LA ÚLTIMA CENA DEL CONVENTO DE SANTA INÉS DE SEVILLA Y SU RESTAURACIÓN

Abstract

The recent restoration of the mural painting of Toe Last Supper that presides o ver the Refectory of the Convent of Santa Ines in Seville, has partly allowed to give back its original appearance, distorted by repaintings of the XIX century. This work has shown that its unknown painter, belonging to the surrounding of Alejo Femandez, followed, with slight variants, one of the engravings attributed to the Master of Book of Hours of the Sforza, reproducing the same scene painted by Leonardo da Vinci in the Monastery of Santa Maria delle Grazie in Milan.