No. 21 (2024): Monograph Critical and Theory in a Hopeless Present: Notes for the Contemporary World

Monográfico - Teoría Crítica para un presente desesperanzado

• Presentation

  Fernando Gilabert Bello

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• Bad times for Critical Theory?

  Jose Manuel Romero Cuevas

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• Emancipation and Knowledg The Postulates of Critical Pedagogy Under the Philosophical Lens of Max Horkheimer

  Alfonso A. Gracia Gómez

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• The garbage can of history: between Benjamin and Adorno

  Lourdes Reyes Manuel

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• Negative Poetics. Where to say the present: poetry and otherness from the critical theory of Th. W. Adorno.

  David Peidro Pérez

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• La Captive Enlightenment

  Patrizia Pedraza

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• Fragments for an Anthropology in Despairing Times: Theodor W. Adorno and the Search for the Good Life

  Pedro José Grande Sánchez

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• Freedom of the Social Subject A dialogue between Adorno and Hegel

  Andrés Ortigosa

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• La Phenomenology of Historicity as Theory of Revolution Between Heidegger and the Young Marcuse

  César Alberto Pineda Saldaña

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• A life without fear A negative-metaphysical refection on the concept of death in Herbert Marcuse

  Matthis Leonhard Meiritz

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• Art as architecture of a free society. Some notes from the aesthetics of Herbert Marcuse

  Rodnie Gabriel Galeano Rosa

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• Ontology and marxism: from Marcuse to Ch' ixi epistemology

  Sergio Bedoya Cortés, Germán Andrés Aristizábal Jara, David Andrés Murillo Cruz

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• The essence as a remedy against the resignation of theory Refections on the concept of essence in the early production of Herbert Marcuse (1928-1942)

  Fabian Portillo Palma

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• La Hartmut Rosa’s new Critical Theory in light of the early Frankfurt School

  César Ortega Esquembre

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• The struggle for recognition in Japan Towards an intercultural dialogue based on the concept of honor

  David Mengual Garcerán

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• La Death on the run some edges of Paul Celan’s "Todesfuge"

  José Luis Ucha Serrano

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• For a critical theory of capitalism Hegel, commodity fetishism and Benjaminian “dreaming”: towards a philosophy of political art.

  Raúl Caballero Pérez

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