No. 23 (2011): LABORATORIO DE ARTE

View No. 23 (2011): LABORATORIO DE ARTE

Published: 2011-10-27

Tribute

PROFILE UNIVERSITARY OF PROFESSOR SUÁREZ GARMENDIA

Gerardo Pérez-Calero

13-16
- pdf (Español (España))

Papers

THE ICONOGRAPHY OF THE CRUCIFIXION IN A WORK WRITTEN IN LATIN BY LUCAS OF TUY (S. XIII)

Enma Falque

19-21
- pdf (Español (España))
CHANGE AND CONTINUITY IN THE GOTHIC PROJECT OF THE CATHEDRAL OF SEVILLE

Juan Clemente Rodríguez-Estévez

33-64
- pdf (Español (España))
BOMARZO: AN EXPERIENCE HUMANISTICA AND SENSITIVE

Fernando Martín-Martín

65-77
- pdf (Español (España))
THE CONVENT OF SANTO DOMINGO DE SANLÚCAR DE BARRAMEDA: PATRONAGE OF GUZMAN, CONSTRUCTION PROCESS AND ARTISTIC HERITAGE (1528-1605)

Fernando Cruz-Isidoro

79-106
- pdf (Español (España))
THE GRILLE OF THE SAN PEDRO CHAPEL OF THE CATHEDRAL OF SIGÜENZA

Juan Carlos Hernández-Núñez

107-124
- pdf (Español (España))
THE ILUMINATION IN THE SERVICE OF PRIVILEGED CLASS: THE TITLES OF NOBILITY

Rosario Marchena-Hidalgo

`125-146
- pdf (Español (España))
THE ECCLESIASTIC LUIS FERNÁNDEZ OF CÓRDOBA Y PORTOCARRERO: APPROXIMATION TO HIS CULTURAL PATRONAGE

Sarai Herrera-Pérez

147-163
- pdf (Español (España))
SILVERMITH JUAN BAUTISTA DE HERRERA IN CORDOBA

María Teresa Dabrio-González

165-184
- pdf (Español (España))
THE VELAZQUEZIAN PARAGONE. REFLECTIONS ON THE PORTRAIT OF JUAN MARTÍNEZ MONTAÑÉS

Francisco Javier Navarro-Moragas

185-208
- pdf (Español (España))
TWO PAINTING ABOUT JULIUS CAESAR BY THE FLEMISH MARCO ANTONIO GARIBALDO IN SEVILLE

Nerea V. Pérez-López

209-223
- pdf (Español (España))
PEDRO ROMERO (1638-1711), ARCHITECT OF THE BAROQUE IN SEVILLE

Teodoro Falcón-Márquez

225-251
- pdf (Español (España))
PEDRO DE ARRIETA AND HIS REPORT FROM THE ROYAL INDIAN HOSPITAL (MÉXICO)

Fátima Halcón

253-263
- pdf (Español (España))
THE PROCESSIONAL MYSTERY OF THE CONFRATERNITY OF THE DESPEDIMIENTO, FROM THE PARISH CHURCH OF SAINT ISIDORE IN SEVILLE. SOURCES AND ICONOGRAPHY OF A LOST MYSTERY

José Cesáreo López-Plasencia

265-294
- pdf (Español (España))
LITURGICAL FURNITURE OF THE 18TH CENTURY IN GUILLENA’S PAROCHIAL CHURCH

Juan Antonio Silva Fernández

295-316
- pdf (Español (España))
FRANCISCO PÉREZ DE VALLADOLID AND THE ORGAN OF THE CHURCH OF SANTA ANNA OF TRIANA (SEVILLE)

Ángel Justo-Estebaranz

317-332
- pdf (Español (España))
MAPS OF MEDINA SIDONIA´S PALACE IN SANLÚCAR DE BARRAMEDA OF THE 18 TH CENTURY

María de la Paz Pérez-Gómez

333-349
- pdf (Español (España))
JUAN DE ASTORGA, RESTORER

José Roda-Peña

351-374
- pdf (Español (España))
“PIETATE ET CONSTANTIA”: THE TABERNACLE OF THE PARISH CHURCH IN OLVERA (CÁDIZ), THE XIth DUKE OF OSUNA AND THE END OF A PATRONAGE MODEL

Álvaro Recio-Mir

375-390
- pdf (Español (España))
FOUR NEW WORKS OF SCULPTOR ANTONIO SUSILLO

Juan Miguel González-Gómez, Jesús Rojas-Marcos González

391-414
- pdf (Español (España))
THE MONUMENT TO THE BISHOP OSIO IN CÓRDOBA

Joaquín Manuel Álvarez-Cruz

415-438
- pdf (Español (España))
LOS LAFFITE, A FAMILY OF THE CERAMIC INDUSTRIAL

Sonsoles Nieto-Caldeiro

439-464
- pdf (Español (España))
REVISION AND BASIS PROCESS OF PICASSO´S SCULPTURES WITH MATERIALS AND OPPOSSED OBJECTS IN TREMBLAYSUR MAULDRE AND PARIS, IN 1935 TO 1941

Andrés Luque-Teruel

465-490
- pdf (Español (España))
EVA LOOTZ. THE THOUGHTS LIKE ACTIVE FORCES

Ana Isabel Medina-Curquejo

491-505
- pdf (Español (España))
AN APPROACH TO THE WORK OF JUAN MANUEL MIÑARRO: RELIGIOUS IMAGES MAKER FROM THE SEVILLAN SCHOOL

María Dolores Zambrana-Vega

507-521
- pdf (Español (España))
SIMULATION AT CONTEMPORARY ART: CREATING IDENTITIES IN THE SCREEN ERA

Rocío Aguilar-Nuevo, Paco Lara-Barranco

523-536
- pdf (Español (España))
ART MARKET AND INTERMEDIARIES: A CURRENT PERSPECTIVE

Leticia Pérez-Calero Sánchez

537-550
- pdf (Español (España))

Varias

MONUMENTAL CROSS OF THE WORKSHOP OF JUAN BAUTISTA VÁZQUEZ “EL VIEJO”: WHITE CROSS AT ALCALÁ DEL RIO (SEVILLE)

Antonio José Albardonedo-Freire

553-563
- pdf (Español (España))
FRANCISCO PACHECO, AN UNPUBLISHED WORK IN HIS ARTISTIC CAREER

Antonio Joaquín Santos-Márquez

565-569
- pdf (Español (España))
A WORK OF THE ITALIAN PAINTER GIOVANNI BATTISTA PACE AT THE COLLEGIATE CHURCH OF OLIVARES

Francisco Amores-Martínez

571-580
- pdf (Español (España))
BERNARDO SIMÓN DE PINEDA AND PEDRO ROLDÁN, A FIRST-RATE ARTISTIC DUO FOR THE SACRARIUM OF LA CARTUJA, IN SEVILLE

María Teresa Ruiz-Barrera

581-588
- pdf (Español (España))
THE CANON JUSTINO DE NEVE AND THE CHURCH OF SANTA MARÍA LA BLANCA IN SEVILLE

Teodoro Falcón-Márquez

589-598
- pdf (Español (España))
THE “MISERICORDIA” BRIDGE IN VIVEIRO IN THE EIGHTEENTH CENTURY: TWO UNPUBLISHED DRAWINGS FROM THE NATIONAL ARQUIVE

Alberto Fernández-González

599-608
- pdf (Español (España))
GREGORIO MIGUEL MOLERO ORNAMENTS IN THE NATIONAL MUSEUM OF DECORATIVE ARTS

Jesús Aguilar-Díaz

609-615
- pdf (Español (España))
AN UNPUBLISHED WORK OF JUVENILE PAINTER JOSE JIMENEZ ARANDA

Gerardo Pérez-Calero

617-619
- pdf (Español (España))
AN INTERPRETATION OF SCULPTURED EMPTY SPACE OR “CHÖRA” LIKE A SUBJECTIVE PARTICIPATION OF SPECTATOR IN THE MASTERPIECE

Pedro J. González-García

621-626
- pdf (Español (España))