UN NUEVO APRENDIZ DE FRANCISCO ANTONIO GIJÓN

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• José Roda-Peña, THE “NAZARENO DE LAS FATIGAS” AND ITS CHAPEL IN THE PARISH OF SANTA MARÍA MAGDALENA OF SEVILLE , LABORATORIO DE ARTE: No. 22 (2010): LABORATORIO DE ARTE
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• José Roda Peña, Pedro Roldán’s contract for the realization of the sculpture of Saint Michael in Marchena , LABORATORIO DE ARTE: No. 36 (2024): LABORATORIO DE ARTE
• José Roda-Peña, NEW ATTRIBUTIONS TO THE SCULPTOR BENITO DE HITA Y CASTILLO IN THE THIRD CENTENARY OF HIS BIRTH (1714-2014) , LABORATORIO DE ARTE: No. 26 (2014): LABORATORIO DE ARTE
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• José Roda-Peña, A NEW ATTRIBUTION TO THE SCULPTOR BENITO DE HITA Y CASTILLO: THE CHRIST OF THE HUMILITY AND PATIENCE OF LA CAMPANA , LABORATORIO DE ARTE: No. 29 (2017): LABORATORIO DE ARTE
• José Roda-Peña, JOSÉ DE GUILLENA AND THE FORMER MAIN ALTARPIECE IN THE CHAPEL OF SAN ANDRÉS OF SEVILLE , LABORATORIO DE ARTE: No. 24 (2012): LABORATORIO DE ARTE
• José Roda-Peña, A VIRGIN OF BETHLEHEM ATTRIBUTED TO THE PAINTER DOMINGO MARTÍNEZ , LABORATORIO DE ARTE: No. 31 (2019): LABORATORIO DE ARTE
• J. Roda-Peña, THE CHAPEL OF THE VENERABLE THIRD ORDER IN THE CONVENT OF SAN ANTONIO DE PADUA OF SEVILLE: ITS MAIN ALTARPIECES AND A SAN FRANCISCO DE ASÍS OF THE SCULPTOR JUAN DE CONTRERAS , LABORATORIO DE ARTE: Vol. 1 No. 25 (2013): LABORATORIO DE ARTE