Abstract
References
ARIES, P. (2000). The Hour of Our Death. Nueva York: Barnes & Noble Books.
ARMOUR, R. A. y WILLIAMS, J. C. (1982). "Death" en Concise Histories of American Popular Culture, T. M. Inge (ed.), 8796. Connecticut: Greenwood Press.
BERLIN, I. y HARDY, H. (1999). Las races del romanticismo. Madrid: Taurus.
BONIN, W. F. (1983). Diccionario de parapsicología. Madrid: Alianza Editorial.
CLOUTIER, J. (1978). L'ere d'emerec. Montreal: Université de Montreal.
FOUCAULT, M. y RABINOW, P. (ed.) (1984). The Focucault Reader. Nueva York: Random House.
FREUD, S. (1968). Totem y tabú. Madrid: Alianza Editorial.
FULTON, R. (1976). "The Sacred and the Secular". En Death and Identity, R. Fulton y R. Bendiksen (eds.), 158-172. Bowie: The Charles Press.
GETTINGS, F. (1978). Ghosts in Photographs, the Extraordinary Story of Spirit Photography. Nueva York: Harmony Books.
GORER, G. (1965). "The pornography of Death". En Death, Grief and Mourning. G. Gorer (ed.), 192-199. Nueva York: Doubleday.
HALLIDAY, T. (1999). "David's Marat as Posthumoroues Portrait". En Jacques-Louis David's Marat, W. Vaughan y H. Weston (eds.), 56-76. Nueva York: Cambridge University Press.
KRAUSS, R. H. (1995). Beyond Light and Shadow. Munich: Nazraeli Press.
KUBLER-ROSS, E. (1981). Living with Death and Dying, Nueva York: Mcmillan.
MASTELLER, R. N. (1982) "Photography". En Concise Histories of American Popular Culture, T. M. Inge (ed.), 254-261. Connecticut: Greenwood Press.
MEINWALD, D. (1998). "Memento Mori", en California Museum of Photography 9-4, 4-35.
PERMUTT, C. )1983). Beyond the Spectrum. Cambridge: Patrick Stevens Ltd.
WELLING, W. (1976). Photography in America. Nueva York: Macmillan.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright (c) 2002 Jesús Jiménez Varea