Political cartoon in the Canarian circuit of exhibition: How to raise awarness about climate change throught an unique journalistic genre

Authors

DOI:

https://doi.org/10.12795/Ambitos.2025.i67.03

Keywords:

political cartoon, journalism, climate change, global warming

Abstract

The activities of the 21st Tenerife International Comic and Illustration Fair, organized by the Cine+Cómics Foundation and the Moebius Cultural Chair of the University of La Laguna, included the exhibition El cambio climático en viñetas, which had been on display in the Parliament of the Canary Islands from October 10th to November 2nd, 2024. The exhibition was inspired by this exploratory study, which analyses more than 70 press cartoons from 36 Western newspapers, in which different authors address the problem of global warming over the last decade. The methodology applied is the one proposed by Marín-Arrese (2019), where these three steps are followed: interpretation and contextual knowledge; structure and understanding of subtext; and reaction, criticism and persuasion. As a result of this first approach, something unusual in journalism can be seen: the structuring of a narrative that has remained unchanged from 2014 to the present day. It is noteworthy that, over the last ten years, different artists have predicted that humanity’s action on the environment will bring the same consequences and, in addition, they have pointed to the same agents— greedy businessmen, climate change deniers and Donald Trump —as responsible for the current situation. This knowledge transfer action, where the results of a research project have reached the 1,290 visitors of the cultural space, has been reinforced with the inclusion of the exhibition on the Tenerife International Comic and Illustration Fair’s website, making it a timeless and universally accessible resource.

Downloads

Download data is not yet available.

Author Biographies

Lucas Morales Domínguez, University of La Laguna

PhD in Arts and Humanities from Universidad de La Laguna (2023). Master's in Communication Sciences from Universidad de La Laguna (2015). Bachelor's in Journalism from Universidad de La Laguna (2013). Higher Technician in Illustration, Design, and Plastic Arts (2006). University professor at the School of Tourism of Santa Cruz de Tenerife (2014-2018). Currently, a substitute professor at Universidad de La Laguna in the Journalism Degree at the Faculty of Social Sciences and Communication and director of the Canarian Foundation for the Study and Promotion of Narrative in Images. Author of articles in indexed journals such as Estudios del Mensaje Periodístico or Trípodos, among others. Additionally, he has participated in educational innovation projects involving radio development in the classroom in the digital newspaper Periodismo ULL, edited by the Communication Laboratory of the Universidad de La Laguna. His research interests include film studies, orientalism, and narrative in images.

Váleri Codesido-Linares, King Juan Carlos University

Váleri Codesido-Linares es investigadora posdoctoral en la Universidad Rey Juan Carlos y doctora internacional en Comunicación Audiovisual, Publicidad y Relaciones Públicas por la Universidad Complutense de Madrid. Su tesis doctoral, financiada por el contrato de excelencia MECD FPU2018, fue calificada con sobresaliente Cum Laude por unanimidad y ha recibido el Primer Premio Extraordinario de Doctorado. Actualmente, disfruta del prestigioso contrato posdoctoral Juan de la Cierva en la Universidad Rey Juan Carlos, donde forma parte del Grupo de Investigación de alto rendimiento Ciberimaginario y de la cátedra de cine español FlixOlé-URJC. Autora de artículos en revistas indexadas como Doxa, Visual Review y Trasvases entre la Literatura y el Cine, además de varios capítulos de libros en editoriales como McGraw Hill y Fragua. Su trayectoria investigadora y docente incluye estancias internacionales en Western Sydney University (Australia) y Universidade Católica Portuguesa (Oporto, Portugal), y ha impartido seminarios sobre historia del cine y estéticas cinematográficas en la Universidad de New South Wales (Australia) y en la Escola das Artes de Oporto (Portugal).

References

Armentia, J. I., & Caminos, J. M. (2003). Fundamentos de periodismo impreso. Ariel.

Bond, F. (1974). Introducción al periodismo. Limusa.

Carabias, J. (1973). El humor en la prensa española. Autor.

Cebrián Herreros, M. (1992). Géneros informativos audiovisuales. Editorial Ciencia 3.

Domenach, J. M. (1955). La propaganda política (segunda edición). Eudeba.

Dugalich, N. M. (2018). Political cartoon as a genre of political discourse. RUDN Journal of Language Studies, Semiotics and Semantics, 9(1), 158-172.

Eide, E. (2012). Visualizing a global crisis. Constructing climate, future and present. Conflict & Communication, 11(2), 1-16.

Fernández, P., & Villaplana, V. (2019) An analysis of El Roto’s newspaper cartoons discourse as social indictment against Spanish austerity policies, en Kate Power, Tanweer Ali, Eva Lebdušková (eds.), Discourse Analysis and Austerity: Critical studies from Economics and Linguistics. Routledge.

Fernández-Muerza, Á., & Rodrigo-Cano, D. (2025). El uso del humor gráfico en español e inglés para comunicar los relatos del cambio climático y cómo aparece en Google Imágenes. MHJournal, 16(1), 207-233.

https://doi.org/10.21134/9n84p259

Genaut-Arratibel, A., Suárez-Villegas, J. C., & Cantalapiedra, M. J (2022). Universities and knowledge transfer in the communication field. Letter. Profesional de la información, 31(6), 1699-2407. https://doi.org/10.3145/epi.2022.nov.08

Gertrudix, M., Carbonell-Alcocer, A., Arcos, R., Arribas, C. M., Codesido-Linares, V., & Benítez-Aranda, N. (2024). Disinformation as an obstructionist strategy in climate change mitigation: a review of the scientific literature for a systemic understanding of the phenomenon. Open Research Europe, 4(169), 1-35. https://doi.org/10.12688/openreseurope.18180.2

Giora, R. (2003). On Our Mind: Salience, Context and Figurative Language. Oxford.

Gough, A., & Horacek, J. (2023). The generativity of feminist and environmental cartoons for environmental education research and teaching. Environmental Education Research, 29(4), 500-519. https://doi.org/10.1080/13504622.2022.2073332

Hellmann, O. (2024). Can Rick and Morty Save the Planet? Re-Politicizing Climate Change Through Humor and Animation. Television & New Media, 1-19. https://doi.org/10.1177/15274764241271200

Lausberg, H. (1984). Manual de retórica literaria: fundamentos de una ciencia de la literatura. Gredos.

León, T., & Travesedo de Castilla, C. (2005). El ‘discurso eficaz’ de la viñeta gráfica. En T. León (dir.), 11M. Las viñetas en la prensa (59-72). Diputación de Málaga.

Loiti-Rodríguez, S. & Suárez-Villegas, J. C. (2022). Networks for research and knowledge-transfer in communication: the case of INTRACOM. Ámbitos, (57), 11-30. http://dx.doi.org/10.12795/Ambitos.2022.i57.01

Marín-Arrese, J. I. (2019). Political Cartoon Discourse: Creativity, Critique and Persuasion. Cultura, Lenguaje Y Representación, (22), 117-134. https://www.e-revistes.uji.es/index.php/clr/article/view/3958

Morales, L., Zurita, J. L., & Arrufat, S. (2024). The Ukraine war in Western political cartoons during the first year and a half of the conflicto. Visual Review, 16(7), 103-115. https://doi.org/10.62161/revvisual.v16.5306

Morán, E. (1988). Géneros del periodismo de opinión. Crítica, comentario, columna, editorial. Eunsa.

Motswaledi, T. R. (2022). Political Cartoons: Agenda-Setters of Climate Change. Journal for Creativity, Innovation and Social Entrepreneurship (JCISE), 6(2), 74-84.

Movchan, D., Ushchapovska, I., & Savchuk, A. (2023). Cartoons in the genre spectrum of political discourse. Philological Treatises, 15(2), 101-108.

Muñoz, J. J. (1994). Redacción periodística. Teoría y práctica. Cervantes, Salamanca.

Nemickienė, Ž., & Vengalienė, V. (2024). Humour in Joel Pett’s Environmental Cartoons on Climate Change. Technium Education and Humanities, (8), 142-152. https://doi.org/10.47577/teh.v8i.10836

O’Neill, S. (2020). More than meets the eye: A longitudinal analysis of climate change imagery in the print media. Climatic Change, 163(1), 9-26.

Sani, I., Abdullah, M. H., Abdullah, F. S., & Ali, A. M. (2012). Political cartoons as a vehicle of setting social agenda: The newspaper example. Asian Social Science, 8(6), 156. http://dx.doi.org/10.5539/ass.v8n6p156

Santamaría, L. (1990). El comentario periodístico. Los géneros persuasivos. Paraninfo.

Scully, R. (2014). Towards a global history of the political cartoon: Challenges and opportunities. International Journal of Comic Art, 16(1), 29-47.

Segado Boj, F. (2008). Una pesadilla obsesiva: la crisis económica y la transición española a la democracia a través del humor gráfico (1974-1977). Comunicación y Sociedad, 2(21), 141-169. 10.15581/003.21.36286

Suárez, M. (2015). El humor gráfico como herramienta de crítica: los líderes políticos internacionales en las viñetas de El País. IC - Revista Científica de Información y Comunicación, (12), 227-255.

Tamayo, E. (1988). La caricatura editorial. Editorial Pablo de la Torriente, La Habana.

Tejeiro, R., & León Cross, T. (2009). Las viñetas de prensa como expresión del periodismo de opinión. Diálogos de la Comunicación. Revista Académica de la Federación Latinoamericana de Facultades de Comunicación Social, (78), 1-11.

Toledo, M., Yangco, R., & Espınosa, A. (2014). Media cartoons: Effects on issue resolution in environmental education. International Electronic Journal of Environmental Education, 4(1), 19-51.

Wu, A. (2023). The Images of China in Political Cartoon of Foreign Media. Open Journal of Modern Linguistic, (13), 523-558. https://doi.org/10.4236/ojml.2023.134033

Published

2025-04-15

How to Cite

Morales Domínguez, L., & Codesido-Linares, V. (2025). Political cartoon in the Canarian circuit of exhibition: How to raise awarness about climate change throught an unique journalistic genre. Ámbitos. Revista Internacional De Comunicación, (67), 48–65. https://doi.org/10.12795/Ambitos.2025.i67.03

Issue

Section

MONOGRAPH