Epistemologies of art speech through neoliberal and biopolitical practices

Abstract

The discourse of the history of art should be understood as a fiction, a product of the intervention of tactics and biopolitical strategic devices that establish the borders between normative and dissident art. The liberal and neoliberal systems set some processes which deny the possibility to the subversive subject of being a contemporary of his time. In this study it is hoped to make transparent the epistemic operations which in the histographic account construct the norm and isolate the artistic subalternative in normative spaces in order, to finally consider the artistic practice as a possible device of falsifiability that answers the systems of verification by means which construct the artistic vanguard trough politic arts and potporn.