Skip to main navigation menu Skip to main content Skip to site footer

RESEARCH PAPERS

No. 72 (2025): Thémata Revista de Filosofía

Secrets of a fase and enigmas of the gaze. The lives of a perpetrator image

DOI
https://doi.org/10.12795/themata.2025.i72.18
Submitted
November 13, 2025
Published
2025-12-31

Abstract

The power of images depicting mass crimes to shape the social imagination is indisputable. While the effects of such images have been extensively studied, the mode of their effects—namely, who looks at the images, the relationship between the gaze and the crime, and how subsequent viewers deal with their impact—has received comparatively less research attention. This article analyzes one of the emblematic perpetrator images of the Cambodian genocide from its production to its subsequent "life," which includes the following aspects: use by the criminals in their repression files, "artistic" exhibition, display in the Tuol Sleng museum-memorial, appropriation for denunciation purposes, and post-memorial legacy by the victim's family.

References

  1. About, Ilsen. “Le service photographique de la préfecture de police”. Fichés? Photographie et identification 1850–1960. ed. Marguerite de Marcillac. París: Perrin, 2011. 60-65.
  2. Becker, Elizabeth. When the War Was Over: Cambodia and the Khmer Rouge Revolution. New York: Public Affairs, 1986.
  3. Becker, Elizabeth. Bophana.Phnom Penh: Cambodia Daily Press, 2010.
  4. Dubois, Philippe. L’acte photographique, París & Bruselas: Nathan & Labor, 1983.
  5. Dunlop, Nic. The Lost Executioner. A Journey to the Heart of the Killing Fields. Nueva York: Walker Publishing Company, 2006.
  6. Hirsch, Marianne. “Surviving Images: Holocaust Photographs and the Work of Postmemory”, The Yale Journal of Criticism 14-1 (2001): 5-37.
  7. Locard, Henri. “State Violence in Democratic Kampuchea (1975-1979) and Retribution (1979-2004)”, European Review of History-Revue européenne d’Histoire 12–1 (2005): 121-143.
  8. Caujolle, Christian. “Sin título”. Éthique, esthétique, politique. Rencontres internationales de la Photographie d’Arles. Arles: Actes Sud, 1997. 71-72.
  9. Mérigard, Dominique. Témoin S-21: Face au génocide des Cambodgiens /
  10. Confronted with the Genocide of the Cambodians. Manosque: Le bec en l’air, 2008.
  11. Riley, Chris y Niven, Douglas. The Killing Fields. Santa Fe: Twin Palms, 1996.
  12. Sánchez-Biosca, Vicente. La muerte en los ojos: ¿qué perpetran las imágenes de perpetrador? Madrid: Alianza, 2021.
  13. Sánchez-Biosca, Vicente. “Bophana’s Image and Narrative: Tragedy, Accusatory Gaze,
  14. and Hidden Treasure”. The Cinema of Rithy Panh. Everything Has a Soul, eds. Leslie Barnes and Joseph Mai. New Brunswick, Camden, and Newark-New Jersey, and Londres: Rutgers University Press, 2021. 173-187.
  15. Schaack, Beth Van, Reicherter, Daryn y Chhang, Youk. Cambodia’s hidden scars. Trauma Psychology in the Wake of the Khmer Rouge. An Edited Volume on Cambodia’s Mental Health. Phnom Penh: DC-Cam, 2011.
  16. Tuol Sleng Genocide Museum. No Way Out. A Khmer Rouge Institution of Death. Phnom Penh: Tuol Sleng Genocide Museum, 2023.
  17. Zelizer, Barbie. About to Die. How Images Move the Public. Nueva York: Oxford University Press, 2010.

Downloads

Download data is not yet available.