ARTE CONCEPTUAL: RENUNCIA ESTÉTICO-EMOCIONAL HACIA EL OBJETO

Abstract

Toe Conceptual Art of the sixties was a controversia) tendency. This new Language supposed a frontal attack against the proper formalist aesthetic when the rejection of the construction of the unique object was announced, and was proclaimed of any type of visuality to the idea. Our work proposes a reconsideration of those lines of investigation that borke off from the forms of understanding, creating, and diffusing the art. Conceptual developments that, because of focusing on the inmaterial, the invisible, the not permanent, or the not transcendental, reclaimed by a new form of criticism capable of interpret them and access the meaning of the same.