Abstract
Among the different narratives and aesthetics of documentary films, there is an increasing tendency to record musical worlds. These documentaries films addressing, occasionally, issues beyond the music itself, conforming a complex exercise of representation of societies which are habited and narrated by certain visual and sound aesthetics.
From the analysis of Brazilian documentaries such as Sou feia mas tô na moda and Faço de mim o que quero, this paper analyses the way in which these directors represent universes that are often related with the marginal, the "favela" and the "bad taste " in order to provide contemporary ways to understand this topic.
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Copyright (c) 2012 Natalia Rueda Pinilla