Outraged bodies, the torn image Aesthetic counter-pedagogies in the face of capitalist necropolitics

Abstract

The present work is a philosophical exercise of aesthetic-political thought in relation to the series "lynchings" of the Argentine visual artist Gabriel Glaiman. In it, the forms of daily violence in which bodies are outraged in our urbanized societies are figuratively presented. Given the constant pedagogy of cruelty that capitalist necropolitics deploys as a condition of existence, we are interested in proposing that the arts in composition with philosophy, can frame a "counter-pedagogy" (Segato, 2018) of the sensible, through which rescue a sensitivity linked to life, that enable possible modes of resistance to the pressures and outrages of this time.