Idrissa Ouedraogo, a Filmmaker in Search of Humanity
portada 21(2)
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Keywords

Idrissa Ouedraogo, cine africano, cine político, análisis fílmico, Burkina Faso. Idrissa Ouedraogo, African cinema, Political cinema, Film analysis, Burkina Faso.

How to Cite

Gutierrez Sanchez, J. S. (2023). Idrissa Ouedraogo, a Filmmaker in Search of Humanity: The Thin Line Between Commitment and Spectacle in African Auteur Cinema. COMMUNICATION. International Journal of Audiovisual Communication, Advertising and Cultural Studies, 21(2). https://doi.org/10.12795/Comunicacion.2023.v21.i02.04
Received 2023-10-15
Accepted 2023-11-22
Published 2023-12-22
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Abstract

The acclaimed Burkinabé filmmaker, Idrissa Ouedraogo, has left an indelible mark on the African cinematic landscape. With a career spanning over three decades, his body of work has consistently reflected the intricacies of life, culture, and society in Africa. This scholarly article delves into the life and legacy of Idrissa Ouedraogo, shedding light on his contributions to the world of cinema and his enduring influence on African storytelling. Focusing on the controversy that emerged following the release of  Yaaba, we will explore various facets of his work, including his emphasis on entertainment as opposed to politically charged cinema, his contribution to the diversity of African filmmaking, and his distinctive style and impact on the art of cinematography.

https://doi.org/10.12795/Comunicacion.2023.v21.i02.04
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References

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Andrade-Watkins, Claire (1992) Reviewed Works: Wend Kuuni Gaston KaboreZan Boko Gaston KaboreYaaba by Freddy Denaes, Pierre-Alain Meier, Idrissa Ouedraogo; Tilai Idrissa Ouedraogo. The American Historical Review, 1143-1146. https://doi.org/10.2307/2165499

Pfaff, Françoise (1992). Five West African Filmmakers on Their Films. A Journal of Opinion, 31-37. https://doi.org/10.2307/1166989

Harrow, Kenneth (2018). In Celebration of Idrissa Ouedraogo (1954-2018). African Studies Review, 61(3), 178-181. https://doi.org/10.1017/asr.2018.72

Barlet, Olivier (2018). The Huge Contribution to Cinema of Idrissa Ouedraogo. African Studies Review, 61(3), 181-190 https://doi.org/10.1017/asr.2018.68

Nagib, Lucia. (2017) Yaaba, cinefilia e realismo sem fronteiras. Revista África(s), 4 (7). pp. 61-70.

Tchouaffe, Olivier-Jean (2018) Rituals of Illumination and Elective Affinity in Idrissa Ouedraogo’s Cinematic Legacy. African Studies Review, 61(3). pp. 194 - 201

DOI: https://doi.org/10.1017/asr.2018.70

Tcheuyap, Alexie (2018) Against the “one Cinema system” Idrissa ouedraogo and the Invention of Contemporary african films. African Studies Review, 61(3). pp.201-206 https://doi.org/10.1017/asr.2018.75

Teno, Jean-Marie (2018) Farewell my friend! African Studies Review, 61(3). pp. 209-211 doi:10.1017/asr.2018.74

Matthews Green, Mary Jean (2005) Questioning African Cinema: Conversations with Filmmakers. South Central Review, Volume 22, Number 2, Summer 2005, pp. 141-143 (Review) https://doi.org/10.1017/asr.2018.70

Thackway, Melissa (2018) “the World should be open to film”: an Interview with Idrissa ouedraogo. African Studies Review, 61(3). pp. 191-193 doi:10.1017/asr.2018.71

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2023 Julia Sabina Gutierrez Sanchez

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