TOWARDS A THEATRICAL ASSEMBLAGE. A MODULATION FROM GILLES DELEUZETOWARDS A THEATRICAL ASSEMBLAGE. A MODULATION FROM GILLES DELEUZE
No. 23 (2023), Papers
No. 23 (2023)

TOWARDS A THEATRICAL ASSEMBLAGE. A MODULATION FROM GILLES DELEUZETOWARDS A THEATRICAL ASSEMBLAGE. A MODULATION FROM GILLES DELEUZE

Papers
https://doi.org/10.12795/Fedro/2023.i23.03
Published 2024-02-15
Nicolás Perrone
CONICET
https://orcid.org/0000-0003-1979-4771
N23
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Keywords

Gilles Deleuze
Dispositivo
Agenciamiento
Máquina Abstracta
Teatro Gilles Deleuze
Device
Assemblage
Abstract Machine
Theater

How to Cite

Perrone, N. (2024). TOWARDS A THEATRICAL ASSEMBLAGE. A MODULATION FROM GILLES DELEUZETOWARDS A THEATRICAL ASSEMBLAGE. A MODULATION FROM GILLES DELEUZE. Fedro, Revista De Estética Y Teoría De Las Artes, (23), 40–53. https://doi.org/10.12795/Fedro/2023.i23.03
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Abstract

This paper is about Gilles Deleuze's notion of assemblage within the framework of theatricality. For this, the distinction between device and agency is analyzed. The understanding and modulation of these notions allows to postulate the concepts of visibility device and theatrical agency, which acquire a methodological function in the context of thinking about theater and its form of composition. In accordance with this, the analysis states that the various modes of production of theatricality are understood as poetics that function as abstract machines. This is a diagram that allows a distribution of the scenic composition. This determines a device of visibility in the theater, which is carried out through theatrical assemblages that give singularity to the sensitive distribution of scenic elements

https://doi.org/10.12795/Fedro/2023.i23.03
Descarga PDF (Español (España))

References

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Lapoujade, D. (2019). Deleuze. Los movimientos aberrantes. Buenos Aires: Cactus

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Copyright (c) 2024 Nicolás Perrone

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