No. 19 (2006): LABORATORIO DE ARTE

Papers

• THE ALCAZAR OF CARMONA “VERSUS” THE ALCAZAR OF SEVILLE

  Rafael Cómez-Ramos

  9-30

  • pdf (Español (España))

• NICOLÁS GÓMEZ, ILLUSTRATOR OF ISABEL LA CATÓLICA BOOKS

  Rosario Marchena-Hidalgo

  31-48

  • pdf (Español (España))

• A CANTABRIAN MEDIEVAL STONECUTTER IN CASTILLA: MASTER PERO DE CUBILLAS (1496-1525)

  Raúl Romero-Medina

  49-66

  • pdf (Español (España))

• SANTIAGO DE PESQUERA AND JUAN GIRALTE IN THE CITY COUNCIL OF SEVILLE (1541, 1571)

  Juan Antonio Gómez-Sánchez

  67-83

  • pdf (Español (España))

• A ROADSIDE CROSS FROM ROQUE BALDUQUE WORKSHOP’S, COMING FROM THE MONASTERY OF SAN ISIDORO DEL CAMPO, IN THE COLLECTION OF THE ARCHAEOLOGICAL MUSEUM OF SEVILLE

  Antonio J. Albardonedo-Freire

  85-99

  • pdf (Español (España))

• A BOUT THE SILVERMITHING AND THE EPHEMERAL ARCHITECTURE. NOTES ON ITS FORMAL RELATIONSHIP THROUGH SOME SEVILLIAN EXAMPLES OF 16TH CENTURY AND FIRST THIRD OF THE 17TH CENTURY

  Manuel Varas-Rivero

  101-121

  • pdf (Español (España))

• TWO ORGANS FROM 16TH AND 17TH CENTURIES NOWADAY DISAPPEARED: HOLY GHOST OF TRIANA AND SAINT MICHEL

  Ángel Justo-Estebaranz

  123-142

  • pdf (Español (España))

• TWO UNUSUAL REPRESENTATIONS OF ORPHEUS IN THE CONTEXT OF RENAISSANCE AND BAROQUE EMBLEMS

  María Paz López-Peláez Casellas

  131-142

  • pdf (Español (España))

• THE MAIN ALTARPIECE OF THE MERCED CALZADA IN ÉCIJA

  Gerardo García-León

  143-171

  • pdf (Español (España))

• BERNARDO SIMÓN DE PINEDA AND ITS TRAINING IN CADIZ WITH THE ARCHITECT OF ALTARPIECES ALEJANDRO DE SAAVEDRA

  José Luis Romero-Torres

  173-194

  • pdf (Español (España))

• THE HOLY GHOST CONVENT OF SEVILLE, NAMED “LOS MENORES”, FROM THE REGULAR MINOR CLERGYMEN

  Matilde Fernández-Rojas

  195-214

  • pdf (Español (España))

• ABOUT THE CROCIFIX OF PEDRO DUQUE CORNEJO: TWO NEW VERSIONS IN UMBRETE AND CHUCENA

  José Roda-Peña

  215-229

  • pdf (Español (España))

• A MANUSCRIPT FROM THE SEVILLIAN ALCAZAR OF ALONSO CARRILLO DE AGUILAR: A CONTRIBUTION TO THE SEVILLIAN ARTISTIC HISTORIOGRAPHY OF 18TH CENTURY

  Salvador Hernández-González

  231-245

  • pdf (Español (España))

• THE GUZMANES SEVILLIAN PALACE, ACCORDING TO TWO MAPS OF MIDDLE OF 18TH CENTURY

  Fernando Cruz-Isidoro

  247-262

  • pdf (Español (España))

• SEVILLIAN SCULPTURE IN LA PALMA ISLAND. WITH RESPECTTO CAYETANO DE ACOSTA

  Francisco Javier Herrera-García

  263-285

  • pdf (Español (España))

• THE ARTISTIC PATRIMONY OF THE I MARQUIS OF LORETO (1687-1772) AND OF THE FAMILY DEL CAMPO

  Teodoro Falcón-Márquez

  287-302

  • pdf (Español (España))

• THE NEOCLASSIC TRANSFORMATION OF THE PRIORAL CHURCH OF EL PUERTO DE SANTA MARIA (CADIZ): TABERNACLE, PRESBITERIO AND CHOIR

  Álvaro Recio-Mir

  303-327

  • pdf (Español (España))

• THE SEVILLE OF THE CUSHING COUPLE. JANUARY, 1830

  Rocío Plaza-Orellana

  329-347

  • pdf (Español (España))

• A YOUTHFUL ALBUM OF DRAWINGS OF THE PAINTER JOSE JIMÉNEZ ARANDA

  Gerardo Pérez-Calero

  349-368

  • pdf (Español (España))

• THE ESCULTOR NICOMEDES DÍAZ PIQUERO

  Joaquín Manuel Álvarez-Cruz

  369-388

  • pdf (Español (España))

• EDUARDO MENA, A PAINTER FROM THE AMBROZ VALLEY

  Andrés Luque-Teruel

  389-421

  • pdf (Español (España))

• MANUEL LÓPEZ CEPERO AND THE REFORM OF THE UNIVERSITY CHAPEL OF SEVILLE

  Francisco S. Ros-González

  421-452

  • pdf (Español (España))