IDENTIFICATION AND ANALYSIS OF TWO MATISSE´S SEVILLIAN PAINTING, IN 1910 TO 1911
DOI:
https://doi.org/10.12795/LA.2007.i20.25Keywords:
Matisse, painting, avant-garde, figurative art, Pérez AguileraAbstract
This article is about the identifi cation and formal analysis of two pictures of Matisse in Sevilla, along the winter of 1910 to 1911. The question determined the contemporary painter Miguel Pérez Aguilera expectation, lively for personal testimony in 1948 Parisian circle that fastened the Andalusian capital residence and the reality of some Sevillian pictures, many times no place.
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