ALONSO VÁZQUEZ, LA “ÚLTIMA CENA” DE LA CATEDRAL DE TEXCOCO O LA ANATOMÍA DE LA RUTINA

Rafael Cómez-Ramos

doi:10.12795/LA.2006.i.01.06

ALONSO VÁZQUEZ, “THE LAST SUPPER” IN THE CATHEDRAL OF TEXCOCO (MÉXICO) OR THE ANATOMY OF ROUTINE

Authors

Rafael Cómez-Ramos University of Seville. Spain

DOI:

https://doi.org/10.12795/LA.2006.i.01.06

Keywords:

Seventeenth Century Spanish Painting, Seventeenth Century Painting in Mexico, Standardized engravings and paintings, Alonso Vázquez

Abstract

This article dealt with Alonso Vázquez´ “Last Supper” (Museo de Bellas Artes, Sevilla) as an example of the relationship between painting and standardized engravings and their routine extension in America through the Netherlandish engravings of Cornelis Cort and Gerhard de Jode, which proof is the painting “The Last Supper” in the Cathedral of Texcoco (México).