ANOTHER EPISODE OF ART TRADE. SCULPTURES FROM ANDALUSIA IN TENERIFE DURING THE EARLY NINETEENTH CENTURY

Authors

Juan Alejandro Lorenzo-Lima European University of the Canary Islands. Spain

DOI:

https://doi.org/10.12795/LA.2006.i.01.22

Keywords:

sculpture, art trade, Neoclassicism, Seville, Cadiz, Domenico Giscardi, Juan de Astorga

Downloads

Download data is not yet available.

Downloads

pdf (Español (España))

Published

2016-10-11

Issue

No. 28 (2016): LABORATORIO DE ARTE

Section

Papers

License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Most read articles by the same author(s)

Juan Alejandro Lorenzo-Lima, Santiago Rodríguez-López, ABOUT MARAGLIANESCHI STYLE: OTHER SCULPTURES FROM GENOA IN ANDALUSIA , LABORATORIO DE ARTE: No. 34 (2022): LABORATORIO DE ARTE
Juan Alejandro Lorenzo-Lima, “IN MEMORY OF THE DADIVOUS BISHOP”: A PORTRAIT OF THE ARCHBISHOP DELGADO Y VENEGAS AT THE CATHEDRAL OF LAS PALMAS DE GRAN CANARIA , LABORATORIO DE ARTE: No. 32 (2020): LABORATORIO DE ARTE
Juan Alejandro Lorenzo-Lima, NOTES ABOUT A PORTRAIT OF BISHOP VICENTE ROMÁN Y LINARES, PAINTED BY JOSÉ DOMÍNGUEZ BÉCQUER , LABORATORIO DE ARTE: No. 29 (2017): LABORATORIO DE ARTE
Juan Alejandro Lorenzo-Lima, PRODUCTS OF TRADE AND ECCLESIASTICAL PATRONAGE: OTHER SCULPTURES ATTRIBUTED TO BLAS MOLNER IN THE CANARY ISLANDS , LABORATORIO DE ARTE: No. 30 (2018): LABORATORIO DE ARTE