UNA TRILOGÍA DEL PAISAJE NOVECENTISTA ESPAÑOL EN LA OBRA DEL PINTOR FÉLIX LACÁRCEL

Authors

  • Gerardo Pérez Calero

DOI:

https://doi.org/10.12795/LA.1990.i03.16

Abstract

The present article looks at the subject of landscape painting at the beginning of the 20th century through the work of the Valencian Félix Lacárcel Aparici, a disciple of Joaquín Sorolla in his home­town and then independent artist in Madrid before settling in Seville in 1914, a time when the regiona­list approach was thriving in the Andalusian capital. The Valencian artist assimilated this atmosphere with great naturalness, going on to become one of the most significant painters of a generation which made a certain aesthetic renovation possible, following the example and inspiration in particular of G. Bacarisas.

This study analyses the triple version of Spanish landscape-painting of the time, as seen through three of the most charasteristic regions of Spain...

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Published

1990-10-09

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