Screen and contemporary painting
Número 22
DESCARGA PDF (Español (España))

Keywords

Pantalla
Millennial
Hiperrealidad
Kitsch
Cuqui
Pintura contemporánea
Occidente Screen
Millennial
Hyperreality
Kitsch
Cute
Contemporary painting
Western

How to Cite

Soriano Colchero, J. A. (2022). Screen and contemporary painting: Influential flatness from mass media. Fedro, Revista De Estética Y Teoría De Las Artes, 1(22), 196–225. https://doi.org/10.12795/Fedro/2022.i22.09
Views
  • Abstract 177
  • DESCARGA PDF (Español (España)) 102

Abstract

The aim of this article is to analyse contemporary paintings of a selection of artists belonging to the millennial generation in Western society, focusing on the representation of space that takes place in these works. In addition, we also pay attention to the relationship between our conceptualization of space and the influence of the great number of images from mass media through which we daily receive and generate information.

Having identified relevant characteristics that define contemporary society in theories of several authors such as Heidegger, Vattimo, Bauman, Debord and Baudrillard, we deduce that these are directly reflected in new painting works of these artists whom we have interviewed to obtain concrete data that check our hypothesis.

https://doi.org/10.12795/Fedro/2022.i22.09
DESCARGA PDF (Español (España))

References

Arnheim, R. (2006). Arte y percepción visual. (2ª ed.). Alianza Forma.

Barlés Báguena, E., y Almazán Tomás, V. D. (2010). Japón y el mundo actual. Universidad de Zaragoza.

Baudrillard, J. (2005). Cultura y Simulacro. (7ª ed.). Kairós.

Bauman, Z. (2004). Modernidad Líquida. Fondo de Cultura Económica.

Brea, J. L. (2010). Las tres eras de la imagen: imagen-materia, film, e-imagen. Ediciones Akal.

Castro Flórez, F. (2019). Estética de la crueldad: enmarcados artísticos en tiempo desquiciado. Fórcola.

Debord, G., y Pardo, J. (2012). La sociedad del espectáculo (2a ed.). Pre-textos.

Galerie Kanhofer. (S. F). Exhibitions. [Web]. Disponible en: https://www.kandlhofer.com/exhibitions/

Greenberg, C. (2006). Vanguardia y Kitsch. En Greenberg, C. (au.). La pintura moderna y otros ensayos. (pp. 23 – 44). Siruela.

Heidegger, M. (1998). El ser y el tiempo. (11ª ed.). Fondo de Cultura Económica.

Hunter Potter. (S. F.). Hunter Potter. [Web]. http://www.hunterpotter.com/

Lacan, J. (2010). Escritos 1 (2a ed.). Siglo XXI.

Lefebvre, H. (2013). La producción del Espacio. Capitán Swing Libros S. L.

May, S. (2019). El poder de lo Cuqui. Alpha Decay.

Melamud, A.; Waisman, I. (2019). Pantallas: discordancias entre las recomendaciones y el uso real. Arch Agent Pediatr, 117(5), 349 - 351. http://dx.doi.org/10.5546/aap.2019.349

Mitchell, W. J. T. (2005). What do pictures want? The lives and loves of the images. University of Chicago press.

Neil, J. T. D. (2017). The contemporary art canon and the market: a roundtable discussion. En Iskin R. E (ed.). Re-envisioning the Contemporary Art canon: Perspectives in a Global World, pp. 272 – 283. Routledge.

Norvet, S. (S. F). Sean Norvet. [Web]. http://www.seannorvet.com/

Reyma, J.; Hanham, J.; Meier, P. (2018). The Internet explosion, digital media principles and implications to communicate effectively in the digital space. E-Learning and Digital Media, 15(1), 36 - 52. https://journals.sagepub.com/doi/10.1177/2042753018754361

Sartori, G. (2008). Homo videns: La sociedad teledirigida. Taurus.

Shao, G. (2009). Understanding the appeal of user-generated media: uses and gratification perspective. Internet Research, 19(1), 7 – 25 https://www.emerald.com/insight/content/doi/10.1108/10662240910927795/full/html#loginreload

Statista. (2020). Internet: Social Media y User-Generated Content. [Web]. https://www.statista.com/statistics/278414/number-of-worldwide-social-network-users/

Steyerl, H., Berardi, F., Expósito, M. (2016). Los Condenados de la pantalla. Negra.

Trujillo Dennis, A. (2016). La identidad como estrategia en la obra de Murakami Takashi. Un discurso de ida y vuelta. Universidad Complutense de Madrid. https://eprints.ucm.es/38190/1/T37412.pdf

Vattimo, G., y Oñate, T. (1996). La sociedad transparente. Paidós.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2022 José Antonio Soriano Colchero

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...