“ESTÉTICA DE LO TREMENDO, DEL HORROR Y DEL ESPANTO”: UN INÉDITO CRUCIFICADO NOVOHISPANO EN UNA COLECCIÓN PARTICULAR DE SANLÚCAR DE BARRAMEDA (CÁDIZ)

Álvaro Recio-Mir; Jesús  Morejón-Pazos

doi:10.12795/LA.2006.i.01.16

“TREMENDOUS, HORROR AND FRIGHT AESTHETICS”: AN UNPUBLISHED NEW HISPANIC CRUCIFIED CHRIST IN A SANLÚCAR DE BARRAMEDA (CADIZ) PRIVIT COLLECTION

Authors

Álvaro Recio-Mir University of Seville. Spain
Jesús Morejón-Pazos

DOI:

https://doi.org/10.12795/LA.2006.i.01.16

Keywords:

Sculpture, Crucified Christ, New Spain, 18th century, iconography

Abstract

Analysis of an unpublished sculpture of Crucified Christ, of small format and New Spanish origin in a Sanlúcar de Barrameda’s private collection (Cadiz) which is possible to date in the second half of the 18th century. The most interesting of the work is the development of the whole digest of bloody wounds that they are interpreted in relation by other viceroyalty images of similar invoice, both sculptural and pictorial.