No. 21 (2008): LABORATORIO DE ARTE

Published: 2009-10-06

Papers

THE ALMOHAD LOOKOUT OF THE CITY WALLS IN MARCHENA (SEVILLE, SPAIN): ISLAMIC WORKS IN THE SECTIONS OF THE ALCAZABA AND THE PARK

Amparo Graciani-García

13-35
- pdf (Español (España))
PORTUGUESE BORDER ARCHITECTURE: ‘LA VERA CRUZ’ IN MARMELAR. A STRONGHOLD IN THE PORTUGUESE RECONQUEST

Rafael Cómez-Ramos

37-65
- pdf (Español (España))
ANDRÉS RAMÍREZ, PAINTER FROM 16 TH-CENTURY

Rosario Marchena-Hidalgo

67-88
- pdf (Español (España))
DIEGO LÓPEZ-BUENO AS THE ARCHITECT OF ALTARPIECES: A NEW APPROACH TO HIS WORKS

Fátima Halcón

89-102
- pdf (Español (España))
NEW DATA ABOUT MEXICAN ALTARPIECES: MANUEL BAUTISTA, A LISBON SCULPTOR IN VERA CRUZ

Mercedes Fernández-Martín

103-115
- pdf (Español (España))
THE INFLUENCE OF DIETTERLIN’S FANTASTIC ENGRAVINGS ON SEVILLE BAROQUE ARCHITECTURE

Teodoro Falcón-Márquez

117-134
- pdf (Español (España))
SILVERWARE FROM MADRID IN THE BARONY OF PLANES

Francisco de Paula Cots-Morató, Enrique López-Catalá

135-156
- pdf (Español (España))
THE PALACE OF THE COUNT OF ALTAMIRA IN SANTIAGO DE COMPOSTELA, SPAIN

Alberto Fernández-González

157-171
- pdf (Español (España))
A CATALAGUE OF WORKS OF ART AT THE FORMER MALE FRANCISCAN CONVENT “THE NEW”, IN SANLÚCAR DE BARRAMEDA, SPAIN

Fernando Cruz-Isidoro

173-197
- pdf (Español (España))
ART AND ART COLLECTIONS: A SELECTION OF 19THCENTURY SPANISH WORKS AT THE MARÍA JOSÉ JOVE FOUNDATION IN LA CORUÑA, SPAIN

Gerardo Pérez-Calero

199-217
- pdf (Español (España))
CARDINAL CIENFUEGOS’S NEOGOTHIC TOMB AT THE SEVILLE CATHEDRAL AND GESTOSO’S CRITICAL VIEWS

Álvaro Recio-Mir

219-239
- pdf (Español (España))
FEMALE ARCHETYPES: WOMEN IN JULIO ROMERO DE TORRES’S PAINTINGS

José Raya-Téllez

241-264
- pdf (Español (España))
THE “ALTOS COLEGIOS” IN THE MACARENA QUARTER, SEVILLE. PHOTOGRAPHS BY ALMELA

José Manuel Suárez-Garmendia , Jesús Rojas-Marcos González

265-285
- pdf (Español (España))
SCULPTOR FERNADO DE LA CUADRA Y SAINZ DE LA MAZA

Joaquín Manuel Álvarez-Cruz

287-312
- pdf (Español (España))
NOTES ON THE WORKS OF SCULPTOR ADOLFO LÓPEZ RODRÍGUEZ

Teresa Lafita-Gordillo
- pdf (Español (España))
SPANISH FIGURATIVE ART IN THE 1980’S. A SIMBOLICAL READING OF THE SERIES “VALLE DE LOS CAÍDOS” (1980- 1987). THE ICONOGRAPHIE OF THE EVANGELIST, VIRTUES, ARCHANGELS AND CHRIST

Esperanza De los Ríos-Martínez

335-346
- pdf (Español (España))

Varias

THE GREAT GERMAN GOTHIC CIBORIUM AT THE CATHEDRAL MUSEUM IN TOLEDO, SPAIN

Antonio Joaquín Santos-Márquez

349-356
- pdf (Español (España))
RENOVATION WORKS AT ONE OF THE GOLDMISTHS’ HOUSE IN SEVILLE, 1541

María Jesús Sanz-Serrano

357-367
- pdf (Español (España))
DESIGN AND WORKING CONDITIONS IN THE BUILDING OF A “MUDÉJAR” CEILING

Jesús Aguilar-Díaz

369-377
- pdf (Español (España))
GASPAR NUÑEZ DELGADO AND THE SCULPTURE OF TERRACOTTA IN SEVILLE

Luis Luna-Moreno

379-394
- pdf (Español (España))
JUAN MARTÍNEZ-MONTAÑÉS’S DESIGN FOR THE OLD ALTARPIECE OF FRANCISCO DE RIOJA’S FUNERARY CHAPEL AT THE “TERESAS” CONVENT, SEVILLE

Lina Malo-Lara

395-409
- pdf (Español (España))
AROUND «VULCAN´S FORGE» OF VELÁZQUEZ. NEW CONTRIBUTIONS TO ITS INTERPRETATION

Escardiel González-Estévez

411-426
- pdf (Español (España))
THE PORTRAIT OF CARLES II OF SPAIN IN THE CITY COUNCIL OF SEVILLE. A NEW ICONOGRAPHIC MODEL OF PORTRAIT OF THE KING

Álvaro Pascual-Chenel

427-436
- pdf (Español (España))
AGAIN WITH FRANCISCO ANTONIO GIJÓN

José Roda-Peña

437-449
- pdf (Español (España))
“THE LIBERATION OF SAINT PETER”, FRANCISCO MIGUEL XIMÉNEZ’S UNKNOWN PAINTING

Francisco S. Ros-González

451-459
- pdf (Español (España))
RECORDS IN THE “ARCHIVO DEL ARZOBISPADO” AND THEIR SIGNIFICANCE FOR THE HISTORY OF THE ALJARAFE, SEVILLE”

Antonio Herrera-García

461-479
- pdf (Español (España))
A WORK OF BY THE LEPRINCE AT ROYAL CHAPEL OF THE CATHEDRAL OF SEVILLE

Fernando A. Martín-Martín, Gloria Martínez-Leiva

481-490
- pdf (Español (España))
MARÍA LUISA DE LA RIVA: A SPANISH ARTIST AT THE FRENCH SALONS. DATA FROM RECORDS AT THE PARIS ARCHIVES NATIONALES

Magdalena Illán-Martín

491-499
- pdf (Español (España))
OUR LADY OF ROCÍO’S SILVER SHIP

Gerardo García-León

501-507
- pdf (Español (España))

2022	2021
0.1	N/A

2022	2021
0.07	0.08

No. 21 (2008): LABORATORIO DE ARTE

Papers

THE ALMOHAD LOOKOUT OF THE CITY WALLS IN MARCHENA (SEVILLE, SPAIN): ISLAMIC WORKS IN THE SECTIONS OF THE ALCAZABA AND THE PARK

PORTUGUESE BORDER ARCHITECTURE: ‘LA VERA CRUZ’ IN MARMELAR. A STRONGHOLD IN THE PORTUGUESE RECONQUEST

ANDRÉS RAMÍREZ, PAINTER FROM 16 TH-CENTURY

DIEGO LÓPEZ-BUENO AS THE ARCHITECT OF ALTARPIECES: A NEW APPROACH TO HIS WORKS

NEW DATA ABOUT MEXICAN ALTARPIECES: MANUEL BAUTISTA, A LISBON SCULPTOR IN VERA CRUZ

THE INFLUENCE OF DIETTERLIN’S FANTASTIC ENGRAVINGS ON SEVILLE BAROQUE ARCHITECTURE

SILVERWARE FROM MADRID IN THE BARONY OF PLANES

THE PALACE OF THE COUNT OF ALTAMIRA IN SANTIAGO DE COMPOSTELA, SPAIN

A CATALAGUE OF WORKS OF ART AT THE FORMER MALE FRANCISCAN CONVENT “THE NEW”, IN SANLÚCAR DE BARRAMEDA, SPAIN

ART AND ART COLLECTIONS: A SELECTION OF 19THCENTURY SPANISH WORKS AT THE MARÍA JOSÉ JOVE FOUNDATION IN LA CORUÑA, SPAIN

CARDINAL CIENFUEGOS’S NEOGOTHIC TOMB AT THE SEVILLE CATHEDRAL AND GESTOSO’S CRITICAL VIEWS

FEMALE ARCHETYPES: WOMEN IN JULIO ROMERO DE TORRES’S PAINTINGS

THE “ALTOS COLEGIOS” IN THE MACARENA QUARTER, SEVILLE. PHOTOGRAPHS BY ALMELA

SCULPTOR FERNADO DE LA CUADRA Y SAINZ DE LA MAZA

NOTES ON THE WORKS OF SCULPTOR ADOLFO LÓPEZ RODRÍGUEZ

SPANISH FIGURATIVE ART IN THE 1980’S. A SIMBOLICAL READING OF THE SERIES “VALLE DE LOS CAÍDOS” (1980- 1987). THE ICONOGRAPHIE OF THE EVANGELIST, VIRTUES, ARCHANGELS AND CHRIST

Varias

THE GREAT GERMAN GOTHIC CIBORIUM AT THE CATHEDRAL MUSEUM IN TOLEDO, SPAIN

RENOVATION WORKS AT ONE OF THE GOLDMISTHS’ HOUSE IN SEVILLE, 1541

DESIGN AND WORKING CONDITIONS IN THE BUILDING OF A “MUDÉJAR” CEILING

GASPAR NUÑEZ DELGADO AND THE SCULPTURE OF TERRACOTTA IN SEVILLE

JUAN MARTÍNEZ-MONTAÑÉS’S DESIGN FOR THE OLD ALTARPIECE OF FRANCISCO DE RIOJA’S FUNERARY CHAPEL AT THE “TERESAS” CONVENT, SEVILLE

AROUND «VULCAN´S FORGE» OF VELÁZQUEZ. NEW CONTRIBUTIONS TO ITS INTERPRETATION

THE PORTRAIT OF CARLES II OF SPAIN IN THE CITY COUNCIL OF SEVILLE. A NEW ICONOGRAPHIC MODEL OF PORTRAIT OF THE KING

AGAIN WITH FRANCISCO ANTONIO GIJÓN

“THE LIBERATION OF SAINT PETER”, FRANCISCO MIGUEL XIMÉNEZ’S UNKNOWN PAINTING

RECORDS IN THE “ARCHIVO DEL ARZOBISPADO” AND THEIR SIGNIFICANCE FOR THE HISTORY OF THE ALJARAFE, SEVILLE”

A WORK OF BY THE LEPRINCE AT ROYAL CHAPEL OF THE CATHEDRAL OF SEVILLE

MARÍA LUISA DE LA RIVA: A SPANISH ARTIST AT THE FRENCH SALONS. DATA FROM RECORDS AT THE PARIS ARCHIVES NATIONALES

OUR LADY OF ROCÍO’S SILVER SHIP

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