No. 26 (2014): LABORATORIO DE ARTE

Tribute

TRIBUTE

Ramón Corzo-Sánchez

15-21
- pdf (Español (España))

Papers

THE GENESIS OF THE IBERIAN STATUARY

Ramón Corzo-Sánchez

25-46
- pdf (Español (España))
THE GOTHIC CATHEDRAL OF JAÉN

Begoña Alonso-Ruiz

47-71
- pdf (Español (España))
THE EARLY WORK OF THE SHRINE CHAPEL OF SANTA MARÍA DE CARMONA

Alfonso Ojeda-Barrera

73-93
- pdf (Español (España))
THE ALONSO DE VANDELVIRA´SEVILLIAN STAGE (1588-1609). NEW CONTRIBUTIONS

Francisco Javier Herrera-García

95-119
- pdf (Español (España))
UNPUBLISHED DOCUMENT ABOUT THE DONATION OF A FAMOUS AND MISSING RELIQUARY BY D. JUAN DE SALCEDO TO MEXICO’S CATHEDRAL

Manuel Varas-Rivero

121-136
- pdf (Español (España))
DEFENDING THE BORDER. RENEWAL OF MILITARY ARCHITECTURE IN THE TERRITORIAL STATE HOUSE OF MEDINA SIDONIA (SECOND THROUGH SEVENTH DUKE)

Fernando Cruz-Isidoro

137-162
- pdf (Español (España))
NEW ATTRIBUTIONS TO THE SCULPTOR BENITO DE HITA Y CASTILLO IN THE THIRD CENTENARY OF HIS BIRTH (1714-2014)

José Roda-Peña

163-184
- pdf (Español (España))
“OSTENTATION, SPLENDOR AND SCANDAL”: CARRIAGES IN THE PHILIPPINES FESTIVITIES ON THE 18TH CENTURY

Álvaro Recio-Mir

185-200
- pdf (Español (España))
INSTRUCTIONS SET BY THE CARDINAL BORROMEO AND TABERNACLES IN SPAIN IN THE EIGHTEENTH CENTURY

Felipe Serrano-Estrella

201-222
- pdf (Español (España))
THE SCULPTURE IN THE EIGHTEENTH CENTURY ALTARPIECE IN JEREZ DE LA FRONTERA: AUTHORS AND WORKS

José Manuel Moreno-Arana

223-246
- pdf (Español (España))
THE PARISH OF SANTA MARÍA DE LA MESA OF ZAHARA DE LA SIERRA,A SETOF THE LAST SEVILLIAN BAROQUE

Fernando Aroca-Vicenti

247-266
- pdf (Español (España))
A PHOTOGRAPH AS SOURCE FOR THE HISTORY OF ART. THE MISSING ALTARPIECE OF THE VIRGIN FOR HELPLESS IN MARCHENA (SEVILLE)

Manuel Antonio Ramos-Suárez

267-284
- pdf (Español (España))
THREE NEW WORKS OF SUSILLO. AN ANGEL AND TWO RELIEFS PASSIONISTS

Jesús Rojas-Marcos González

285-299
- pdf (Español (España))
CARLOS BENÍTEZ AND THE BRIDGES OF THE CUBAN CITY OF MATANZAS IN 1849

Ignacio J. López-Fernández

301-313
- pdf (Español (España))
STATUE OF MARCELINO MENÉNDEZ Y PELAYO IN THE NATIONAL LIBRARY OF SPAIN

Joaquín Manuel Álvarez-Cruz

315-332
- pdf (Español (España))
FRANCISCO MURILLO HERRERA (1878-1951). FROM THE CHAIR TO THE LABORATORY

Carlos Petit

333-348
- pdf (Español (España))
THE ARTISTIC FORMS OF TYPOGRAPHY AND CALLIGRAPHYAS A HISTORICAL MEANS OF EXPRESSION OF THE ZEITGEIST

Francisco Javier Navarro-Moragas

349-372
- pdf (Español (España))
THE EXPOSITIVE PHENOMENON OF THE CONFRONTATIONS: CLASHES BETWEEN TRADITIONAL AND CONTEMPORARY ART

Rafael Manuel Besa-Gutiérrez

337-356
- pdf (Español (España))
P. D. OUSPENSKY AND HIS THEORETICAL INFLUENCE IN THE SUPREMATIST WORK OF KAZIMIR MALEVICH

Íñigo Sarriugarte-Gómez

395-417
- pdf (Español (España))

Varias

THE PARISH CROSS OF THE CHURCH OF LUCENA DEL PUERTO, JUAN MONSALVES DE SALINAS’S WORK

Antonio Joaquín Santos-Márquez

421-426
- pdf (Español (España))
FOUR NEW PAINTINGS BY JUAN SIMÓN GUTIÉRREZ

José Luis Requena Bravo de Laguna

427-432
- pdf (Español (España))
PROPERTIES OF V. T. O. OF THE SEVILLE CONVENT CASA GRANDE DE SAN FRANCISCO IN THE 17TH CENTURY

María Teresa Ruiz-Barrera

433-446
- pdf (Español (España))
A SPLENDID UNPRECEDENTED PORTRAIT OF JOSÉ RISUEÑO: JOSEPH RISUEÑO: THE BISHOP D. RODRIGO MARIN Y RUBIO

Lázaro Gila-Medina

447-456
- pdf (Español (España))
REFLECTIONS ABOUT THE ARTISTIC FORMATION OF THE SEVILLIAN SCULPTOR BARTOLOMÉ GARCÍA OF SANTIAGO

Juan Antonio Silva Fernández

457-470
- pdf (Español (España))
A PURPOSE OF THE FREE ACADEMY OF FINE ARTS OF SEVILLE

Gerardo Pérez-Calero

471-478
- pdf (Español (España))
CELSO LAGAR. A SUGGESTIVE CONTRIBUTION TO HIS CATALOGUE

Sonia D'Agosto-Forteza

479-483
- pdf (Español (España))
TRINIDAD MORCILLO AS THE REFERENCE FOR DRAWING MADE WITH EMBROIDERY WITH HAIR

María del Carmen Gila-Malo

485-492
- pdf (Español (España))

2022	2021
0.1	N/A

2022	2021
0.07	0.08

No. 26 (2014): LABORATORIO DE ARTE

Tribute

TRIBUTE

Papers

THE GENESIS OF THE IBERIAN STATUARY

THE GOTHIC CATHEDRAL OF JAÉN

THE EARLY WORK OF THE SHRINE CHAPEL OF SANTA MARÍA DE CARMONA

THE ALONSO DE VANDELVIRA´SEVILLIAN STAGE (1588-1609). NEW CONTRIBUTIONS

UNPUBLISHED DOCUMENT ABOUT THE DONATION OF A FAMOUS AND MISSING RELIQUARY BY D. JUAN DE SALCEDO TO MEXICO’S CATHEDRAL

DEFENDING THE BORDER. RENEWAL OF MILITARY ARCHITECTURE IN THE TERRITORIAL STATE HOUSE OF MEDINA SIDONIA (SECOND THROUGH SEVENTH DUKE)

NEW ATTRIBUTIONS TO THE SCULPTOR BENITO DE HITA Y CASTILLO IN THE THIRD CENTENARY OF HIS BIRTH (1714-2014)

“OSTENTATION, SPLENDOR AND SCANDAL”: CARRIAGES IN THE PHILIPPINES FESTIVITIES ON THE 18TH CENTURY

INSTRUCTIONS SET BY THE CARDINAL BORROMEO AND TABERNACLES IN SPAIN IN THE EIGHTEENTH CENTURY

THE SCULPTURE IN THE EIGHTEENTH CENTURY ALTARPIECE IN JEREZ DE LA FRONTERA: AUTHORS AND WORKS

THE PARISH OF SANTA MARÍA DE LA MESA OF ZAHARA DE LA SIERRA,A SETOF THE LAST SEVILLIAN BAROQUE

A PHOTOGRAPH AS SOURCE FOR THE HISTORY OF ART. THE MISSING ALTARPIECE OF THE VIRGIN FOR HELPLESS IN MARCHENA (SEVILLE)

THREE NEW WORKS OF SUSILLO. AN ANGEL AND TWO RELIEFS PASSIONISTS

CARLOS BENÍTEZ AND THE BRIDGES OF THE CUBAN CITY OF MATANZAS IN 1849

STATUE OF MARCELINO MENÉNDEZ Y PELAYO IN THE NATIONAL LIBRARY OF SPAIN

FRANCISCO MURILLO HERRERA (1878-1951). FROM THE CHAIR TO THE LABORATORY

THE ARTISTIC FORMS OF TYPOGRAPHY AND CALLIGRAPHYAS A HISTORICAL MEANS OF EXPRESSION OF THE ZEITGEIST

THE EXPOSITIVE PHENOMENON OF THE CONFRONTATIONS: CLASHES BETWEEN TRADITIONAL AND CONTEMPORARY ART

P. D. OUSPENSKY AND HIS THEORETICAL INFLUENCE IN THE SUPREMATIST WORK OF KAZIMIR MALEVICH

Varias

THE PARISH CROSS OF THE CHURCH OF LUCENA DEL PUERTO, JUAN MONSALVES DE SALINAS’S WORK

FOUR NEW PAINTINGS BY JUAN SIMÓN GUTIÉRREZ

PROPERTIES OF V. T. O. OF THE SEVILLE CONVENT CASA GRANDE DE SAN FRANCISCO IN THE 17TH CENTURY

A SPLENDID UNPRECEDENTED PORTRAIT OF JOSÉ RISUEÑO: JOSEPH RISUEÑO: THE BISHOP D. RODRIGO MARIN Y RUBIO

REFLECTIONS ABOUT THE ARTISTIC FORMATION OF THE SEVILLIAN SCULPTOR BARTOLOMÉ GARCÍA OF SANTIAGO

A PURPOSE OF THE FREE ACADEMY OF FINE ARTS OF SEVILLE

CELSO LAGAR. A SUGGESTIVE CONTRIBUTION TO HIS CATALOGUE

TRINIDAD MORCILLO AS THE REFERENCE FOR DRAWING MADE WITH EMBROIDERY WITH HAIR

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