"El Sexto": entre lenguaje y poder

Authors

  • Ciro A. Sandoval-B

DOI:

https://doi.org/10.12795/PH.2009.v23.i01.03

Keywords:

author, writer, testimonial novel, meta-testimony, language, power, linguistic sign, referent, reality

Abstract

The work of the Peruvian writer José María Arguedas (1911-1969) is multifaceted, although his novelistic production, particularly his famous novel Deep Rivers (1958), has contributed to overshadowing El Sexto and other facets of Arguedas’ work, such as the journalistic, essayistic, and ethnographic ones. For these and other reasons that we will analyze in the present essay, El Sexto (Ricardo Palma Award, 1962) has been almost completely ignored by the critics. This essay proposes to contextualize this novel within national and international structures of linguistic, ideological, and economic power.

Downloads

Download data is not yet available.

References

Arguedas, José María, El Sexto. Obras Completas, Vol III, Lima: Ed. Horizonte, 1983.

⎯, ¿He vivido en vano? Mesa Redonda sobre Todas las Sangres, Lima: Instituto de Estudios Peruanos, 1965.

—, “Algunos datos sobre estas novelas.” Diamantes y Pedernales, Argentina: Ed. Arca y Calicanto, 1954, pp. 7-13.

Barthes, Roland, “Authors and Writers.” A Barthes’s Reader. Ed. Susan Sontag, New York: Hill and Wang, 1982, pp. 185-193.

—, “From Work to Text” Textual Strategies: Perpectives in Post-Structuralist Criticism. Ed. Josue Arari, New York: Cornell UP, 1979, pp. 73-81.

—, “Myth Today” Mythologies, New York: Hill and Wang, 1972, pp. 109-159.

Baudrillard, Jean, The Mirror of Production. Trans. Mark Poster, St. Louis, Missouri: Telos, 1975.

Derrida, Jacques, Specters of Marx: The State of the Debt, theWork of Mourning, & the New International. Trans. Peggy Kamuf, New York: Routledge, 1994.

Dussel, Enrique, Philosophy of Liberation, New York: Orbis, 1990.

Fell, Eve-Marie, Ed., José María Arguedas. El Zorro de arriba y el zorro de abajo, Madrid: CSIC, 1990.

Heidegger, Martin, “What are Poets For?” Poetry, Language, Thought. Trans. Albert Hofstadter, New York: Harper and Row, 1971, pp. 91-142.

—, “Language” Poetry, Language, Thought. Trans. Albert Hofstadter, New York: Harper and Row, 1971, pp. 187-210.

Hertz, Noreena, The Silent Takeover: Global Capitalism and the Death of Democracy, London: The Free Press, 2001.

Larco, Juan, Ed., Recopilación de textos sobre José María Arguedas, Habana: Casa de las Ameicas, (s.f).

Madelbaum, Allen, “Introduction and Notes” The Divine Comedy of Dante Alighieri: Inferno, New York: Bantam, 1980.

Molinari, Tirso, “La Unión Revolucionaria, el APRA y el anti- fascismo en 1931: Notas sobre la intolerancia política en la coyuntura electoral en 1931” Encuentro Nacional de Peruanistas: Estado de los estudios histórico-sociales sobre el Perú a fines del siglo XX, Lima: Fondo Económico, 1998, pp. 467-472.

Olsson, Gunnar, Lines of Power: Limits of Language, Minneapolis: University of Minnesota Press, 1992.

Ortiz Reyes, José, “Testimonio de José Ortiz Reyes” José María Arguedas: Recuerdos de una Amistad. Ed. Alejandro Ortiz Rescaniere, Lima: Pontificia Universidad Católica, 1996, pp. 15-38.

Poster, Mark, “Translator’s Introduction” The Mirror of Production by Jean Baudrillard, St. Louis: Telos, 1975.

Quiroz, Eusebio, “Para comprender el Perú actual desde la historia” Encuentro Internacional de Peruanistas: Estado de los estudios histórico-sociales sobre el Perú a fines del siglo XX, Lima: Fondo Económico, 1998, pp. 483-492.

Serres, Michel, Le Contrat Naturel, Paris: Flanmarion, 1992.

—, Le Parasite, Paris: Grasset, 1980.

—, “The Algebra of Literature: The Wolf’s Game” Textual Strategies:Pespectives in Post-Structuralist Criticism, Ed. Josue Arari, New York: Cornell UP, 1979, pp. 260-276.

—, “Apparition d’ Hermes: Don Juan” Hermes I. La Communication, Paris: Minuit, 1969.

Westphalen, Emilio (comp.), José María Arguedas: Páginas escogidas, Lima: Editorial Universo, 1972.

Wiener, Norbert, The Human Use of Human Beings: Cyberbnetics and Society, New York: Da Capo Press, 1954.

Downloads

Published

2009-11-16

How to Cite

Sandoval-B, C. A. (2009). "El Sexto": entre lenguaje y poder. Philologia Hispalensis, 23(1). https://doi.org/10.12795/PH.2009.v23.i01.03

Issue

Vol XXIII - Fascículo 1/2

Section

Articles

License

The printed and electronic editions of this Journal are edited by the University of Seville Editorial, and the source must be cited in any partial or total reproduction.

Unless otherwise indicated, all the contents of the electronic edition are distributed under a license of use and distribution “Attribution-NonCommercial-NoDerivatives 4.0 International” . You can view the informative version and the legal text of the license here. This fact must be expressly stated in this way when necessary.

Authors who publish in this journal accept the following conditions: 

  1. The author/s  retain copyright and grant the journal the first publication right, and accept it to be distributed with the Creative Commons By NC ND 4.0 licence, which allows third parties to use what is published whenever they mention the authorship of the work and the first publication in this journal and whenever they do not make commercial use and reuse it in the same way.
     
  2. Authors can make other independent and additional contractual agreements for the non-exclusive distribution of the article published in this journal (e.g., include it in an institutional repository or publish it in a book) provided they clearly indicate that the work was published for the first time in this journal. 

  3. Authors are allowed and recommended, once the article has been published in the journal Philologia Hispalensis (online version), to download the corresponding PDF and disseminate it online (ResearchGate, Academia.edu, etc.) as it may lead to productive scientific exchanges and to a greater and faster dissemination of published work (see The Effect of Open Access).

Views
  • Abstract 1834
  • PDF (Español (España)) 338