In this paper I analyze two methods of reading archives: ‘against the grain’ and ‘along the grain’. First one focuses mainly on reveling what is marginalized and omission in archive’s dominant narration. Whereas the other carefully studies logic of an archive itself. As such, reading against the grain lets reveal victims’ forgotten stories, while reading along the grain helps to understand perpetrators’ perspective that may further allow to better recognize mechanisms of organized violence. I apply both this approaches to the album War against War (1924) by Ernst Friedrich that contains archival photographs from World War I.