Text-visuality on digital writing. Transmediality, interaction and fragmentarism in the case of tatuaje (2014)

Authors

DOI:

https://doi.org/10.12795/PH.2021.v35.i02.06

Keywords:

transmedia, electronic, literature, fragmentarism, interactivity, Tatuaje

Abstract

The notion of transmediality has been almost indissolubly associated with different media spaces for each medium integrated in a work. Through the analysis of Tatuaje (2014), the article proposes that this is not only necessary or exclusive, but also implies a modification of the parameters surrounding this notion of transmediality, since it changes aspects such as the type of interaction required and the relevance of the fragmentary traits inherent to the media leaps. As the article exposes, this is possible due to the text-visual aspect of digital writing and the formal flexibility of the Web, achieving greater hybridization and a powerful media symbiosis, although this results in the detriment of the full exploitation of each medium due to the necessary harmonization imposed by its agglutination on a unified canvas.

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Published

2021-12-21

How to Cite

Escandell Montiel, D. . (2021). Text-visuality on digital writing. Transmediality, interaction and fragmentarism in the case of tatuaje (2014). Philologia Hispalensis, 35(2), 95–109. https://doi.org/10.12795/PH.2021.v35.i02.06

Issue

Vol. 35 No. 2 (2021): Literary studies

Section

Articles

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Copyright (c) 2021 Daniel Escandell Montiel

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Received 2020-11-21
Accepted 2021-03-01
Published 2021-12-21
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