Abstract
It is well known all the benefits it has brought nanotechnology and digitization to express themselves through visual language, which it has made possible for anyone, with a minimal investment in equipment and desire to do things, to create a film or video , so that we can say that one of the greatest achievements of these technological advances is that it opens the door to the democratization of communication media are the most impact are in the audience and reach the widest audience. But the main problem remains the same: The distribution and exhibition of audiovisual products, because this sector is co-opted by large transnational corporations that are organized oligarchic just responding only to the interests of the economic and the dominant ideology forming a conspiracy with the various national governments in which only let the audience see what they want, creating the figure of a disguised censorship. Under these circumstances the only thing left is to seek new forms of delivery for their products reach the public, finding some alternatives in the rent of movie theater, the internet and piracy.
References
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GARCÍA RIERA, Emilio (1998) “Breve Historia del Cine Mexicano”, México, Ed. Mapa. México, 1998
LAY, Tonatihu (2008): “La ley mexicana de cinematografía”, Guadalajara (México), Ed. Universidad de Guadalajara
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Entrevistas:
- Edgar Méndez Demos, exhibidor cinematográfico, 2008
- Ángel Moreno Ramos, distribuidor y exhibidor cinematográfico, 2008
- Alejandro Leyva Gómez, director del mercado San Juan de Dios, 2011.
- Dra. Tais Ríos, Investigadora Brasileña. 2010
- Oscar Palacios, cineasta. 2011.
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Copyright (c) 2012 Pedro Matute