Abstract
The arrival of the music video to the network, their migration from television, has been the result of applying new technologies to certain modes of musical reception (piracy, illegal downloads of music ...). An interesting phenomenon is the renewal of fan video. UMV, Anime Music Video (AMV), ship vid... are its types and all point to the ability of fans to get expertise to adapt technologies and use them to review audio-visual productions and promote communities around this social production.
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