Octavio Paz and his "Laurel". Reader of Rubén Darío and Juan Ramón Jiménez
DOI:
https://doi.org/10.12795/PH.2015.v29.i02.03Keywords:
Rubén Darío, Juan Ramón, Paz, Laurel, modernismAbstract
The shadow of the poetry of Rubén Darío and Juan Ramón Jiménez is spreaded over time, extending their poetic heritance throught next years and generations of poets. These intellectuals –the first, father of the modern poetry and the second, representative of his highest nude- are analyzed and read once again by one of the most important intellectual of the 20th century: Octavio Paz. We use the anthology Laurel and two of his early essays.Downloads
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REFERENCIAS BIBLIOGRÁFICAS
García, Alfonso (1998): “Construyendo el modernismo hispanoamericano: Rubén Darío y Carlos Romagosa”, en: Estudios en el Centenario de Los Raros y Prosas profanas. Sevilla: Secretariado de publicaciones de la Universidad de Sevilla, 85-87.
Paz, Octavio (1988b): “El espejo del alma”, en: Primeros letras (1931-1943). Barcelona: Seix Barral, 349-351.
Paz, Octavio (1988c): “El corazón de la poesía”, en: Primeras letras (1931-1943). Barcelona: Seix Barral, 352-354.
Paz, Octavio (1991): “El caracol y la sirena”, en: Cuadrivio. Barcelona: Biblioteca de Bolsillo, 7-44.
Romagosa, Carlos (1903): “Carta a Mariano de Vedia”, en: Vibraciones fugaces. Córdoba: Argentina, s.e., 32-35.
Yurkievich, Saúl (1976): “Rubén Darío: los placeres de luz en el abismo”, en: Celebración del modernismo. Barcelona: Tusquets Editor, 25-48.
Fuentes documentales
Laurel: Antología de la poesía moderna en lengua española/Prólogo de Xavier Villaurrutia; epílogo de Octavio Paz. México DF: Trillas, 1988a.
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