

Abstract

The article begins with the implementation of Artificial Intelligence (AI) to explore the conflicts that arise between its use and the representation and recognition of bodies and identities, particularly those that diverge from cis-heteronormativity. Firstly, the text contextualises the conception of the body over the past century and its current binary configuration, with the aim of challenging its apparent neutrality. Secondly, it analyses the application of AI in disciplines where its use may reinforce inequalities and generate discriminatory situations. Thirdly, DiffusionBee is presented as a critical tool capable of subverting this narrative through prototyping within critical design, resulting in a performative video. Fourthly, the results are presented in order to open a debate on the design and use of AI. Finally, the article concludes by stressing the need to expose the limitations and biases of these technologies within educational and design contexts—not only to prevent discriminatory use, but also to promote democratic and transparent processes in which this technology can have a positive impact.

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How to Cite
Moreno García, C., & Sánchez, D. (2025). AI and Bodily Representation: Imagining New Corporalities through Critical Design. Communiars. Journal of Image, Arts and Social and Critical Education, 8(14), 62–76. Retrieved from https://revistascientificas.us.es/index.php/Communiars/article/view/27230
Section
ARTÍCULOS
Author Biography

Dionisio Sánchez, Escuela Superior de Arte y Diseño Valencia

Professor at the Escola d'Art i Superior de Disseny de València, Spain; Master in Art Production and Research (UPV); PhD student in Art Production and Research (UPV); member of the Research Evaluation Commission (CAI) of ISEACV; researcher at the Polytechnic University of Valencia, Spain; and member of the LCI research group (Laboratory of Intermedia Creations) of the Polytechnic University of Valencia, Spain.

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