The historical diagrams of Leonardo Padura
DOI:
https://doi.org/10.12795/PH.2016.i30.20Keywords:
Leonardo Padura, Cuban Literature, El hombre que amaba a los perros, La novela de mi vida, Utopía comunistaAbstract
This article discusses two novels by Cuban writer Leonardo Padura (El hombre que amaba a los perros y La novela de mi vida) which do not belong to the pólice cycle of the character Mario Conde but who share various both structural and thematic aspects that facilitate the joint examination. Both novels work with biographical and empirical material and set ambitious perspectives on the history of Cuba, starting from the degradation of the Communist utopia and of the liberal project of independence, respectively. In that sense, the two novels connect with the large narrative projects of the boom Latin American of the second half of the century XX
(withAlejo Carpentier, especially), but offering a post-utopian vision in which the decline of the Communismi s even more intense that the of the nationalism.
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References
Amar Sánchez, Ana María (2014): “El arte de la política/ la política del arte: Semprún y Padura ante el asesinato de Trotsky”, Cuadernos de literatura, XVIII, 35, 247-258.
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Padura, Leonardo (2002): La novela de mi vida. Barcelona: Tusquets.
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Perilli, Carmen (2013): “Mitologías de autor en la escritura de Leonardo
Padura Fuentes. Entre Heredia y Hemingway”, Revista Iberoamericana, 244-245, 989-999.
Rama, Ángel (1981): Novísimos narradores hispanoamericanos en marcha, 1964-1980. México: Marcha.
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Wieser, Doris (2005), “Leonardo Padura: "Siempre me he visto
como uno más de los autores cubanos", Espéculo, 29, http://www.ucm.es/info/especulo/numero29/padura.html. Consultado el 2 de junio de 2016.
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Accepted 2017-06-09
Published 2016-12-22
- Abstract 204
- PDF (Español (España)) 79